Max Ophuls is the legendary director and two of his favorite actors are James Mason and Danielle Darrieux. Mason and Darrieux were each in several Ophuls projects but were never together in an Ophuls movie, although they should have been. What might that movie have been like? It's anybody's guess (but cinephiles can dream, can't they?). Somewhere between a historical essay and a speculative one.
The gang find themselves in a tinsel-town twist! While on a VIP tour of the legendary Brickton Studios, Scooby and friends get a first-hand experience of the rumored hauntings when classic movie monsters drop in for a creepy casting call.
After a year of long-distance, Raquel and Ares reunite on a steamy beach trip. Faced with fresh flirtations and insecurities, will their love prevail?
Emma's plans get thrown off course when Paolo returns to Italy to take care of his father and she discovers a new passion for making art accessible to all.
Groot investigates a spooky noise that’s been haunting the Quadrant, which leads to an intense dance off.
Seventeen's 9th fan meeting took place at INCHEON MUNHAK MAIN STADIUM in Incheon, South Korea from March 20-21, 2025, both in-person and online.
Following the events of “Guardians of the Galaxy Vol. 1,” Baby Groot is finally ready to try taking his first steps out of his pot—only to learn you have to walk before you can run.
One minute he's Peter Parker the college student, and the next he's Spiderman!
UFC 232: Jones vs. Gustafsson 2 was a mixed martial arts event produced by the Ultimate Fighting Championship that was held on December 29, 2018 at The Forum in Inglewood, California. A UFC Light Heavyweight Championship bout between former champion Jon Jones and former title challenger Alexander Gustafsson headlined this event.
Hsiao and his family move into a big apartment which is surprisingly cheap. When they get settled, strange things start to happen. In the 50s, a bar waitress, Lucy lived with her boyfriend Tim in the same apartment. Tim was a US sailor and he had to leave Hong Kong after the holiday. He abandoned Lucy after she was pregnant. Out of rage, Lucy committed suicide and killed her baby boy too. She swore to kill Tim after death. Hsiao's wife and daughter have been possessed by Lucy and her son and Lucy wants to kill Hsiao on his birthday…
A beautiful young girl, possessed from childhood by a vengeful spirit, wanders around lonely places to seduce and kill people and thus, gradually becomes lost in a dark world of revenge and lust.
The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.
Tells the story of a cloned creature from another dimension which is a phobic disorder in one of the male characters in this short film. his cloned twin figure who has frightening appearance and continues to haunt him, with the same face as him. Even though her face was the same, her form was much more terrifying than him.
The Corrs live in Geneva as part of their 2004 Borrowed Heaven tour. Set-list: 01. Introduction 02. Humdrum 03. Only When I Sleep 04. Dreams (Fleetwood Mac cover) 05. What Can I Do 06. Forgiven, Not Forgotten 07. Angel 08. Runaway 09. Return From Fingal/Trout In a Bath 10. Borrowed Heaven 11. No Frontiers 12. Queen Of Hollywood 13. Long Night 14. Old Town (Phil Lynott cover). 15. Radio. 16. Summer Sunshine. 17. So Young. 18. I Never Loved You Anyway. 19. Goodbye. Encore 20. Breathless. 21. Toss The Feathers 22. Credits Recorded 26 November 2004 at the SEG Geneva Arena in Geneva.
Documentary about the milk farmer Bertil Nilsson
A documentary on the revolutionary life and career of director Juan Antonio Bardem, including interviews with many of his colleagues, including Luis Garcia Berlanga.
Director Denys Arcand made an inquiry on textile industry in Quebec, meeting employers and workers of that industry.
A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.
The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.
A documentary about Pier Paolo Pasolini and his film 'Salò o le 120 giornate di Sodoma'.
A 55-minute film by director Xavier Giannoli that analyses 'À nos amours'. The film features former Cahiers du cinéma editorial director Jean-Michel Frodon, actors Jacques Fieschi and Sandrine Bonnaire, and other members of the cast
Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.
Manuel Horrillo has visited for 7 years the fields where the clashes between the Spanish troops and the rebels of the protectorate took place during the so-called Rif War, a forgotten war of the Spanish collective imaginary.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.
This documentary captures the sounds and images of a nearly forgotten era in film history when African American filmmakers and studios created “race movies” exclusively for black audiences. The best of these films attempted to counter the demeaning stereotypes of black Americans prevalent in the popular culture of the day. About 500 films were produced, yet only about 100 still exist. Filmmaking pioneers like Oscar Micheaux, the Noble brothers, and Spencer Williams, Jr. left a lasting influence on black filmmakers, and inspired generations of audiences who finally saw their own lives reflected on the silver screen.
An examination of why the James Bond films have proved so popular including a discussion between the four actors who have played Bond, an interview with Cubby Broccoli and contributions from the directors, production designers, special effects and stuntmen.
Jonathan Ross delves into the world of James Bond and meets with new and former cast members who reveal humorous stories and anecdotes in a series of interviews. All the 5 Bonds at the time are featured, though only Lazenby (reflecting in the usual frank, self criticizing manner), Moore and Brosnan granted an interview. Connery and Dalton are featured through some unused footage from LWT's 30 years of James Bond program. The ever faithful Desmond Llewelyn turns up in character as well as some other less related peeps like Christopher Lee, Paul McCartney and the ultimate playboy: Hugh Hefner -- who all give an interesting perspective on the worlds most famous spy.
An insider's account of Jack Warner, a founding father of the American film industry. This feature length documentary provides the rags to riches story of the man whose studio - Warner Bros - created many of Hollywood's most classic films. Includes extensive interviews with family members and friends, film clips, rare home movies and unique location footage.
This documentary is featured on the DVD for Captain Blood (1935), released in 2005.
In 1928, as the talkies threw the film industry and film language into turmoil, Chaplin decided that his Tramp character would not be heard. City Lights would not be a talking picture, but it would have a soundtrack. Chaplin personally composed a musical score and sound effects for the picture. With Peter Lord, the famous co-creator of Chicken Run and Wallace & Gromit, we see how Chaplin became the king of slapstick comedy and the superstar of the movies.
A documentary incorporating footage of Montgomery Clift’s most memorable films; interviews with family and friends, and rare archival material stretching back to his childhood. What develops is the story of an intense young boy who yearned for stardom, achieved notable success in such classic films as From Here to Eternity and I Confess, only to be ruined by alcohol addiction and his inability to face his own fears and homosexual desires. Montgomery Clift, as this film portrays him, may not have been a happy man but he never compromised his acting talents for Hollywood.
A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.
Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.