A personal exploration by the director, who uses cinema for a social, architectural, and artistic tour of San Luis Potosí, scattered with passages from the filmmaker´s own past.
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A personal exploration by the director, who uses cinema for a social, architectural, and artistic tour of San Luis Potosí, scattered with passages from the filmmaker´s own past.
2017-10-14
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In Cañete there was a large movie theater in the center of town until the 1980s. At that time many things still worked. From a child's point of view, the short film transports us to an ordinary afternoon in Cañete, when people still happily went to the movies despite how difficult life was.
During the Cold War, while the great powers fight for nuclear supremacy, a uranium mine is opened in Albalá, in the Spanish province of Cáceres, as well as a movie theater, a symbol of the prosperity of the village from then until its closure in 1975.
Cinema is an art that brings joy to millions of people around the world. However, it is difficult to create and produce, but there is an organization that teaches children how to make films so they can create the stories they dream of.
A newly arrived immigrant to the United States struggles to make money working as a server, but his inexperience and anxiety threaten to make him fail, forcing him to master the job in order to survive in his new home.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
An exhaustive, detailed documentary on the 30-day film shoot of "The Devil's Rejects"
A production of Roar (1981) had special demands on both cast and crew. Learn about this incredible film and about the amazing people who made ROAR possible.
Greg James and Russell Kane present a look at all the ingredients needed to become a Eurovision winner, celebrating the UK's successes and also its hall of shame.
The phenomenon took everyone by surprise. In the span of three years, despite the mixed reception from the press upon its release in 2011, the Tuche family, a group of eccentric unemployed individuals, found a place in the hearts of the audience. With over eight million viewers during the television broadcast of the first installment and 4.6 million box office admissions for the second part, it became the biggest French success of 2016. The Tuche family has become a phenomenon. Word of mouth gave the film a second life beyond theaters, turning this tribe into the most popular family in French cinema.
Holding her 16mm camera, an optical prosthesis for a 20th-century stroller, Agnès Varda filmed 42nd Street in NYC in 1967, filming crowds of passers-by to the beat of the Doors. Recovered from the French director's boxes, with images of Varda, Pasolini and New York. Pasolini is shown walking in the Big Apple (where he went to present 'Hawks and Sparrows').
Angela Rippon presents a guide to some of the Eurovision Song Contest's most disastrous moments. Including the kiss that ruined the chances of Danish singer Birthe Wilke.