Director Jay Sin’s signature style — extreme anal perversions presented with an inviting sense of playful delight — is the perfect view into the sensuous world of hot T-girls. “TS Playground 20” delivers hard-core fun with these gorgeous, ultra-feminine she-males and their big, juicy, fully functional cocks!
TB is the most deadly infectious disease in history - it has killed over a billion people in the last 200 years. Multi-BAFTA winning film-maker, Jezza Neumann travelled to Swaziland to make this very intimate account of the crippling effects of MDR-TB. We witness victims from two families battle with the disease over the course of a year.
Summer Love is a 2001 Turkish drama film directed and written by Barış Pirhasan with Gül Dirican.
Dziga Vertov-directed Soviet newsreel covering: Reports of the Pioneers: Excursion to the country, to the zoo etc.
The Follies of M tells the story of the Provincial Parish of M, famed for it's quantity and variety of architectural follies and introduces the misshapen residents who indulged in suck reckless construction projects.
K-1 World MAX 2006 Champions Challenge was a kickboxing event promoted by the K-1 organization. The majority of the matches featured some of the world's best fighters against the best fighters in Japan, and were all fought under K-1 MAX Rules (70 kg/152 lb weight class). In total there were twenty-four fighters, representing twelve countries. The main event involved K-1 MAX 2006 runner up Andy Souwer against Japanese kickboxer Taishin Kohiruimaki. It was held in Tokyo, at the Ariake Colosseum, on Monday, September 4, 2006.
From his diary, filmed over ten years, filmmaker Alain Cavalier invites us to a meditation on old age, weakness and death. Made of moments of life, fragments of images, this film composes a mosaic where the spectator is invited to also find his place by himself...
In rural South Carolina, a God-fearing family with a flirtatious sixteen-year-old daughter invites a mysterious man to their home.
A love story of the 21st century. Hoping for change, Ema runs away from her family and leaves her husband. She hides at the apartment of her hairdresser, a gay guy Tony, even though she barely knows him. At the beginning they are merely two strangers, connected by their mutual effort of escaping from their families. They get closer and help each other to overcome the internal, as well as external, obstacles of their lives. Their liberating friendship almost becomes a love affair, despite the fact it cannot be fulfilled. This liberation creates an intense bond between them: a new escape, a new quest. This is a love story of two people and their attempts to escape the trap of their own desires of belonging to somebody.
This short documentary traverses the off-the-wall psyche of Generation Z by way of visionary 3D artist, Scum Boy - a young South African, Jewish trans man living his life with illuminating fearlessness.
At a very camp party in Paris, guests are told about a strange tom-tom played by an Andalusian gipsy, himself a character in a book by a young novelist present at the party. A frantic quest begins for a mysterious love-filter. Tam Tam shows desire and repression through the subversion of archetypes both social (ambassadors, stars, artists) and sexual (homophiles, transvestites, transsexuals), and converting these into a most accurate account of a certain kind of unease: an identity crisis.
Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”
Eduarda (Eddi) wants to become a woman, but what makes a woman? Maybe breasts help? She goes on holiday with her family and meets Lukas. Unfortunately, she is not the only family member who wants to feel attractive. Are we really defined by what others see?
In Kentucky, a transgender woman and her best male friend lament the lack of eligible partners and step across old boundaries of love and romance.
A boy, obsessed with comparing himself with those less fortunate, experiences a different life at the home of his aunt and uncle in 1959 Sweden.
River goes to their first appointment at the “Gender Identity Disorder Unit”. There, River has to answer the psychiatrist's test that will decide if they will be able to access the care they need. River knows exactly what they has to say, but one small detail will endanger their plans.
When his mother dies, Zino decides to look for his father, Farid. But twenty-five years ago, Farid became Lola.
Sympathetic look at the tragic life of cabaret singer Lorna, who was born a man but really just wants to be a woman. She meets a man who loves her but she can't tell him the truth and decides instead to get an operation so she'll be all woman.
Two drag queens and a transgender woman contract to perform a drag show at a resort in Alice Springs, a town in the remote Australian desert. As they head west from Sydney aboard their lavender bus, Priscilla, the three friends come to the forefront of a comedy of errors, encountering a number of strange characters, as well as incidents of homophobia, whilst widening comfort zones and exploring new horizons.
Between the ages of two and three, children already know which gender they belong to. One in 10,000 males and one in 40,000 females feel the opposite gender to the one they were assigned at birth. The first signs of transsexuality can appear very early. The families of all the protagonists in the documentary agree that their children have, almost from the moment they began to speak, expressed with surprising insistence and firmness that they belonged to the sex opposite to that of their genitalia.
A former U.S. Navy Seal seeks life, liberty and the pursuit of happiness living life as a transgender woman.
A transvestite is bedridden in a colorful room. A customer arrives, then a game of hide-and-seek, of pretense and confusion of feelings begins.
A pre-operative transsexual defies social barriers to announce to her boss and mother her intentions of marrying her lover Maurice.
A teacher discovers his calling. Marco relocates to Palermo from Milan and takes a job teaching in a reform school while he waits for a high school position. He tries to understand and motivate his handful of students, reading them colloquial poetry, encouraging them to stand up for their rights, finding out about their histories. Natale, in for murder, enamoured of the Mafia, the King Rat within the group; Mery, a drag queen, arrested for assault when defending himself, in love with Mario and, in daylight, rejected by all; Pietro, illiterate, muscular, believing his destiny is set; the callow Claudio, vulnerable, learning to harden himself. What can Mario learn and do in such a short time?
A trans-sexual man return to his hometown to finish the bureaucratic process to become officially a male. But the public servant who should implement this simple bureaucratic operation is Giorgio, his first and only boyfriend.
Myron Breckinridge flies to Europe to get a sex-change operation and is transformed into the beautiful Myra. She travels to Hollywood, meets up with her rich Uncle Buck and, claiming to be Myron's widow, demands money. Instead, Buck gives Myra a job in his acting school. There, Myra meets aspiring actor Rusty and his girlfriend, Mary Ann. With Myra as catalyst, the trio begin to outrageously expand their sexual horizons.
When Gerda Wegener asks her husband Einar to fill in as a portrait model, Einar discovers the person she's meant to be and begins living her life as Lili Elbe. Having realized her true self and with Gerda's love and support, Lili embarks on a groundbreaking journey as a transgender pioneer.
Elvira Weishaupt, once a burly working-class butcher, has made an enormous sacrifice for love. She has undergone a sex change for a romantic interest who has abandoned her, and she now must struggle to reconcile her past life with her present identity.