A collection of music videos by legendary electronic act Underworld, consisting solely of songs composed during their time with former band member Darren Emerson
Vocals
A collection of music videos by legendary electronic act Underworld, consisting solely of songs composed during their time with former band member Darren Emerson
1998-07-14
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A look into the life of Laurent Garnier, one of the godfathers of house music, from his emergence on the music scene in the 80's to now. The story of the last music revolution through the eyes of a pioneer.
As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realized far before its time. Three decades on, the musician – now Glenn Copeland – began to receive emails from people across the world, thanking him for the music they’d recently discovered.
It is a short video produced by Matthias Fritsch in 2000 at the Fuckparade in Berlin.
A documentary following the conscious evolution of electronic music culture and the spiritual movement that has awakened within.
Queen Poppy and Branch make a surprising discovery — there are other Troll worlds beyond their own, and their distinct differences create big clashes between these various tribes. When a mysterious threat puts all of the Trolls across the land in danger, Poppy, Branch, and their band of friends must embark on an epic quest to create harmony among the feuding Trolls to unite them against certain doom.
What Army Of Lovers claimed to lack in traditional musical talent, they easily made up for in hi-tech-literate computer wizardry, and highly original visual charisma, never seen before nor after in the history of pop music. For the first time ever you will find the collective visual efforts of Army Of Lovers compiled on one single DVD.
Paris, 1978. In a male-dominated music industry, Ana uses new electronic machines to make herself heard, thus creating a new sound that is destined to mark the decades to come: the music of the future.
‘Tangerine Dream is science fiction!’ declares band leader Edgar Froese who died in January, 2015 aged 70. For almost fifty years he and his band ‘Tangerine Dream’ explored sound and its effect on our emotions. This film about one of Germany’s first electronic bands kicks off with the young Berlin musicians who were as inspired by the space age of the 1960s, with its rocket launchings and visions of the future, as they were by their own heartbeat, on which Froese also based compositions. Aided by the Moog and other synthesisers Froese (and various band members) revolutionised popular music. His explorations took him into the worlds of classical, new and film music. He preferred to visualise moods rather than create clearly structured songs. A blend of amateur footage, interviews with band members, relatives, friends and colleagues such as Jean-Michel Jarre that creates a comprehensive portrait of an artistic pioneer.
Armin Only is a Dutch all-night dance event featuring solo performance by Armin van Buuren. The event consists of various genres of electronic dance music (but most predominantly Trance Music), light, laser and firework shows and supporting acts of singers/vocalists like Racoon (2005 edition), Ilse de Lange (2006 edition) and Audrey Gallagher performing 'Big Sky' by John O'Callaghan.
Elli works as a techno DJ and loves electronic music. She has a daughter named Toni, who mostly grows up with her father. The 9-year-old girl is only with her on weekends. They have planned a mother-daughter weekend, but suddenly Elli is offered an important gig at an electronic music festival. Finally playing in front of a big audience again, feeling the ecstasy and intoxication of the night. Through the music she escapes the stagnation, the desolation, the role model of the conventional mother and the narrowness of the provincial town. Torn between maternal missing her and asserting herself in her life, Elli tries to be there for Toni and at the same time to live her dreams without restrictions.
Beginning on the eve of her thirtieth birthday, “Brave Enough,” documents violinist Lindsey Stirling over the past year as she comes to terms with the most challenging & traumatic events of her life. Through her art, she seeks to share a message of hope and courage and yet she must ask herself the question, “Am I Brave Enough?” Capturing her personal obstacles and breakthrough moments during the “Brave Enough,” tour, the film presents an intimate look at this one-of- a-kind artist and her spectacular live performances inspired by real-life heartbreak, joy, and love.
"Usual thing, try and get the question in the answer" - A conversation with the band discussing recording techniques, inter cut with personal archive footage from previous album sessions.
Journey through the music videos and short films from Jimmy Cauty and Bill Drummond in their various guises as The JAMs, The KLF and The Timelords, one of the most successful and subversively creative electronic bands of the early 90s.
A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.
'Blip Festival: Reformat the Planet' is a feature length documentary which delves into the movement known as ChipTunes, a vibrant underground scene based around creating new, original music using old video game hardware. Familiar devices such as the Nintendo Game Boy and Nintendo Entertainment System are pushed in new directions with startling results. Using New York as a microcosm for a larger global movement, 'Reformat the Planet' maps out the genesis of the first annual Blip Festival, a four day celebration of over 30 international artists exploring the untapped potential of low-bit video game consoles. With floor-stomping rhythms and fist-waving melodies, trailblazers of the ChipTune idiom descend upon Manhattan to pen a new chapter in the history of electronic music.
Alt. rockers Shiny Toy Guns perform to a sold-out crowd at the Belly Up tavern on the last stop of their 2014 summer tour. See the band performing some of their biggest hits including 'Le Disko' and 'You Are The One', along with fan favourites from their latest album 'III'.
‘Blue Potential’ is a CD and DVD package that documents Mills’ live collaboration with the Montpellier Philharmonic Orchestra in a free concert performed in July of 2005 under the magnificent Pont Du Gard just outside of Avignon, France. The concert consists of fifteen orchestral reworkings of Mills’ tracks ranging from classics such as ‘Amazon’ and ‘Sonic Destroyer’ to more recent material from his soundtracks to ‘Metropolis’ and ‘Three Ages’. The arrangement is simple: Mills provides the rhythmic backbone with his trademark 909 percussive hiss and snare while the orchestra provides the melodic and harmonic elements.
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