The short film "L'Ottimista Sorridente" was Luis Sergio Person's graduation work when he was studying directing between 1961 and 1963 at the Centro Sperimentale di Cinematografia in Rome, Italy.
The short film "L'Ottimista Sorridente" was Luis Sergio Person's graduation work when he was studying directing between 1961 and 1963 at the Centro Sperimentale di Cinematografia in Rome, Italy.
1961-03-09
5
My name's Arthur, a huge Internet star who's just hit 3 million subs. While in the midst of throwing an epic party to celebrate, the universe had the balls to bring on the effing apocalypse and cut my night short. What was supposed to be a perfect hangover, has turned into an epic fight for survival.
It follows a young man who dreams of becoming a general and Ying Zheng, whose goal is unification.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
Picking up several years after the dissolution of the original Borgman team, this volume reunites the three remaining members--rocket scientist Ryo, his girlfriend Anise, and police officer Chuck Sweager--for the emotionally-driven episode "Lover`s Rain," which finds the trio facing an army of the undead bent on a rampage of murder and destruction.
An experimental short film rendered using real-time graphics. Through contrasting a vibrant, virtual paradise with a dark reality, the film reflects upon humanity’s ignorance of their destructive nature on earth; the innocence of youth and the indifference of adulthood.
The series focuses on the adventures of Arata Kasuga, a high school student, who is targeted by Lilith, a teacher at a mystical school. Given three choices in an effort to help save the breakdown phenomenon of the world by evil forces and while attempting to solve the mystery of his beloved cousin and childhood friend, Hijiri, who disappeared to a difference space.
A is a 1998 Japanese documentary film about the Aum Shinrikyo cult following the arrest of its leaders for instigating the sarin gas attack on the Tokyo subway in 1995. The film focuses on a young spokesman for the cult Hiroshi Araki, a troubled 28-year-old who had severed all family ties and rejected all forms of materialism before joining the sect. Director Tatsuya Mori was allowed exclusive access to Aum's offices for over a year as news media were continually kept out. However, despite the documentary's unique perspective on Aum's internal workings, it was not financially successful. Mori released the sequel A2 in 2001, which followed the dissolution of the cult in the absence of their leader, Shoko Asahara.
Lu has a perfect life. Or so she pretends to have. She meets the handsome, short-tempered Argentinian, Diego, who is on a visit to Mexico, and she is confident to get him head over heels in love with her. In order to win a wager with her friends, her life will take a turn when she does the impossible to win him over, including taking a trip to Argentina to look for him.
This is an April Fool's joke by Nitroplus. On 01.04.2011, an official website for Mahou Shoujo Sonico Magika, a parody of SoniComi (a game by Nitroplus), was opened with the announcement of it being a TV anime. On the same day, the opening video for the so called TV anime was released on YouTube by NitroPlusChannel. This opening is essentially the entire anime. The title is a clear reference to Mahou Shoujo Madoka Magika, a TV anime which screenplay was written by a Nitroplus staffer Urobuchi Gen, who also got credited for screenplay for this anime on the official page. No screenplay was ever written, of course.
Michel, the jovial owner of the only café in a small Normandy town, sees his life turned upside down when his teenage daughter is murdered. The community has his back but soon rumor spreads and Michel is singled out. From the ideal father, he becomes the ideal culprit.
San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.