One of the greatest of black art pictures. The conjurer appears before the audience, with his head in its proper place. He then removes his head, and throwing it in the air, it appears on the table opposite another head, and both detached heads sing in unison. The conjurer then removes it a third time. You then see all three of his heads, which are exact duplicates, upon the table at one time, while the conjurer again stands before the audience with his head perfectly intact, singing in unison with the three heads upon the table. He closes the picture by bowing himself from the stage.
Giorgio and Tito, father and son. A successful journalist and a lazy teenager apparently impossible to understand. Giorgio's dream is to take Tito to the Nasca Hill in Liguria, but Tito prefers to spend his entire day with his group of friends, eating, talking about nothing and playing video games. Until one day when he suddenly informs his father that he would join him in this trip. After a series of accidents and misunderstandings, at the end, somehow father and son will find the way to communicate … or at least they will try.
Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.
A chemist carries out a bizarre experiment with his own head.
A man has a fantastical nightmare involving, among other things, a grinning malevolent moon.
A young woman is sexually assaulted by a powerful businessman, starting a public trial in which she will have to endure the abuse of those who do not want justice to be made.
When Jacob tells Jesus that Lazarus, his son, is dead, he goes to his house to raise him from the dead.
[…] A reel was shot of the Noh drama Momiji-gari (Maple Leaf Hunters, or Viewing Scarlet Maple Leaves), in which Danjuro played opposite Onoe Kikugoro V (1844-1903) as an ogress who has disguised herself as the Princess Sarashina. Filmed by Shibata Tsunekichi in the open air on a windy day in November 1899, Danjuro would allow only the one take, so that when his fan blew away in mid-performance the scene had to stay. The film re-emerged at the Kikikan theatre in 1907 where it was a great success and inspired a wave of fiction filmmaking based on traditional Japanese narratives. (cont. http://victorian-cinema.net/danjuro)
Annabelle (Whitford) Moore performs her popular serpentine dance routine. She twirls around, and as she does so, she uses her long skirts to create a variety of patterns. Each print consists of Annabelle's serpentine dance from 1894-1897.
St. Anthony is tempted by visions of women, including one that is transformed from the image of Jesus Christ Himself!
A skeleton dances joyously, often collapsing into a heap of bones and quickly putting itself back together.
In this scene is shown a magician behind an ordinary table, upon which he suddenly and mysteriously causes to appear a large box, into which he leaps. The sides of the box fall to the ground, but instead of containing the magician a lively clown steps forth who further mystifies the audience by causing the box to disappear, and in its place is seen a fully laid table with a smoking dinner, to which the clown applies himself. The table, however, suddenly disappears much to the astonishment of the clown, who is confronted by the magician in the garb of Mephistopheles. This he suddenly changes to that of a sculptor, and in the background is seen a pedestal with the bust of a young lady, which comes to life as the sculptor applies the mallet and chisel.
A series of fantastical wrestling matches.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
From a riddle-speaking butterfly, a unicorn learns that she is supposedly the last of her kind, all the others having been herded away by the Red Bull. The unicorn sets out to discover the truth behind the butterfly's words. She is eventually joined on her quest by Schmendrick, a second-rate magician, and Molly Grue, a now middle-aged woman who dreamed all her life of seeing a unicorn. Their journey leads them far from home, all the way to the castle of King Haggard.
In WW2, twelve year old Soviet orphan Ivan Bondarev works for the Soviet army as a scout behind the German lines and strikes a friendship with three sympathetic Soviet officers.
The story of the Tuskegee Airmen, the first African-American pilots to fly in a combat squadron during World War II.
Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.
In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.
An epic that details the checkered rise and fall of French Emperor Napoleon Bonaparte and his relentless journey to power through the prism of his addictive, volatile relationship with his wife, Josephine.
After discovering a demonic talisman in his pocket, an unsuspecting teacher is possessed and wreaks deadly havoc on the entire school.
A fortuneteller informs Monte that he will marry the first girl he meets. After several false starts, he meets what he is sure is "the" girl. She takes him to jail, hits him with a book, and affects her brother's escape, leaving Monte inside. He finally gets out, a chase occurs and he swears off girls forever, only to be snared again.
A young poet falling in love. A city that awaits a drama to unfold. A time of sadness and conformity, a time of decisions. There is light, there is hope, there is poetry behind the dark clouds of our world.
In this silent film, now considered lost, Doug Caswell falls for Irene, his wealthy father's mistress. It's up to Doug's stepmother Helen to put things right.
So This is Love? was another early Frank Capra production for fledgling Columbia Pictures. The hero, dress designer Jerry McGuire (William Collier Jr.), is tired of being considered a wimp. After business hours, Jerry secretly takes boxing lessons, enabling him to knock the stuffings out of his burly rival Spike Mullins (Johnnie Walker). Jerry's newfound pugilistic skills wins him the affections of store clerk Hilda Jensen (Shirley Mason), who's just car-razy about "cave men." Filmed in a fast three weeks, So This is Love? was completed before Frank Capra's Matinee Idol but released afterward. Leading lady Shirley Mason was the sister of Viola Dana, who starred in Capra's initial Columbia effort, That Certain Thing.
Two Pilots present software at a convention after the tragic death of their friend.
A fake commercial for a lesbian telephone hot line. A short by Kyle Dunnigan and Tig Notaro.
One morning a man wakes up in his bedroom and begins to work on his computer. An attack of itchiness prevents him from concentrating on his work.
When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.
In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.
Mercenary Racier Panazio kills everyone standing in his way as he tried to find the murderer who killed his wife at the International Agricultural Show.
It’s a Date is a culmination of his preoccupations, a weird but humanistic look at a couple on a first date. It seems to be going well until the man decides to really open up and get (sur)real.
A comic morality tale about two cocky young lesbians who bite off more than they can chew at a Texas roadside diner.
Dimos Avdeliodis pays homage to Charles Chaplin and all his favorite silent heroes. This is the first film he directed.
Juliet Forrest is convinced that the reported death of her father in a mountain car crash was no accident. Her father was a prominent cheese scientist working on a secret recipe. To prove it was murder, she enlists the services of private eye Rigby Reardon. He finds a slip of paper containing a list of people who are 'The Friends and Enemies of Carlotta'.
Se-young stays alone and works overtime. Her lover, Hye-mi, visits Se-young's company and they have a date there. Suddenly, the new employee, Joo-ah, returns to the company.
Mary Davis, alone and destitute in New York City, pilfers a meal from a restaurant and eludes the police by ducking into the Cafe Royale, where she is shuffled along a line of aspiring chorines awaiting job interviews. In desperation, Mary agrees to impersonate Mademoiselle Fanchon, formerly of the Folies-Bergère, who has walked out on her contract. Reporter Kenneth Ward interviews Mary, believing her to be the notorious Frenchwoman, and due to a misunderstanding, she rushes wildly into his arms. When Robert Ryan, a bachelor friend of the real Fanchon, investigates Mary’s deception, she violently repels his advances and believes she has killed him. Later, the real Fanchon threatens to kill Robert. Following a series of amusing complications, Mary finds love with Kenneth.
Marie, a pretty young woman, wanders through the aisles of a futuristic supermarket where everything, from the miracle pill to the virtual man, is for sale. Tonight, she's having a birthday party. She's invited a few old friends and their virtual companions. Everyone is young, beautiful and meek.
Dr. Spencer's wife becomes intensely jealous when she finds, in her husband's coat, a note signed "Mary," which asks him to visit the writer at the Hotel Mum. The woman carries her tale of woe to Attorney Thomas, a family friend. In his effort to make light of the matter, Thomas soothingly places his arm about Mrs. Spencer's shoulder. Dr. Spencer's office is directly across the court. Glancing out of the window, the doctor sees his wife apparently being embraced by Thomas. The attorney consents to accompany Mrs. Spencer to the Mum and meet "Mary." The doctor trails the two. As luck would have it, Mrs. Thomas passes the Mum just as her husband and Mrs. Spencer enter. The doctor and Mrs. Thomas meet and make their way after their other halves, bent on vengeance bent.