Love & Fascism In The 21st Century(2018)

We Could All Do With a Little Back & Forth As Far As It Concerns the To & Fro of Everywhere Each of Us Go(en)

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

The Steel Trap(en)

Joseph Cotten plays an assistant bank manager who steals $1,000,000 from the safe late on a Friday and then plans to flee to Brazil over the weekend.

Above the Lake(ru)

Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.

AN7R0i7E(es)

Nestor is a boy immersed in melancholy. In an attempt to forget an old love, he begins a relationship with Isabel, an android.

Gray's Anatomy(en)

The film documents, in an often dramatic and humorous fashion, Gray's investigations into alternative medicine for an eye condition (Macular pucker) he had developed.

Attire(pt)

After going through a hiring process for a company based on São Paulo, Daniel, that came from another city, now needs to deliver them some important documents. However, he is blocked from the entrance because he is wearing shorts.

Carta a Boris(es)

Writing late becomes usual, we are always too late. Boris was my alter ego and I was his alter ego. Now that he is no longer here, I can be honest.

Almost Anything(en)

Centrist revelations abound among repetitions & revisitings.

All Those Things(en)

Something I know or something I was told? When something scalding translates something to behold.

No Impersonator , Perpetrator(en)

Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.

Tarde de domingo(es)

Remastered Brutality(tr)

Alinur, a student filmmaker, tries to make a film about the apocalypse for his capstone project. The movie itself happens to be about a mercenary named M who inadvertently causes an apocalypse. As he tries to “create” the destruction of this supposed apocalypse through utilizing technical gimmicks that he has enforced onto the production of the film, this supposed effort also creeps in as a force that starts to “destroy” him, piece by piece. The outcome of it tests the sincerity of not only the film itself but also of the performative efforts that Alinur has made as a filmmaker—even this test might not be as sincere as it seems.

Four Years of Solitude(en)

A written testimony by co-director Jin Ryoo on his experience preparing for Korean compulsory military service is juxtaposed with images of an empty UCSD campus, the desolate construction sites sprawling off of it, and the Mt. Soledad Veterans Memorial.

Waiting for Guffman(en)

Aspiring director Corky St. Clair and the marginally talented amateur cast of his hokey small-town musical production go overboard when they learn that Broadway theater agent Mort Guffman will be in attendance.

Scroll on Thru(en)

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Tetsuo II: Body Hammer(ja)

A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.

O malém světě(cs)

Let Us Persevere in What We Have Resolved Before We Forget(en)

On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted and time passes slowly while the inhabitants await the return of the mysterious John.

The Libertine(en)

The story of John Wilmot, a.k.a. the Earl of Rochester, a 17th century poet who famously drank and debauched his way to an early grave, only to earn posthumous critical acclaim for his life's work.

Shine a Light(en)

Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.