A deep dive into a snowstorm of structural chaos and a blizzard of exploding gestural animation.
Brief moments of being, fleeting bits of the surrounding chaos.
NFL Films recaps the 1974 NFL season in Championship Chase.
An elite A.I.coder faces a collision between the algorithms of the VR worlds he's creating and the archetypal dimensions of the greater Collective Unconscious. He finds solace in a rural farmhouse he rents from a Professor of Psychology who lives next door with a student he mentors on her dreams. Over two days, the dreams of all three impact their daily discourse in unexpected ways unhinging their lives through a vortex of a greater reality. BLUE FIRE spins the controversial A.I. phenomena beyond the consensus narrative of destroying the world VS. saving the world towards a radical vision of the future.
Emma's parents are going to divorce, but before that the family goes on holiday to the countryside. Emma is left alone when the parents just arguing and moving to another room. Soon she discovers that there is something mysterious about the room when a typewriter starts writing a message by itself...
An advanced alien civilization builds a simulated reality where infinite beings, including humans, are imprisoned.
After receiving a mysterious note, Charlotte Blaine builds an unlikely friendship that slowly unravels, revealing something far more sinister.
With grand ideas of leaving the broken city they grew up in, two sisters get roped into using their get rich idea to help their womanizing father save the city he loves from bankruptcy and a three foot tall Mexican Drug Lord.
A middle-aged private detective faces challenges when he accepts an assignment to trace stolen diamonds.
An animated film created from pastel drawings by Clorinda Warny, Premiers Jours traces the complete cycle of life, from birth to adulthood, in four seasons, and through the evolution of earthly landscapes that become human bodies. Completed Postumously by Suzanne Gervais, Lina Gagnon
After Robert is murdered under mysterious circumstances, his friends are forced to face the truth and their past.
Travel with the pint-sized supersleuths, Mary-Kate and Ashley Olsen ("Full House"), and their sidekick dog, Clue, to the Edge of the World, where a fleet of UFOs have been flying over Earth every 93 minutes.
An American detective unmasks a gambler as the head of a banknote counterfeiting gang.
The screen is divided again and again until the picture arranged in ever changing strips bursts into whirring dynamic.
A person living in Liberty City goes to work, have some food & gets back home.
A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.
Mamori transports us into a black-and-white universe of fluid shapes, dappled and striated with shadows and light, where the texture of the visuals and of the celluloid itself have been transformed through the filmmaker’s artistry. The raw material of images and sounds was captured in the Amazon rainforest by filmmaker Karl Lemieux and avant-garde composer Francisco López, a specialist in field recordings. Re-filming the photographs on 16 mm stock, then developing the film stock itself and digitally editing the whole, Lemieux transmutes the raw images and accompanying sounds into an intense sensory experience at the outer limits of representation and abstraction. Fragmented musical phrases filter through the soundtrack, evoking in our imagination the clamour of the tropical rainforest in this remote Amazonian location called Mamori.
In Scratch both the animation and the soundtrack are abstract. The movie is a conversation of sounds and images. Soundtrack and animation are scratched directly on 35 mm film.
Animated work detailing the unrequited love that a line has for a dot, and the heartbreak that results due to the dot's feelings for a lively squiggle.
Animation using cutout animation to craft a bizarre science fiction experiment. Moving spheres, such as balloons and bubbles, are superimposed on static backgrounds to suggest travel and discovery.
Rhythm and repetition plays an important role in the animated film Allahu Akbar by Usama Alshaibi. With this film, Alshaibi questions the confrontation between tradition and modernity by drawing inspiration from geometric motives of Islamic art. The artist offers a re-interpretation of these motifs through computer animation. By turning the shapes in different direction, new images are generated, freeing them from their fixed state. Traditional spiritual values feed the present and open up to a modern perspective.
A live action footage of a smiling, bespectacled (presumably) Western tourist set against the familiar cadence of an accelerating train revving up as it leaves the station sets the mesmerizing tone for the film's abstract panoramic survey of an Ozu-esque Japanese landscape of electrical power lines, passing trains, railroad tracks, and the gentle slope of obliquely peaked, uniform rooflines as Breer distills the essential geometry of Mount Fuji into a collage of acute angles and converging (and bifurcating) lines .
A tale about a kid, a samurai mime, and a stripper who all try to defeat a warlord and an evil clown who have successfully turned a countryside into a never ending nightmare filled with horrible monsters.
Polish avant-garde animation with changing colors and shapes that suggest birth followed by heavy distortion and building to a face in the swamp.
An exploration of the relationship between sound and picture inspired by the two lights (twi-light) found inside film projectors.
From the void of space, a cube structure comes to life in this experimental visual music film.
Claire is composed of digital scans and blow-ups of a series of three ink-on-paper artworks created in 2012 by French-Spanish researcher, publisher and artist Claire Latxague. While collecting drawings, written documents and other printed materials for a (yet unreleased) project called Un film de papier, I’ve stumbled upon Latxague’s artwork, entitled À la renverse. The blow-ups were made in an attempt of unearthing cartographic imagery in abstract compositions.
Confined to an endlessly burning waiting room, a dying sedentary woman experiences herself blurring in and out of her body. In her last remaining fragments she tries to make amends with her spirit before her remaining fragments either decay or create.