Dervish Machine(1992)

Dune(hu)

Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.

Phosphor(uk)

Returning wounded from the war Maksym was overcome by self-doubt, in his physiological state. He is undergoing rehabilitation. He loses contact with his wife. He is tormented by dreams. In one of his dreams Maksym goes to the island to catch a lot of fish, as the paramedic advised him. Maksym takes a boat, net, dynamite from the best man and sails to the island.

Highway Battle R×R(ja)

After suffering a crushing defeat against the new CBA-R35, Koji takes his GT-R32 and trains hard in hopes of taking back his racing crown.

Death to 2021(en)

This comedic retrospective mixes archival footage and scripted sketches as it revisits all the dread — and occasional delight — that 2021 had to offer.

Pretty Guardian Sailor Moon Cosmos the Movie Part 2(ja)

One by one, Sailor Moon’s friends and loved ones are targeted by a formidable new enemy who threatens to destroy everything and rule over the cosmos. After devastating losses, Sailor Moon endures her battle against Shadow Galactica. Will despair crush her, or will she find light in the darkness?

Granit(ru)

Mozambique requests from Russia is being helped in the fight against militants of the "Islamic State" and a special group led by a commander with the call sign Granit is coming to the country.

Asa(ja)

A short animation by Haruka Suzuki based on the poem "Asa" by Ikuko Shirakuma

Laxmii(hi)

Aasif's belief in logic and science shatters when he gets possessed by a transgender's ghost.

Anuja(en)

When a brilliant nine-year-old working in a sweatshop gets a chance to attend school, she must make a difficult choice for her and her sister's future.

The Elevator: Three Minutes Can Change Your Life(en)

A disturbing psychological thriller, that engages the audience to the point that it is always caught off guard, thus changing the point of view of the two main performers.

Dune: Part Three(en)

The third installment in the Dune franchise. Based on the second half of the 1969 novel "Dune: Messiah."

Home(en)

A local council worker inspects three homes.

Critters 4(en)

A super strain of genetically engineered mutants are designed to take over the universe, hungry to conquer the galaxy, with an appetite for mankind.

Musangwe: Fight Club(en)

The first rule is that there are no rules. For the bare-knuckle combatants competing in Musangwe fights, anything goes - you can even put a curse on him. The sport, which dates back centuries, has become a South African institution. Any male from the age of nine to ninety can compete. We follow a group of fighters as they slug it out in the ring. Who will be this year's champion?

Jurassic Fight Club(en)

Jurassic Fight Club, a paleontology-based miniseries that ran for 12 episodes, depicts how prehistoric beasts hunted their prey, dissecting these battles and uncovering a predatory world far more calculated and complex than originally thought. It was hosted by George Blasing, a self-taught paleontologist.

Batman(en)

Japanese master spy Daka operates a covert espionage-sabotage organization located in Gotham City's now-deserted Little Tokyo, which turns American scientists into pliable zombies. The great crime-fighters Batman and Robin, with the help of their allies, are in pursuit.

Hello(en)

In a digital world, can analogue find true love? It is the wise old gramaphone who has the answers for a lovesick loner.

The Three Musketeers: Milady(fr)

D'Artagnan, on a quest to rescue the abducted Constance, runs into the mysterious Milady de Winter again. The tension between the Catholics and the Protestants finally escalates, as the king declares war — forcing the now four musketeers into battle. But as the war goes on, they are tested physically, mentally and emotionally.

People(fr)

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

Franco Escamilla: RPM(es)