Based on the poetry of R. Raj Rao, Bomgay is a collection of six vignettes that depict the underground and complex nature of the gay identity in urban India. Part Genet, part Bollywood, this film combines acidic verse and insightful imagery to reveal the emerging gay community in the post-liberalized India of the 1990s.
Based on the poetry of R. Raj Rao, Bomgay is a collection of six vignettes that depict the underground and complex nature of the gay identity in urban India. Part Genet, part Bollywood, this film combines acidic verse and insightful imagery to reveal the emerging gay community in the post-liberalized India of the 1990s.
1996-12-22
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Dalits, in the Indian caste system, belong to the lowest social sphere and are therefore subject to regular discrimination and violation of their basic human rights. Also referred as “untouchables,” this group was vindicated by B. R. Ambedkar, a Dalit who earned doctorate degrees abroad and fought for the emancipation of his people. In 1997 a statue honoring him was desecrated, unleashing the rage of the Dalit community, but instead of getting support by the authorities, ten persons were murdered. This documentary took 14 years to be made and it captures the music and poetry of this people, showing a tradition against superstition and religious bigotry that has strived since the times of Buddha.
A short film that sets up an opposition between functional forms of industrial age and decorative ones from Indian tradition.
The film explores the campaign waged by the Hindu right-wing organisation Vishva Hindu Parishad to build a Ram temple at the site of the Babri Masjid in Ayodhya, as well as the communal violence that it triggered. A couple of months after Ram ke Naam was released, VHP activists demolished the Babri Masjid in 1992, provoking further violence.
Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.
In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.
This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.
Aspiring to make it big in the page 3 industry, an established paparazzi Manoj takes his chance against fellow photographers in a race to capture the most sensational photos in order to battle the realities of life. Maithili language film.
Follows the final days of Chika Kapadia, given four months to live, who has chosen to end his life through physician-assisted suicide at Dignitas in Switzerland. The filmmakers, tasked with documenting Kapadia’s countdown to death, capture both his journey and their own emotional response.
At the age of 54, Binode Bihari Mukherjee, an accomplished painter, lost his sight following an unsuccessful cataract operation. He continued to create art despite his loss of sight. The documentary explores Binode Bihari’s inner eye that guides his fingers to create art.
Esteemed documentarian Anand Patwardhan directs a portrait of his parents, whose families were intertwined with Gandhi and India’s independence movement. His view on history extolls unity between Hindus and Muslims, a value that needs reasserting in modern politics.
An ascetic walks through the narrow streets of a village every morning while his family is still asleep. In his semi-somnolent state he dreams about the history of the village mixing up myths, folklore and facts.
Takes the audience behind the artistry, intellectual spirits, and production of the second season of the holy grail of Indian sitcom.
'Mod' is an attempt by the filmmaker at communicating with the young men who hang out at the ‘notorious’ water tank in her neighbourhood in Pratap Vihar, Ghaziabad. The water tank is a space that is frequented by the so-called ‘no-gooders’ of the locality, a place where they play cricket, play cards, drink and smoke up. When she enters the space with her camera, the boys are curious and at the same time wary of it and her. They sometimes resist, sometimes protest, and at times, open up. As the film unfolds we get a hint of the lives the boys lead and the fragile world they create for themselves at the water tank.
The journey from ashes to idols through the eyes of a teenager who has created many jobs in the process The documentary shows how a teenager decided to get rid of temple's waste by making idols from them and how few jail inmates became his helper in the process.
A charismatic Indian-Nepali boy, lives a bohemian life in a remote Himalayan village. As he transitions from childhood to teenagehood, his poetic journey of perseverance echoes issues that span across ages and communities.
In the dense forests of the Eastern Himalayas, moths are whispering something to us. In the dark of night, two curious observers shine a light on this secret universe.
Amidst the urban transformation driven by progress, bulldozers dismantle 'illegal' settlements, leaving countless lives shattered. In the aftermath of such upheaval, one basti, sacrificed to conceal poverty during the G20 summit, and another basti, abandoned by authorities without alternative housing, illustrate the stark realities of displacement. The film delves into the daily struggles of individuals who persist in the rubble of their former homes.
When a lockdown is announced in India, 22-year-old Mahesh finds himself stranded and decides to travel home on a rickety bicycle. He covers about 2,000 kilometers in seven days. It turns him into a national media hype.
A documentary exploring the "respectable" and "immoral" stereotypes of women in Indian society told from the point of view of 2 strip-tease dancers in a cabaret house in Bombay.
Krishnattam or Krishnanattam (Play of Krishna) is a temple ritualistic art performed at Guruvayur Temple (Guruvayur 680101, Trishshur District, Kerala) by a troupe owned by Guruvayur Devasvam. The performance of Krishnattam is based on Krishnagiti, a poetic text in Sanskrit containing verses and stanzas, written by the Zamorin King Manavedan in 1654. The story of Krishna, described in Bhagavata, Mahabharata and Harivamsha is presented in Krishnattam as songs, dance and acting in a sequence of eight plays (Avataram, Kaliyamardanam, Rasakrida, Kamsavadham, Svayamvaram, Banayuddham, Vividavadham and Svayamvaram) in eight days.