Biju (Rahman) spends his vacation in his father's ancestral village. Krishnankutty (Gopi) and Sivaraman (Nedumudi), the caretakers of his father's property siphons off the produce from the land without Biju's knowledge. Meanwhile Vinodini (Zareena Wahab) comes to the village as a bank officer. Biju and Vinodini become friends and she considers him like a brother to her.
Biju (Rahman) spends his vacation in his father's ancestral village. Krishnankutty (Gopi) and Sivaraman (Nedumudi), the caretakers of his father's property siphons off the produce from the land without Biju's knowledge. Meanwhile Vinodini (Zareena Wahab) comes to the village as a bank officer. Biju and Vinodini become friends and she considers him like a brother to her.
1985-01-11
4
Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.
The story revolves around the dangers of superstition, particularly when it concerns marriage and how unscrupulous elements in society could manipulate these beliefs to their benefit and lead to tragic consequences.
After serving three years in prison for a bank robbery, Joe Dasco is released and reunited with his son. Together they both go looking for work in the Texas oil fields. Not being able to hold a steady honest job, Joe Dasco along with a few men that he befriends along the way attempt to kidnap an oil baron's son. The kidnapping fails and Joe Dasco is shot and killed. His son Joey is then left alone but inherits what his father fought and died for.
SWANS recorded live 2013. Track listing: To Be Kind (20:41) - Just a Little Boy (10:06) - Coward (8:36) - She Loves Us (18:17) - Oxygen (7:17) - The Seer / Toussaint L'Ouverture (45:35)
After their occupation of Korea, Japanese imperialists forcibly disband Korean army and engage in all sorts of schemes to suppress the daily growing anti-Japanese sentiments of the Korean people. The film unfolds the story of a big-game hunter's family, who risk their lives to frustrate Japanese's plot to violate the spirit and soul of Korean nation by driving an iron stake on the ancestral mountain of Paektu
This small film came out of the material edited for Sokurov's five-hour documentary Spiritual Voices.
Jazz Icons: Dave Brubeck boasts two beautifully filmed concerts from one of the most beloved quartets in jazz history. Captured at the pinnacle of their power and popularity, Paul Desmond (alto sax), Joe Morello (drums), Eugene Wright (bass) and Dave Brubeck (piano) explore the trails they blazed into the realm of odd time signatures with "Forty Days" and two versions of their groundbreaking hit "Take Five", as well as forays into world music with two unique interpretations of "Koto Song". Their intimate onstage chemistry and impeccable musicianship made the DBQ an award-winning jazz supergroup.
In the autumn of '43, Mina, a little girl of Jewish origin, is entrusted to farmers in the Cévennes. Shocked by Jeroboam's frustrated manners and Deborah's cruel reflections - who is still suffering two centuries later from the struggle between Protestants and Catholics - Mina thinks she'll find refuge with Jeannot. But the young boy doesn't like girls and mistreats Mina. Fortunately, she has a friend: the village pastor. Thanks to him, she can go to school. Despite their constant bickering, Mina takes a liking to Jeannot. She convinces him to come to school with her. Together, they go for walks or take advantage of the passage of maquisards to force open the cellar door where hams hang! The arrival of an "informer" at the little school and encounters with the Germans disturb Jeannot.
"SAVING THE PROOF is a complex transformation of an ordinary action: a woman walking. The rhythm of her gait and the pulsating, repetitive sounds counterpoint with alternating images of her transversing city streets, passing windows and fences, descending stairs. As the images repeat and vary with mathematical precision, one becomes more interested in the process itself than in her destination. What appears to have been simple breaks down into a complex system of dichotomies, both in form and in content: city/country, completeness/fragmentation, presence/absence, illusion/reality, light/shadow, negative/positive, fiction/documentation. The film climaxes in a spectacular burst, as one feels that the film is literally coming apart. It ends as it began, as one long chain that can be interrupted at any point, and yet can only be seen as a whole piece." - Margaret Ganahl, Camera Obscura
The life of an empty-minded man suddenly becomes fulfilled when a beautiful otherworldly figure appears in his life. Forever charmed, the man completely fell for her enchanting dark sorcery.