"Hello. I'm Itami Jun. I apologize for my poor Korean." Itami Jun (Yoo Dongryong), a Korean architect who was born in Japan. This film follows his life through heartwarming architectures for people that he had tried for all his life. The architecture of time that exists for the people, space and the story of an architect who walked his own way between Korea and Japan, Shimizu and Jeju.
The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.
Schaub and Schindelm’s documentary follows two Swiss star architects, Jacques Herzog and Pierre de Meuron, on two very different projects: the national stadium for the Olympic summer games in Peking 2008 and a city area in the provincial town of Jinhua, China.
Gray Matters explores the long, fascinating life and complicated career of architect and designer Eileen Gray, whose uncompromising vision defined and defied the practice of modernism in decoration, design and architecture. Making a reputation with her traditional lacquer work in the first decade of the 20th century, she became a critically acclaimed and sought after designer and decorator in the next before reinventing herself as an architect, a field in which she laboured largely in obscurity. Apart from the accolades that greeted her first building –persistently and perversely credited to her mentor–her pioneering work was done quietly, privately and to her own specifications. But she lived long enough (98) to be re-discovered and acclaimed. Today, with her work commanding extraordinary prices and attention, her legacy, like its creator, remains elusive, contested and compelling.
This documentary explores the creation of the Holocaust Memorial in Berlin as designed by architect Peter Eisenman. Reaction of the German public to the completed memorial is also shown.
Visiting examples of Herzog and de Meurons ground-breaking style, this film reflects their capacity to astonish and explore the way in which they transform what might otherwise be ordinary through new treatments and techniques.
Catalan architect Antonio Gaudí (1852-1926) designed some of the world's most astonishing buildings, interiors, and parks; Japanese director Hiroshi Teshigahara constructed some of the most aesthetically audacious films ever made. With camera work as bold and sensual as the curves of his subject's organic structures, Teshigahara immortalizes Gaudí on film.
Known for his bold, abstract and stark white buildings, American architect Richard Meier now takes on the challenge of building the Jubilee Church in Rome. Holding the location in high regard, Meier praises the vibrant visual layout of the city and tells us, "Rome is a city of architecture; it's a city of walls and columns and spaces and places and defined places and wherever you look there's architecture" (Richard Meier). Staying true to his signature design style, Meier has created a structure resembling grand soaring sails which appear steady and peaceful as they stand in striking opposition to the city's landscape. Three curved walls separate three distinct spaces: the main sanctuary, the weekday chapel and the baptistry, each with its own entrance. As a contrast he shows us his favorite churches in Rome by his famous colleagues from earlier times.
Explorations in 21st Century American Architecture Series: Ray Kappe has long been a cult figure in the architectural scene in and around Los Angeles. In 1972, he founded the influential, avant garde Southern California Institute of Architecture (SCI-ARC), where many of the younger-generation architects have studied or taught.
No understanding of the modern movement in architecture is possible without knowledge of its master builder, Mies van der Rohe. Together with documentation of his life, this film shows all his major buildings, as well as rare film footage of Mies explaining his philosophy. Phyllis Lambert relates her choice of Mies as the architect for the Seagram building. Mies's achievements and continuing influence are debated by architects Robert A.M. Stern, Robert Venturi, and Philip Johnson, by former students and by architectural historians. Mies is seen in rare documentary footage.
Tadao Ando, a self-taught architect, proposes an international architecture that he believes can only be conceived by someone Japanese. His architecture mixes Piranesian drama with contemplative spaces in urban complexes, residences and chapels. This film presents the formative years of his impressive career before he embarked on projects in Europe and the United States.
Isamu Noguchi was a sculptor, designer, architect, and craftsman. Throughout his life he struggled to see, alter, and recreate his natural surroundings. His gardens and fountains were transformations meant to bring out the beauty their locations had always possessed.
The award-winning feature-length documentary about the revolutionary and brilliant Chicago architect Louis Sullivan (1856-1924). Known by historians as the 'father of the skyscraper' and creator of the iconic phrase 'form follows function,' Sullivan was on top of his profession in 1890. Then a series of setbacks plunged him into destitute obscurity from which he never recovered. Yet his persistent belief in the power of his ideas created some of America's most beautiful buildings ever created, and inspired Sullivan's protégé, Frank Lloyd Wright, to fulfill his own dream of a truly American style of architecture.
Aalto is one of the greatest names in modern architecture and design, Aino and Alvar Aalto gave their signature to iconic Scandic design. The first cinematic portrait of their life love story is an enchanting journey of their creations and influence around the world.
Behind the iconic Eiffel Tower lies the story of an incredible challenge to erect a thousand-foot tower that went far beyond a design competition, and marked a major turning point in engineering history. It was the beginning of radical transformation where iron was pitted against stone, engineering against architecture, and modern design against ancients. Press campaigns, lobbying, public conferences, denigration of opposing projects, bragging about big names - all participants engaged in a fierce battle without concession. Using 3D recreations, official sources (reports, letters, drawings...) and intimate archives obtained from their descendants, this film will bring to life this vertical race through a fresh and visual way to mark the centenary of Eiffel death.
An enchanted journey through three extraordinary houses built by Master José Zanine on the seaside hillside of Joatinga, in Rio de Janeiro, surrounded by a stunning musical score, specially created for the film by maestro Antonio Carlos Jobim.
Architect I.M. Pei speaks about his famous works, such as the addition to the Louvre in Paris, the East Wing of the National Gallery of Art in Washington, D.C., and the Meyerson Symphony Center in Dallas, Texas. Footage of these projects shows both interiors and exteriors. Various other experts comment on the impact and importance of Pei's work.
Heralded as a palace among minor and major league baseball stadiums, Silver Stadium set a standard of excellence from opening day. From May 1929 through the 1990s Silver Stadium served as home to Rochester's historic baseball team, The Rochester Red Wings, as well as many other sporting teams. When not being used as a baseball stadium, the space served as center stage for a variety of traveling acts. Hear from the people closest to the history of this magnificent facility as they take you on a journey through The Memories of Silver.
Charles Rennie Mackintosh, architect, designer and artist is celebrated around the world as one of the most significant talents to have emerged in the period from the mid 1890s to the late 1920s. He was one of the greatest, most original talents of this time and has been judged a precursor of firstly the modernist style and subsequently of the Art Deco movement. His legacy lives on all around us in his instantly recognisable style. A MODERN MAN takes a critical look at Mackintosh’s life and artistic career and the importance of the friends and patrons who provided him with regular work when it mattered most.
The film examines Mackintosh's iconic buildings, notably the Glasgow School of Art. Interwoven with his architecture, design and watercolours is the personal story of Mackintosh. Little known at home, his work found favour on the continent. In later years he struggled for work, and came to endure real poverty, but continued to create remarkable pieces of art.