Pasaiako badia(2017)

The Basque Ball: Skin Against Stone(es)

An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.

Kukutza III(es)

Kukutza III was a gaztetxe (self-managed social centre) in the neighbourhood of Rekalde, Bilbao. It was occupied in 1998, and it was evicted by the police in 2011. The documentary shows some activities that were hosted by the gaztetxe.

Mother Earth(eu)

'Ama Lur' is a documentary, directed by Nestor Basterretxea and Fernando Larruquert, that premiered in San Sebastián in 1968, and it is considered the foundation of Basque cinema.

Natura Bizia(es)

The Demise of ETA(es)

The chronicle of the process, ten long years, that led to the end of ETA (Euskadi Ta Askatasuna), a Basque terrorist gang that perpetrated robberies, kidnappings and murders in Spain and the French Basque Country for more than fifty years. Almost 1,000 people died, but others are still alive to tell the story of how the nightmare finally ended.

Face to Face with ETA: Conversations with a Terrorist(es)

An in-depth interview with José Antonio Urrutikoetxea, known as Josu Ternera, one of the most relevant leaders of the terrorist gang ETA.

Erreferenduma(eu)

Pilot chapter of the film series 'Ikuska', a compilation of shorts on the Basque Country’s culture and politics. A documentary about the referendum on the Spanish constitution.

Impuros(es)

Exergo(eu)

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Trece entre mil(es)

The abject crimes of the terrorist gang ETA have marked the lives of many Spaniards; men, women and children who were silenced, harassed, persecuted, finally murdered. Thirteen stories, thirteen tragedies, just thirteen among thousands.

Euskadi, Summer 1982(fr)

Part of a series in which foreign filmmakers portray a region or town in France. Otar Iosselani looks at the Basque region and its inhabitants.

In Ictu Oculi(eu)

The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.

Lagun and the Resistance Against ETA(es)

The turbulent story of the Lagun bookstore — located in San Sebastián, in the Basque Country, Spain — is a powerful tale of courage, resistance and struggle; first against the Franco dictatorship, then against the terrorist gang ETA and its numerous and sinister acolytes.

Pursued(es)

Basque Country, Spain. No one seems to know them. Some glances avoid theirs. Their social circle becomes smaller and smaller. They live under escort, watched by those who protect them and by those who threaten them: it is the experience of living in the shadow of ETA, a savage terrorist gang of unscrupulous criminals… of merely existing under the yoke of those who tomorrow could be their executioners.

Olvidados(es)

The relatives of the victims of the terrorist gang ETA speak of their suffering, their fear, their loneliness; of the systematic oblivion to which they are subjected by Basque society, both by those who remain silent and look the other way and by those who, accomplices of the criminals, share their repugnant ideology and celebrate extortion, kidnapping and murder, thus contributing to perpetuating a bloody reign of terror.

Sin libertad: 20 años después(es)

El instante decisivo(es)

Spain, 1997. The story of twelve days in July during which Basque society left indifference and fear behind and faced the threat of the terrorist group ETA.

Stepping Into the Boundary(eu)

Donostia-San Sebastián, Basque Country, Spain, 2011. Maider, a filmmaker, moves to the very same flat where pedadogist Elbira Zipitria Irastorza (1906-1982) clandestinely established the first ikastola, a Basque school, under the harsh regime of dictator Francisco Franco. Despite of her pioneering work, developed throughout thirty years, her story is not well known, so Maider, intrigued, begins to research…

El infierno vasco(es)

The Scars(eu)

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?