Yesterday's Witness(1976)

Unrest(en)

When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s "all in her head." Determined to live, she sets out on a virtual journey to document her story—and four other families' stories—fighting a disease medicine forgot.

Hollande, DSK, etc ...(fr)

Jean-Pierre Léaud: The Child of Cinema(fr)

A portrait of the legendary actor Jean-Pierre Léaud, icon of the French New Wave and closely linked to the work of François Truffaut and Jean-Luc Goddard.

Hell on Wheels(de)

Year after year hundreds of thousands of fans line the route of the Tour de France, cheering on their heroes and willing them to victory, while millions of viewers worldwide tune in on their televisions. Academy Award-winning director Pepe Danquart, fascinated by the spectacle of the three week race, chose to focus on the courage, the pain and the fear of the riders of the Tour. Training his lens on German superstar sprinter Eric Zabel and his loyal domestique Rolf Aldag, Danquart captures the thrill of the race and the teamwork behind the stars of the peleton. He also shines light on the Tour's supporting cast - the director sportifs, masseurs, and, of course, the wildly enthusiastic fans. Reveling in the stunning landscape - from the Alps to the Pyrenees to the Massif Central to Paris - and with a nice dollop of Le Tour's history, HELL ON WHEELS transcends the sport it celebrates to reveal an astonishing human endeavor.

Room 999(fr)

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

The Simón's Jigsaw: A Trip to the Universe of Juan Piquer Simón(es)

A journey through the work of Spanish filmmaker Juan Piquer Simón (1935-2011).

Cannes : Palmes, scandales et tapis rouge(fr)

How could the Cannes Film Festival become the biggest cinema event in the world? For 75 years, Cannes has succeeded in this prodigy of placing cinema, its sometimes paltry splendors but also its requirements of great modern art, at the center of everything, as if, for ten days in May, nothing was more important than it. This film tells how Cannes has become the largest film festival in the world by opening up to cinematic modernity while never forgetting that cinema remains a performing art, a popular art.

Seven Years-Journalism without Journalist(ko)

A total of 17 journalists have been fired since 2008, the beginning of LEE Myung-bak’s presidential term. They fought against the companies that they worked for succumbing to power and are now frustrated at reality where censorship of the press by authority has now become a norm. Can they continue their activities as journalists?

The Méliès Mystery(fr)

A documentary that details the process of restoring 270 of the 520 lost films of pioneering director Georges Méliès, all orchestrated by a Franco-American collaboration between Lobster Films, the National Film Center, and the Library of Congress.

Woodlands Dark and Days Bewitched: A History of Folk Horror(en)

An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.

Manufacturing Consent: Noam Chomsky and the Media(en)

A film about the noted American linguist/political dissident and his warning about corporate media's role in modern propaganda.

Going Attractions: The Definitive Story of the Movie Palace(en)

Celebrating the splendor and grandeur of the great cinemas of the United States, built when movies were the acme of entertainment and the stories were larger than life, as were the venues designed to show them. The film also tracks the eventual decline of the palaces, through to today’s current preservation efforts. A tribute to America’s great art form and the great monuments created for audiences to enjoy them in.

Drama, Tanz und Beine(de)

The Brothers Warner(en)

An intimate portrait and saga of four film pioneers--Harry, Albert, Sam and Jack who rose from immigrant poverty through personal tragedies persevering to create a major studio with a social conscience.

Le cinéma des Cahiers(fr)

Zombiemania(en)

The evolution of the zombie from its roots in Haitian voodoo to its coveted role as the world's most popular monster: from being a clumsy corpse to becoming a cannibal killer and the main agent of every infectious pandemic, the zombie has come a long way in seventy years. A look at the rising tide of zombie culture examining why something so dead has so much life in viewers' nightmares and at the box office.

Nice Girls Don't Stay for Breakfast(en)

In the late 1990s, iconic photographer Bruce Weber barely managed to convince legendary actor Robert Mitchum (1917-97) to let himself be filmed simply hanging out with friends, telling anecdotes from his life and recording jazz standards.

Star Trek: The Captain's Summit(en)

The Captains' Summit documents the first time in Star Trek history that four stars who at some point have played Captains in Star Trek (William Shatner, Patrick Stewart, Leonard Nimoy, Jonathan Frakes) have been brought together for a 70-minute rare and unprecedented round table event. Whoopi Goldberg, star of Star Trek: The Next Generation, hosts the event.

Making Apes: The Artists Who Changed Film(en)

Fifty years after its release, the special effects makeup team behind Planet of the Apes reflect on making the iconic film.

Return to Nostalgia(en)

Local filmmaker Woo Ming Jin and his crew traversed across Peninsular Malaysia and Singapore to find 'Seruan Merdeka' (1947) - the first film made in Malaya post-WWII, and also the first film in the history of Malaysian cinema to feature a biracial cast of Malays and Chinese. While tracking the film's whereabouts, Woo met many locals along the way, whom he interviewed in an effort to find out more about the country's history.