At a small New York theatre, an ageing magician comes up with a devilish plan to save his piece of old New York by invoking some real black magic. Harsh realities and fantastic illusions come together in BLACK MAGIC FOR WHITE BOYS, Onur Tukel’s latest film, a bizarre comic adventure about gentrification, race and bodily autonomy in New York City. With over 50 minutes of new footage, Tukel has completely reworked a project initially presented in 2017 as a four-episode series at Tribeca into a gnarly and charmingly weird dark comedy. Balancing edgy misanthropy with a strain of silly sweetness, this is an intimate low-budget parable about the changing face of New York City.
Teisha
Open Mic Night Performer
Jackie
Hoping to make racing safer, Pops Racer invents a time machine that takes a driver back in time before a crash. When he installs the machine into the Mach 5, lightning hits the iconic car during a race and sends Speed and his friends 50 years into the future where robots rule and humans are forbidden from driving. Now with the help from some new friends, Speed and crew must race the robot army and rally the people to rise up and take their freedom back in this pulse-pounding adventure.
In the not-too-distant future, a lonely old man works on a mysterious project, hoping to relive the not-too-distant past.
Without warning, the image of a girl wildly waving a baseball bat that slices through the air leaps to my mind. Such speed also reminds me of the rhythm of the filmmaker's previous works. Or is it a symbol of teenage madness? A ceremony to summon some creature from a legend? -Takashi Nakajima
A police lieutenant is determined to bust the gang of crooks selling defective automobile tires.
Lost cinema. Lost culture. Lost country. Lost people. How to recreate the past with nothing? Cinema of the impossible. The silent past is a horror film. The smell of nitrate in the morning. How many ghosts can the cinema contain? 75 films. 22 years. What is the numerological significance? Too late. Never too late.
Minotaur takes place in a home of books, of readers, of artists. It’s also a home of soft light, of eternal afternoons, of sleepiness, of dreams. The home is impermeable to the world. Mexico is on fire, but the characters of Minotaur sleep soundly.
Through the intimate portraits of five student survivors, IT HAPPENED HERE exposes the alarming pervasiveness of sexual assault on college campuses, the institutional cover-ups and the failure to protect students, and follows their fight for accountability and change on campus and in federal court.
Ten horse-drawn pieces of equipment of the Buffalo Fire Department pass by a stationary camera that looks down a broad avenue as they come toward it...
Some footage and shots of expressionless actresses seen in Ravissements are repurposed in La philosophie dans le boudoir / Philosophy in the Boudoir (1991), wherein Smolders takes extracts from the Marquis De Sade’s nutbar text and applies them to scenes of a man in a prison cell, and single or groups of women often standing with the same blank expressions as the man. Perhaps to characterize De Sade’s libertine philosophy and rude text as words and ideas worthy of anyone, Smolders alternates his actors, with several men portraying (presumably) the incarcerated De Sade. - kqek.com
Winner Takes All! is a Hong Kong Action-Comedy starring Sammo Hung and Richard Ng.
Four grumpy old men go on a road trip from their retired life in Florida to the excitement of Las Vegas in order to stop one of their daughters from marrying the wrong guy.
What could a couple, two girlfriends, two rival gangs, one murderer, and four prisoners have in common? The night will be stained in blood...