January 1990, Baku. The Soviet Union hasn't collapsed yet. Around 300 thousand Azeri have been forsed out from their homes in Armenia and Daghlig Garabagh. Rallies of protest, political meetings spring up in Baku. The old patriarch, Ismail gathers under his roof distant relatives, people of different nationalities, beliefs, and ideas. The old man is tortured by everything happening around him: unrest in the city as well as discord and discarder in his own overpopulated apartment. All his efforts to preserve the family are in vain. People want to live separately. Former friends become bitter enemies because of the senseless aggression.
Sofiya Mikhaylovna
January 1990, Baku. The Soviet Union hasn't collapsed yet. Around 300 thousand Azeri have been forsed out from their homes in Armenia and Daghlig Garabagh. Rallies of protest, political meetings spring up in Baku. The old patriarch, Ismail gathers under his roof distant relatives, people of different nationalities, beliefs, and ideas. The old man is tortured by everything happening around him: unrest in the city as well as discord and discarder in his own overpopulated apartment. All his efforts to preserve the family are in vain. People want to live separately. Former friends become bitter enemies because of the senseless aggression.
1998-01-01
1
The investigator Seyfi Ganiyev runs the case of an illegal mercery shop's head Murad Abiyev, who confessed in embezzlement of one million rubles from public funds. Abiyev is also accused of the murder of an underage girls that occurred in Riga shortly after Abiyev saw her. He denies his guilt, but does not name the perpetrators though he knows them, despite the fact that he is facing the death penalty. The investigator understands that some high-ranking officials stand behind Abiyev, but he has no proof. Ganiyev seeks to obtain from the prisoner the whole truth to bring the criminals to justice.
The film portrays the life of the legendary Azerbaijani guerrilla of the Second World War Mehdi Huseynzadeh, who fought the Nazi forces in the present-day Italy and Slovenia, hence the film's name On distant shores referring to the Adriatic Sea.
Matteo Falcone is an Azerbaijani short drama film based on Prosper Merimée's like-named story from 1829. Matteo Falcone is a successful Corsican, who lives with his wife Giuseppa and 10-year-old son Fortunato. One day he leaves home with Giuseppa, leaving Fortunato alone.
Inspired by Anton Chekhov's The Cherry Orchard, the film follows a prodigal son who returns after 12 years. His reappearance at the family home in rural Azerbaijan significantly alters their way of life.
While there is famine during WW2, a boy with mom far away, tries to stay strong.
A journalist is investigating a group of poachers who are illegally selling the huge amounts of fish
Dedicated to the development of the oil industry of Soviet Azerbaijan in the background of the first half of the twentieth century, including their selfless work in strengthening the economic and military might of the USSR.
Film about growing up in a small village in Azerbaijan.
The plot of film is constructed on the basis of memoirs of the son and mother. They were divided with border between northern and southern Azerbaijan.
After the story of same name of Ilyas Afandiyev. The film is about two young people's love.
A father about to die remains silent. Everyone is tortured by his silence. His sons accuise themselves or rather, accuse each other. The closest relatives feel like strangers in their own family. The father understands that he is the reason for the family drama. When he was young, he was attracted by wrong ideas and committed a sin for which fate now punishes him.
After the novel of the same name of M. Avdiyev and A. Donets. The film is about first operations of National State Security.
Historical film about the dramatic event in the southern regions of Azerbaijan during the 1917 Soviet Revolution.
The film is about the revolution which began bacause of dissemination of Bolshevik ideas among workers.
The novelette was written by I.Huseynov. In the film, the problem of war is viewed from the perspective of love. Almost all of the men of the village are at the battlefront. The women who stayed in the night and day to support their efforts. Children wake up in the middle of the night, crying for bread. All of the villagers feel anxious for the men to return. Mothers are waiting for their sons; wives, for their husbands and children, for their fathers. When Sayali's husband dies at the front, her husband's friend Jabrayil proposes to her. The people of the village are furious. Jabrayil's brothers leave home, convinced that their family has been disgraced. One brother goesw crazy; the other fall ill and dies. The only person who doesn't blame Jabrayil is the "agsaggal" (the wise old man) of the village - Isfandiyar Kishi. In this film, note single sound of weaponry is heard, not are any battle scenes depicted, yet we still witness the inherent tragedy of war.
After the novel of the same name of I.Shykhly. The film is about new intelligenzia in Azerbaijan at the beginning of the 20th century.