Running on Empty (German: Der Lebensversicherer) is a 2006 German drama film directed by Bülent Akinci. It was entered into the 28th Moscow International Film Festival where Jens Harzer won the award for Best Actor.
Running on Empty (German: Der Lebensversicherer) is a 2006 German drama film directed by Bülent Akinci. It was entered into the 28th Moscow International Film Festival where Jens Harzer won the award for Best Actor.
2006-02-14
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A slightly sinister but charming young man falls in with a young mother and daughter and her boyfriend on a camping holiday and leads them astray.
Trucker Rubber Duck and his buddies Pig Pen, Widow Woman and Spider Mike use their CB radios to warn one another of the presence of cops. But conniving Sheriff Wallace is hip to the truckers' tactics, and begins tricking the drivers through his own CB broadcasts. Facing constant harassment from the law, Rubber Duck and his pals use their radios to coordinate a vast convoy and rule the road.
High school student Tomoyuki (Hoshi Ishida), his father (Kazuhiro Sano), and Yuki (Miwako Wagatsuma), a girl that Tomyuki likes, gather together as a family and performs road shows out of their truck. A sense of loss, farewells, and relations are all brought out.
Zia, distraught over breaking up with his girlfriend, decides to end it all. Unfortunately, he discovers that there is no real ending, only a run-down afterlife that is strikingly similar to his old one, just a bit worse. Discovering that his ex-girlfriend has also "offed" herself, he sets out on a road trip to find her.
Arthur is a 30-year-old child who will inherit $750 million if he complies with his family's demands and marries the woman of their choosing.
Vlasta and Tonda don't have much longer to live but they do have one more important task ahead of them - to find and kill the communist prosecutor who sent them to prison in the 1950s. An unusual road movie about two former political prisoners who fight for justice despite every obstacle.
13-year-old Lucas makes a new friend in his classmate Lais, and joins her on an epic journey to find the father she has never known.
While Native American Wolf is being pursued by the FBI for having taken the law into his own hands, when his mother was raped and killed on their reservation he crosses paths with Cash, a down and out musician who is coping with the end of his marriage. An unlikely friendship develops, as they ride together towards the Teton mountain range, where Wolf will spread his mothers ashes.
A driver is sent on a simple errand: to pick up a designer t-shirt and a tin of viagra for his boss, who is shacked up in a hotel with his lover. Simple as it sounds, the road trip crisscrosses the chasms of time, class, and character.
One night, after a disastrous traffic accident, witnesses reported seeing a woman behind the wheel who fled the scene. In reality, it was four teenagers who stole a Peugeot 404 for a spin. Later, one of them got out and began hitchhiking, while the others were involved in a fatal accident after being chased by the police shortly afterward. The police continue their intensive search for the fourth teenager.
Long-haul driver Hannes (Manfred Krug) picks up a young hitchhiker, Herb (Jaecki Schwarz), who had a falling-out with his parents after dropping out of college and now travels around doing odd jobs. After a series of adventures, they are joined by Johanna (Jutta Hoffmann) and her child, who missed their bus and need a ride to Berlin. Johanna has left her husband so that he can reflect on their broken relationship and both men gradually begin to fall in love with her.
A young man living in a cold southern village in South America, decides to start a trip looking for his father. By doing this he discovers unexpected facts about his Latin American essence.
Patagonia narrates the journeys of two women - one looking for her past, the other for her future. The film inter-cuts between their stories, in which one of them travels south to north through the Welsh springtime and the other east to west through the Argentine autumn.
Middle-aged cinephile and film projectionist Pera still lives with his mother - and best friend - Mara, in Belgrade. It's 1999 and when NATO bombs start raining down on Serbia, the two of them become refugees. After a surreal journey, they end up in New York, where Pera realizes that he can no longer do the old job he loved so much. While he and Mara were struggling to survive, the new age of digital projection was born. Then Pera stumbles upon some discarded projectors and his new mission in life becomes clear: he will travel around and show people the magic of Real Cinema - the magic that can only be created by celluoid, mechanical projectors, the silver screen and flickering light.
A trailer is burning in the middle of a plain. The bodies of two adulterous lovers are found. Scenes from both families, before and after the dramatic events, suggest an unusual connection between them. But what is their secret?
Centring on the activities of a gang of assorted criminals and, in particular, their leader – a vicious young hoodlum known as "Pinkie" – the film's main thematic concern is the criminal underbelly evident in inter-war Brighton.
Three teenage girls come of age while working at a pizza parlor in Mystic, Connecticut.
In this pitch black comedy the rivalry between two neighbors escalates into an all out war. Through a maintenance error on a tractor they both end up, paralyzed, in a wheelchair. It seems they are doomed to stay together. They no longer focus their rage on each other but on the manufacturer of the tractor, in Helsinki. So get ready for a hilarious wheelchair road movie.
Dorian and Angus chase down their womanizing stepfather with a helicopter, frightening him to death. In his effort to cover their tracks, Dorian begins investigating his stepfather's mistress, Sally. She works at a fast-food drive-through, she's pregnant and Dorian quickly falls in love with her. Unfortunately, his scheming mother wants Sally dead. And Sally isn't sure she wants Dorian to be her child's father and also his brother.