An animated documentary that explores the terrain of father/son relationships, as seen through Canemaker's own turbulent relationship with his father.
A futuristic cruise ship with a crew of robots is ready to take its first flight. A boy follows his curious dog on board of the ship, but then the ship takes off. The robots sees the boy as a blind passenger and try to get him off the flying ship.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
Tracklist: 01. Shipyard overture (Industrial revolution) 02. Suite for flute 03. Oxygene 2 04. Tribute to Chopin 05.Aero 06.Oxygene 4 07. Souvenir 08. Space of freedom (March 23) 09. Theremin memories 10. Chronology 2 11. Mury 12. Chronology 6 13. Oxygene 8 14. Light my sky 15. Tribute to Jean Paul II (Acropolis) 16. Rendez-vous 2 17. Vivaldi "summer- presto" 18. Oxygene 12 19. Rendez-vous 4 20. Solidarnosc (Oxygene 13) 21. Aerology (Remix) 22. No Comment: Alternative shots 23. Concert teaser Darsteller: Jean Michel Jarre Musik: Jean Michel Jarre, Luis Llach
Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.
After finding an old nautical phone washed up on the shore, Natalie begins having dreams of the device ringing, followed by the presence of a shrouded woman in black. Natalie's already fragile grip on reality begins to slip.
Finlayson plays an intrepid army cameraman on the battlefield in the world war, and Rowe plays his hapless assistant. Cranking away in no man's land, they take foolish chances and must dodge flying shells, falling down and losing their film repeatedly.
This 99-minute concert, which was recorded at the world-famous Paradiso in Amsterdam on May 26, 1995, captures the Rolling Stones in top form playing a strong 20-song set to a high-spirited audience. This was the first of four small-scale club shows that the band held on the European leg of their big-scale 1994/1995 'Voodo Lounge' world tour. These shows can be seen as a kind of response to 'MTV Unplugged' with the band playing rawer, stripped-down and sometimes unplugged versions of their well-known hits as well as rare songs. The Paradiso set list includes a number of rarities from the Rolling Stones' extensive back catalogue that are performed only seldom, including "It's All Over Now," "The Spider and the Fly," "Shine a Light" and "Respectable." The final song from this show, "Street Fighting Man," was used as the opening track on the band's 1995 album 'Stripped.' The full concert was released on DVD and SD Blu-ray as part of the 'Totally Stripped' deluxe boxed set on June 3, 2016.
Stories of how the film Evil Dead, The (1981) rose up very high against the accusations of the 'Video Nasties' of the 1980's in the UK. Many controversial films are referenced here to give us an example of how Evil Dead, The (1981) didn't belong in the garbage bin, and how it was very original for its genre.
A young boy Selva chasing his football sports dreams suffers a major setback, grows into an angry young man who is drawn into conflicts by evil forces involving him and his family, which he must navigate and reform
When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.
Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.
Jin scowls into the camera when her sister – the filmmaker – asks about her earliest memories. No wonder: these memories are anything but pleasant. Jin was born in the 1990s, during China’s one-child policy. It was normal then for unborn girls to be aborted – right up to the last month of a pregnancy, because boys were preferred. Living babies were also ruthlessly dumped in the garbage, or in the woods. Jin survived for a week in a box on the streets.
In 1980s Italy, Riccardo Schicchi's agency Diva Futura turns free love into porn, making stars of Ilona Staller, Moana Pozzi and others.
Joseph is mentally deviated. He is a prisoner of his own flat and always in permanent war with his own mind.
Centers on a boy named Osamu who receives an umbrella as a gift from Sayu, but it goes missing. That umbrella transforms into a girl who goes gallivanting around town on a rainy day.
Two men in adjoining duplexes, good friends, are enchanted by the song of a bird. One buys a small harmonica and learns to play it; he keeps his neighbor awake. The neighbor buys a larger harmonica, and an arms race ensues; the instruments get larger, until it's a piano vs. a pipe organ, and then they start bringing in larger groups of friends until an entire orchestra is playing the 1812 Overture. The houses collapse from all this, atop the dueling orchestras, and on their way up to heaven, the man puts his small harmonica up for sale.
196X. Anna, an enigmatic and attractive professional kidnapper, abducts The Professor during his wedding ceremony on request from one of the latter's former girlfriend. This woman, whose face Anna has never seen, wishes to die with The Professor before he marries. Leaving the church with The Professor on the back seat of her motor-bike, Anna starts on the journey to the fictional city of 'Alpha Paris'.
Experimental computer animation that also use ink on paper made by the collective Insertsilence. Peterson and Pitaru are respected names in the field of media design and their work has been exhibited in galleries from Seoul, New York to London
Animation and activism unite in this multimedia spoken-word response to police brutality and racial injustice.
Follow a day of the life of Big Buck Bunny when he meets three bullying rodents: Frank, Rinky, and Gamera. The rodents amuse themselves by harassing helpless creatures by throwing fruits, nuts and rocks at them. After the deaths of two of Bunny's favorite butterflies, and an offensive attack on Bunny himself, Bunny sets aside his gentle nature and orchestrates a complex plan for revenge.
One summer afternoon in 1907, Abel and his wife (both mice) are picnicking, when they become separated during a violent rainstorm. After flying some distance, Abel discovers himself alone on a river island, unable to swim due to the powerful current. Abel periodically attempts to leave the island by various means: flying on a leaf, rowing a crudely fashioned boat, etc. Meanwhile, he tries to create a normal life of sorts, even learning to enjoy a new hobby: sculpture. Still, Abel's goal is to escape the island and rejoin his wife in the city.
Hykade's third and final part of The Country Trilogy. The once dead father of "We Lived in Grass" returns. "I give you the runt," he says. "But you take care of it and you kill it next year."
A duo of street performers learns how sound and picture work together to create amazing cinema experiences.
From Regina's personal and visual memories, a tribute to her uncle Thomas, who was an artistic inspiration and played a key role in her becoming a filmmaker. A moving tribute to a poet of the everyday.
An awkward 12-year old boy named Ollie experiences "bubble trouble" when his true feelings for a girl are embarrassingly revealed in the form of a physical thought bubble.
Life is hard enough for an exchange student at a new school, but as the only earthling at a school for aliens, the central character in this fanciful story is the ultimate outsider and must prove her worth to be accepted by her unusual new classmates.
A young boy who likes to play the flute dreams that he has lost his water buffalo.
The cat and mouse are in their usual game of chase-and-pursue until the mouse hides in a pickled-herring barrel. The cat gets intoxicated from inhaling the fumes and immediately becomes the mouse's newest best friend. He defends the mouse from a mean alley cat, and the mouse invites him to come home with him. There, the mouse takes care of him and sobers him up, and the cat immediately begins to chase him again. He reaches the barrel again and regains his newest best friend. Charlie Chaplin deserves an (uncredited) story listing.