Betty Dodson: Her Life of Sex and Art(2008)

Palin on Redpath(en)

Michael Palin travels to France in search of the Mediterranean view on his wall, captured by his favourite artist, Scottish painter Anne Redpath. He travels from a London bank, via a chateau in Cap Ferrat and a monastery in Edinburgh.

Marc Chagall – Between Two Worlds(fr)

Marc Chagall was an artist caught between two worlds, between traditional art and modernism, figuration and abstraction. The film accompanies him on an important stage of his life from 1910 to 1930, between Paris and Vitebsk. Chagall's home town was a laboratory for the artistic avant-garde in Belarus, while Paris was the center of modern art movements.

The Hello Girls(en)

In 1918, the U.S. Army Signal Corps sent 223 women to France as telephone operators to help win the Great War. They swore Army oaths, wore uniforms, held rank, and were subject to military justice. By war's end, they had connected over 26 million calls and were recognized by General John J. Pershing for their service. When they returned home, the U.S. government told them they were never soldiers. For 60 years, they fought their own government for recognition. In 1977, with the help of Sen. Barry Goldwater and Congresswoman Lindy Boggs, they won. Unfortunately, only a handful were still alive.

Keith Haring: The Message(en)

Keith Haring: The Message was released in conjunction with the Keith Haring retrospective at the Museum of Modern Art in Paris. Directed by famed designer, Madonna stylist and Haring confidante Maripol, The Message goes pretty deep into both the artist and the city and times he’ll forever be identified with: New York City, circa the 1980s. The focus, as the title indicates, is upon the “struggles that animated” Keith Haring’s work, his activism – in a word, his “message.”

Monuments Are Here(en)

In this short film starring Grady “Shady the Great” Thomas, Solange seeks to illustrate Black domesticity and collections, and the evanescent emotion that immortalises the physical objects we own, captured in the tape of its own medium.

Nothing Changes: Art for Hank's Sake(en)

How far would you go to pursue your passion? At 87 years old, Hank Virgona commutes to his Union Square studio six days a week and makes art. Despite poor health, cancer, lack of revenue and obscurity as an artist, Hank is unrelenting in his quest to understand how life and art are the same.

This Is Not a Dream(en)

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.

Regarding Susan Sontag(en)

An intimate study of one of the most influential and provocative thinkers of the 20th century tracking feminist icon Susan Sontag’s seminal, life-changing moments through archival materials, accounts from friends, family, colleagues, and lovers, as well as her own words, as read by Patricia Clarkson.

Prolific: Joe Brainard(en)

In 2002, Sophie Constantinou interviewed Ron Padgett, Connie Lewellyn and Kenward Elmslie and recorded their recollections of Joe Brainard’s life, including his longtime partnership with Elmslie, and his works, including his noted garden collages. These moments were captured as part a series of short films catalyzed by Elmslie. Elmslie’s vision was to illustrate the artistic spirit of and collaborations among American writers, poets and artists from the late 50s to today.

Collaboration: Ron Padgett(en)

In 2002, Sophie Constantinou and Bill Weir interviewed Padgett about his life and works, specifically his friendship and collaborations with the New York School of Poets. These moments were captured as part a series of short films catalyzed by Kenward Elmslie. His vision was to illustrate the artistic spirit of and collaborations among American writers, poets and artists from the late 50s to today.

Naked(en)

Three life models pose naked for an artist. They are Kate Dunne, Dylan Jon Matthews, and Izabella Linuza. We see them pose naked as the artist draws and paints them. They tell us about how they got into life modeling, what it feels like to stand naked in front of strangers, body image, and sexual issues. We explore the ancient and mysterious relationship between the artist and the life model. At the end, Dylan draws Kate and Izabella naked. Then Kate and Izabella draw Dylan naked. We demonstrate the similarities and differences between the male gaze and the female gaze.

Pop Goes the Easel(en)

Pop Goes the Easel was Ken Russell’s first full-length documentary for the BBC’s arts series Monitor. It focused on 4 British Pop Artists - Peter Blake, Peter Philips, Pauline Boty and Derek Boshier.

Mystická reč ikon(sk)

Ukiyo-e: Floating World Images(fr)

400 years ago, in Japan, a revolutionary art was born and would influence the greatest Western artists of the late nineteenth century, the Ukiyo-E "floating images of the world." A wonderful trip in a world of beauty and discovery. The concept and objectives of this documentary are, on the one hand, to show, teach and discover Japanese art (Japanese stamps and prints) and, on the other hand, to demonstrate the influence of Japanese stamps on Western modern art, showing in comparison some of the Most famous paintings (impressionism or paintings by Van Gogh).

Through the Repellent Fence: A Land Art Film(en)

The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the US and Mexico.

Me Time(de)

In this documentary, 6 protagonists tell their personal experiences of abortion and sterilization, from unplanned pregnancy to a happy mother and vice versa from the wanted child to regretting motherhood.

Schama on Rembrandt: Masterpieces of the Late Years(en)

Simon Schama explains the style, theme and concept of Rembrandt's late masterpieces.

David Hockney: A Bigger Picture(en)

Filmed over three years, the documentary is an unprecedented record of a major artist at work. It captures David Hockney's return to England after 25 years in California. As he approaches the age of 70, he decides to re-invent his painting from scratch, working through the seasons and in all weathers out in the Yorkshire countryside - ending up with the largest picture ever made outdoors. It is at once the story of a homecoming and an intimate portrait of what inspires and motivates today's greatest living British-born artist as time runs out. Winner of Best Essay award at the International Festival for Films on Art in Montreal and nominated Best Arts Documentary by the Grierson and International Emmy Awards. Premiered on BBC1, the documentary appears in a special extended 60' version.

Bitter Cells(ko)

Huiju learned of her biopsy test results, but lied to her mum about them. Feeling guilty about the lie, she embarks on her journey to find cancer patients who have the same diagnosis as hers and learns about their experiences. After hearing their stories, she finds the courage to tell the truth to her mum.

Robert Motherwell: Summer of 1971(en)

At work on his Elegies and Windows series, Motherwell examines his place in the Abstract Expressionist movement, which he calls the first original American movement in the "mainstream," and its practitioners "the last romantics." He distinguishes between his large paintings and his intimate papier collée. Motherwell recollects the state of American art in the 1940s and the impact of European emigré painters on the younger generation of emerging artists. He discusses the significance of collage, or papier collée, as an artist's medium and explains how he first became involved with this process. Motherwell offers his interpretations of earlier directions in art and his response to the object oriented painting that emerged in America in the 1960s. A unique document of one of the founding members of the New York School. He died in 1991.