Bangkok Nights[1994]

Disney Presents: Main Street Electrical Parade - Farewell Season(en)

Catch the spark after dark at Disneyland Park. And say farewell to one of the Magic Kingdom's most celebrated traditions - The Main Street Electrical Parade. Where else, but in The Main Street Electrical Parade, could you see an illuminated 40-foot-long fire-breathing dragon? And hear the energy of its legendary melody one last time? It's unforgettable after-dark magic that will glow in your heart long after the last float has disappeared.

Gasping for Air(tl)

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

Change(en)

I was somewhere between the beggining and the end of life. After winter became spring, and summer became fall, and fall winter again. I always knew change would be constant.

Cafe Tacuba - Un Viaje(es)

Mexican band Cafe Tacuba celebrates 15 years of making--and often revolutionizing--Spanish rock with Un Viaje. This lush, luxurious live set includes three discs of music and one electrifying DVD. The group has culled the best moments from a two-night stand in Oct. 2004 at the Palacio de los Deportes in Mexico City, and the results are consistently electric. Every song, every rhythm, every guitar lick, every laugh is important, a not-to-be-missed moment. Cafe Tacuba's potent mix of music and message is a powerful thing, and the group thrives in its unflinchingly earnest, sweetly sincere approach to its art. Even during backstage interviews and recording studio hijinks, each member seems wholly pleased to be a part of the process. Throughout the proceedings, Cafe Tacuba's ardent fans thank them with hoots, hollers and constant singalongs to almost every song, making Un Viaje a joyous trip for everyone involved.

Ni Main Sass Kuttni 2(pa)

A vengeful mother-in-law locks horns with her daughter-in-law in a twisted tale laced with dark comedy, political intrigue, and chilling thrills.

Les Petites Mains(fr)

After the closure of a lace factory in Calais, Andrée, Lulu and Solange are out on the street.

Fight club camp kusse(da)

Intimacies(ja)

Hamaguchi wrote and directed this film as a graduation project for the students at ENBU Seminar (film and theater school in Tokyo) when he taught there. It is a three-part film: The first part is a documentary-style production of a play; Then the actual full stage production of the play; and the epilogue. Poetry and written words play the central role in the movie.

We Want You To Win(ar)

A Kuwaiti comedy play starring Dawood Hussain & Intesar Al Sharrah.

Pansamantala(tl)

The story follows Lance and Benj—two teenage boys navigating their emotions and friendship in a serene Pangasinan town. Inspired by the song of the same name by P-Pop boy group Press Hit Play.

Mai(mr)

As the months pass through her, Mai gives us a glimpse into old age that explores between being abandoned and being belonged, passing the time and living the time.

Times Square Lady(en)

A young Iowa woman inherits her late estranged father's New York business, but the dead man's crooked associates think they can outwit the naive heir and seize control.

Painting for the main bedroom(el)

A man is painting a landscape. A woman is holding two cups. What can go wrong? A nightmare in pink.

Karla & Katrine(da)

Karla invites Katrine to spend the holidays with her, hoping they might become best friends. As it turns out, nothing goes as planned. Karla meets Jonas and falls in love for the first time, and she nearly forgets all about Katrine. However, the two girls are forced to put their difficulties aside for a while, as they join Jonas in exposing a local gang of thieves.

Fae(en)

Three teens journey into the forest, eager to show their friend the faerie ring they've discovered.

Sioux Rapids(en)

A thrilling ride through liquid spaces and wild dimensions.

Film(en)

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri