2019-04-10
7
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
Star is a young graffiti writer, the best in his city, Paris. His reputation attracts him as much into art galleries than in the police precincts. Accused of vandalism, he faces jail. Despite the threat, he decides to go to Rome with his crew in search of the meaning of his art.
On July 9th GCW presents Fight Club Houston straight from Premier Arena in Houston, Texas. The lineup is almost completed, check it below: AJ Gray vs Bryan Keith Nick Gage vs Sadika Joey Janela vs Dante Ninja Mack vs Jack Cartwheel Effy vs Gino Jimmy Lloyd vs Carter Lucha Scramble .... more to be added soon!
Coming from outer space, an intergalactic cow invites BoOzy’ OS to join the biggest animation film festival of the universe. BoOzy’ imagines himself winning the competition and decides to seek the famous "Cristal" of Annecy, with the help of OSmic the Hedgeh' OS and other cool dudes. But the dark paunchy Mari' OS is determined to recover the loot before him.
While hitchhiking from Sofia to Ruse, Kamen meets Avé, a 17-year-old runaway girl. With each ride they hitch, Avé invents new identities for them, and her compulsive lies get Kamen deeper and deeper into trouble. Reluctantly drawn into this adventure, Kamen begins to fall in love with the fleeting Avé.
The boys dance to Grandpa's banjo playing, then indicate that he can't equal their skill. Grandpa gets up and performs an intricate step while still playing the banjo.
Daniela and Fouad live in Gubbio, and they both come from the sea: she is from Bari, he is from Casablanca. Their bodies have suffered hardships and alcoholism. They met by chance and a deep and healing friendship was born, which led them to live together. Now that Fouad needs a permit to stay, marriage seems to be the easiest solution. Daniela agrees to it, but as the wedding approaches, the ambiguity of Fouad’s feelings begins to worry her. Can you fake- marry someone who really loves you?
Six escaped convicts and their female hostage make a desperate run for the Mexican border, where they stumble across a lost treasure of untold wealth, and find certain death instead on the Arizona desert.
Since 2013, Nixon Newell has travelled the world as a professional wrestler. This is the story of her goodbye to independent wrestling.
This documentary offers a rare glimpse of the legendary Soviet filmmaker, Andrei Tarkosvky, at work. Tarkovsky made only seven films in his brief, but brilliant, career; Michal Leszczylowski's respectful movie chronicles him at work on his last film, The Sacrifice. Offering insight into Tarkovsky's working methods and transcendental aesthetics, the movie is a compelling account of the difficulties of film production. In the case of an uncompromising and visionary filmmaker like Tarkovsky, the practical problems of filmmaking are only magnified, as cast and crew struggle to realize the ambitious concepts in Tarkovsky's mind.
Through new camera techniques never before attempted we are able to put your audience on the edge of their seats, gasping for breath through FEEL-A-VISION. Your audience will boast that in one night they were able to whip a young girl to her masochistic climax - feel the warmth of a young female hitchhiker's gratitude for giving her a ride - answer a voyeur's plea to endure his young wife's sensuous desires - be sucked into a back alley profession they only dreamed existed - be pulled into a religion that requires a witness to an act of awareness by two young female believers and finally to participate with them in the most bizarre rite of depravity - take pictures of a would be starlet in a celebrated model studio and for a few dollars more get exactly what they want - get anything they wanted from a young Mexican girl in trouble with the police in return for helping her escape.
"MATRIX is a flicker film which utilizes 81 still photographs of my wife's head. It is a film dependent upon variation of intense light changes by calculated combinations of black and white frame alternations with exposure changes. Throughout, the light intensity rises and falls as the head rotates in varying directions within a 360 degree frontal area." — James Cagle
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.