Boarding Pass(2017)

Gasping for Air(tl)

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

Kill Shot(en)

Posing as hunters, a group of terrorists are in search of $100 million that was stolen and lost in a plane crash en route from Afghanistan.

Do-Re-Me(en)

Hong Kong movie

1-2-3(es)

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

BoOzy’ OS and the Cristal Gem(fr)

Coming from outer space, an intergalactic cow invites BoOzy’ OS to join the biggest animation film festival of the universe. BoOzy’ imagines himself winning the competition and decides to seek the famous "Cristal" of Annecy, with the help of OSmic the Hedgeh' OS and other cool dudes. But the dark paunchy Mari' OS is determined to recover the loot before him.

Change(en)

I was somewhere between the beggining and the end of life. After winter became spring, and summer became fall, and fall winter again. I always knew change would be constant.

With a Right to Kill(da)

This documentary looks at the Danish resistance movement's execution of 400 informers during the Nazi occupation and the ensuing cover-up.

For freedom and justice(da)

1-2-3(en)

“1-2-3” explores the harrowing tale of human trafficking in the country.

123(fr)

Nixon Newell: First Female of Fight Club(en)

Since 2013, Nixon Newell has travelled the world as a professional wrestler. This is the story of her goodbye to independent wrestling.

Way Back Home(ko)

Jeong-won, who forgot the past and lives a peaceful marriage, receives a phone call from the police one day. The man who sexually assaulted her has been caught and the news shakes up the couple’s life and breaks down their daily lives.

Quadro Branco(en)

In a world where society is controlled by a totalitarian regime and children are the tool of ideological formatting, Isa realizes that her child is different from the others and that this will bring consequences to her life.

Sherlock Holmes: Reinvented(en)

Making of featurette for Sherlock Holmes (2009).

Hannibal Hopkins & Sir Anthony(en)

Hopkins’ career has spanned several decades, which is why we will also use many interviews that he gave throughout his life, allowing us to put him back into the context of each period and will be helpful in understanding his role in the history of cinema, because he was far from following the trends. He never belonged to any film movement; he is a chameleon that has always preferred natural acting, ‘non-acting’ when method acting was the fashion.

Avé(bg)

While hitchhiking from Sofia to Ruse, Kamen meets Avé, a 17-year-old runaway girl. With each ride they hitch, Avé invents new identities for them, and her compulsive lies get Kamen deeper and deeper into trouble. Reluctantly drawn into this adventure, Kamen begins to fall in love with the fleeting Avé.

My Super Psycho Sweet 16: Part 3(en)

As she leaves for art school in New York, Skye gets a phone call from Alex. Skye hasn't heard from Alex in two years, but before she can move on with her life she needs to tie up some loose ends. Unfortunately, someone else has the same idea, and they're stalking and slashing their way through Alex's Sweet 16 party at her grandparents' isolated estate.

Directed by Andrei Tarkovsky(sv)

This documentary offers a rare glimpse of the legendary Soviet filmmaker, Andrei Tarkosvky, at work. Tarkovsky made only seven films in his brief, but brilliant, career; Michal Leszczylowski's respectful movie chronicles him at work on his last film, The Sacrifice. Offering insight into Tarkovsky's working methods and transcendental aesthetics, the movie is a compelling account of the difficulties of film production. In the case of an uncompromising and visionary filmmaker like Tarkovsky, the practical problems of filmmaking are only magnified, as cast and crew struggle to realize the ambitious concepts in Tarkovsky's mind.

Los Hermanos - Produzindo o álbum "Ventura"(pt)