Time Has Come(2005)

NULL(en)

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

Dschugaswili from Georgia(de)

Forced collectivism, famines, errors and mistakes mark Stalin´s ruthless rise to dictorial power and only increase his madness until he even declares a chicken to be an English spy that should be liquidated.

Nullarbor(en)

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

Pain(en)

Julien and Celeste are living together, barely functioning in a relationship as Julien incurs mysterious seizures which is tearing their relationship apart. An opportunity to baby sit Celeste's twin sister's new born baby and Julien is tasked with controlling his erratic behaviour caused by unknown reasons.

PAIN(pt)

P.A.I.N(en)

The Bio-Pic on the Life of John West Jr

No Trace(fr)

In a near future, a callous smuggler hardened by life guides a pious young woman and her child across the border to safety, unaware that their destinies are inescapably linked in this inhospitable land.

Divines(fr)

In a ghetto where religion and drug trafficking rub shoulders, Dounia has a lust for power and success. Supported by Maimouna, her best friend, she decides to follow in the footsteps of Rebecca, a respected dealer. But her encounter with Djigui, a young, disturbingly sensual dancer, throws her off course.

1-2-3(es)

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

Nulliparous Women(es)

In a pub in Madrid's downtown, a group of workmates meets to celebrate a birthday party. There, the singular characters share their opinions about education, maternity and other matters about life. In the middle of that, Lucía tries to behave normal, but in her head, there is only one thing: She may be pregnant and if it's confirmed, she would be forced to face one of the most difficult decisions: became a mother or not. A story about maternity, friendship, and identity.

Uyare(ml)

An aspiring pilot fights for her future -- and justice -- after surviving an acid attack from her abusive boyfriend.

War(xx)

Mini-gladiators locked in an epic battle.

Gingerdead Man 3: Saturday Night Cleaver(en)

The gingerdead man travels back in time to 1976 and carries out an epic disco killing spree.

Vada Chennai(ta)

Anbu, a young carrom player in North Chennai becomes inadvertently involved in an ongoing conflict between two local gangsters.

This Is Måneskin(it)

Dear Ex(zh)

When Sanlian's ex-husband passes away, she discovers he has altered his insurance policy, cutting out their son in favor of a stranger named Jay.

Palkó Csinom(en)

The musical adventure film goes back to the early eighteenth century, the times of the battles between the Hungarian insurrectionists and the pro-Austrians. Palkó and Jankó are about to join the insurrectionist army when they clash with a pro-Austrian troop. Jankó is captured and put in Count Koháry's prison.

Revenge Porn: PAIN OF LOVE(ja)

Rei is a college student in the midst of finding a job. She confesses her love to Mikio, a senior whom she admires. Mikio soon demands that she perform perverted acts.

Julian Po(en)

Christian Slater is a stranger who comes to a small town. The local citizens think he's up to no good. After bothering him for a while, he blurts out in frustration, that he is there to kill himself.

In This Corner of the World(ja)

Japan, 1943, during World War II. Young Suzu leaves her village near Hiroshima to marry and live with her in-laws in Kure, a military harbor. Her creativity to overcome deprivation quickly makes her indispensable at home. Inhabited by an ancestral wisdom, Suzu impregnates the simple gestures of everyday life with poetry and beauty. The many hardships, the loss of loved ones, the frequent air raids of the enemy, nothing alters her enthusiasm…