Documentary about a tribe of indigenous people in northern China.
Set in the second decade of the 20th century, this is a story of cinema entering villages of Kerala. The protagonist Diwakaran gets attracted to the new machine, bioscope, at an exhibition by Frenchman DuPont, who does bioscope shows on the coasts of Tamil Nadu.
The female protagonist finally makes it to get a job as an intern. But after a while working at this weird company, she finds out the criminal site of it and learns to be a criminal herself.
A short documentary about the intricate nativity scenes of Michele Pascuzzi.
Based on the true events during the 2016 construction of the Dakota Access Pipeline that runs through the Standing Rock Indian Reservation in North Dakota on land that is owned by the Lakota “Sioux” Tribe. The film follows Daniel, a journalist and Afghanistan War military veteran, and Elliot, an oil company executive, who find themselves on opposite sides of the fight during the construction of the contentious pipeline.
After the creation of QwC in March 2020, Christian is living his best life. That is until a new threat arrives that could wipe out his entire show; himself.
Video from this show was featured on Episode 12 of ‘Dinner And A Movie - An Archival Video Series.’ SET 1: Theme From the Bottom > Poor Heart, AC/DC Bag > Tela, Punch You in the Eye, Reba, Strange Design, Rift > Cavern > Run Like an Antelope SET 2: Simple > David Bowie, The Mango Song, Loving Cup, Sparkle > You Enjoy Myself, Acoustic Army, Possum ENCORE: A Day in the Life Trey teased Call to the Post in Reba and Mind Left Body Jam in Bowie.
A lonely old man takes to terrorizing the kids who build a football pitch next to his house.
Dan, aged 19, leaves his home after a quarrel with his father. At the side of the country road he meets a traveling theater company who has run out of money. He falls in love with the young actress Pia and together they leave, meeting a string of peculiar characters: a vagabond, a friendly vicar and a cynical adventurer.
Federico and Olivia are editing their first short films, which encountered mistakes during shooting. Both discover that they filmed at the same location and accidentally interfered in each other’s films. Together, they find a way to edit their two shorts into one.
Joe Chan (Julian Cheung), an Pay-TV office manager, mourns the death of wife-to-be Winnie Tsang (Loletta Lee), while a spirit causes trouble for a pair of wrongdoers set on taking over the station. A not-so-literate taxi driver Shing Wai-lin (Simon Loui) visits a tarot reader after his girlfriend leaves him. The mystic warns him that he is set to meet a strange woman and he'll be in certain danger. In a dingy flat, housing nurse Mindy (Fennie Yuen) treats triad member Ton's (David Wong) latest wounds. Her Aunt Ha (Helen Law Lan), meanwhile, senses a dark force drawn to the flat's dark hallway.
According to Ferrara, Rossellini told him it was a satire in which “Perfidious Albion,” a big turkey representing England, goes around pecking at the hens representing the nations of Europe, until defied by a rooster representing Italy. “Rossellini detested it,” said Ferrara, “[though his] genius was such that he could achieve extraordinary effects out of nothing.
In the US and around the world, there are reports of certain areas experiencing an unusually high level of UFO sightings.
The ever-disreputable Reggie Gussle, mistreating his caddy and generally making an ass of himself on the golf course, receives a well-deserved golf ball to the noggin, temporarily rendering him disoriented. The offending golfer, Ambrose, and his wife feel terrible about the erring ball; but if they knew what Gussle was capable of, they'd have left him lying on the green. Later, at his social club, Gussle gets thrown out of a card game for cheating. Ambrose, ignorant of the exiting Gussle's dishonesty, greets him warmly before joining the game himself. Gussle suddenly has an idea that will give him revenge on the card players and get rid of Ambrose so that Gussle can make his moves on his gullible friend's beautiful wife.
Napoleon III, the Commune, the third Republic in the background. In the foreground, two pretty, talented sisters, Virginie and Pauline Cardinal. They are ballerinas at the Opera de Paris and very much courted by wealthy, elegant men. They will manage to climb in the society of their time, despite parents set on respectability but also attracted by money.
One of the greatest actors of the twentieth century, von Sydow is best known for his long creative partnership with director Ingmar Bergman, whose psychologically probing dramas—including their most famous collaboration, THE SEVENTH SEAL—gave the actor freedom to bare his soul and showcase his unfailingly commanding screen presence. In addition to the string of masterpieces he made with the Swedish auteur, von Sydow embodied a wide range of characters in films by art-house titans such as Jan Troell, Lars von Trier, and Wim Wenders, leaving behind a body of work that spans more than six decades and a dozen different countries. He appeared in more than one hundred and fifty films and television series in multiple languages. Max von Sydow received his French citizenship in 2002 and lived in France for the last two decades of his life.
A silent film by Vietnamese director Truong Minh Quy in collaboration with Belgian director Nicolas Graux, was shot on the set of a film by Graux. We Sit in Silence at the Memorial Table is inspired by Educational Objectives, a poem written by Aleksey Garipov and translated to English by Nicolas Graux.
China marks the beginning of the extensive Asian theme in Ottinger’s filmography and is her first travelogue. Her observant eye is interested in anything from Sichuan opera and the Beijing Film Studio to the production of candy and sounds of bicycle bells.
Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.
"If the old doesn't go, the new never comes" recites a teenager hanging out near a demolition site in the center of Chengdu, the Sichuan capital in western China. In Demolition, filmmaker J.P. Sniadecki deconstructs the transforming cityscape by befriending the migrant laborers on the site and documenting the honest, often unobserved, human interactions, yielding a wonderfully patient and revealing portrait of work and life in the shadow of progress and economic development.
A soon-to-be first-time voter, the filmmaker’s thought-provoking journey into the Rust Belt and South captures four Asian American voters’ ardent first time grassroots political participation ignited by the 2016 rise of “Chinese Americans for Trump.” FIRST VOTE is a character driven cinema verité style film chronicling the democratic participation of four Asian American voters from 2016 through the 2018 midterm elections.
In 1946, Heidi is entrusted to a Swiss family by her father. He will never come back for her. Today, François Yang questions his mother about her past. What follows is a journey to China, a quest to reconstruct memory. Through contact with her brothers and sister, Heidi measures the extent of the drama experienced by her family that remained in China, persecuted by the Communist Party.
In northeastern China the Songhua River flows west from the border of Russia to the city of Harbin, where four million people depend on it as a source of water. Songhua is a portrait of the varying people that gather where the river meets the city, and an ethnographic study of the intimate ways in which they play and work.
A short documentary that captures the longest total solar eclipse of the 21st century, The Yellow Bank takes you on a contemplative boat ride across the Huangpu River in Shanghai, China. Filmmaker J.P. Sniadecki, who lived and worked in Shanghai nine years earlier, uses the eclipse as a catalyst to explore the way weather, light, and sound affect the urban architectural environment during this extremely rare phenomenon.
Six life stories of German, Austrian and Russian Jews which intersect in exile in Shanghai. Out of narratives, photographs, documents and new images of the biggest and most contradictory metropolis of the Far East an entity develops in which the historic exile takes and turns on a completely current power and appeal.
Set in a quasi-ghost town that once thrived with oil in China's arid northwest, Yumen is a haunting, fragmented tale of hungry souls, restless youth, a wandering artist and a lonely woman, all searching for human connection among the town's crumbling landscape. One part "ruin porn", one part "ghost story”, and entirely shot on 16mm, the film brings together performance art, narrative gesture, and social realism not only to play with convention and defy genre, but also to pay homage to a disappearing life-world and a fading medium.
To commemorate the 70th anniversary of the victory of WWII, this documentary film describes the eight years of dauntless air-force fighting of the republic of China during the Anti-Japanese War, with only 300 combat-capable aircraft from China while Japan had over 2000.
In 1994, the oil-rich city of Karamay in Northwest China was the site of a horrible fire that killed nearly 300 schoolchildren. The students were performing for state officials and were told to stand by while the officials exited first. After the fire, the story was heavily censored in the Chinese state media. To this day, the families of Karamay have not been allowed to publicly mourn their children.
KJ is a biography of a HK musical genius. At the age of 11, KJ won the Best Pianist price and went to Czech to perform with a professional orchestra. Touching on subjects such as the meaning of life, God and the artistic process, the director’s 6-year-conversations with KJ reveal how a young man inspires by his music teacher, Nancy Loo and how he conflicts with his peers and parents. KJ is not about the victory of a genius, but how he learns to be a "human being".
17 riders with avarage age 81 decide to follow the dream of their youth and start their journey to ride around Taiwan island.
A documentary chronicling the coming of age of a young chinese man.
Workers, peasants, soldiers, students and merchants were five groups of Chinese society in the 1950s, after the so-called elimination of the exploited class. Borrowing this concept, the umbrella is taken as the clue to rediscover changes in various social classes after the economic reform, and to analyze the social problems in China. Workers making umbrellas, merchants selling umbrellas, students looking for jobs in the rain. Umbrella is used as a metaphor that can be seen everywhere. As the raindrop, what we see is sometimes clear, sometimes untraceable.
A highway is waiting to go through a quiet village in Hunan, a province in central China where Mao was from. Due to the high cost of construction, construction companies and migrant workers who live on road work rush to here like the tide. In the following four years, they root in this strange place for interests, paying sweat and blood, even their lives. With their arrival, local village and peasants are forced to change their lives. Many hidden interest lines and hidden rules about road construction of the nation are unveiled, together with the shocking truth and emerging secrets.
A documentary film showing the life of Niu Hongmiao, a 20-year-old country girl who is now a prostitute in Beijing. Around the time of wheat harvesting, she goes back home to Dingxing County, Hebei Province to visit her parents.
The film is director Gao Zipeng’s first fiction film which takes three years to complete. It premieres on March 27, 2001 in UCCA and stars the poet A Jian, Xiao Zhao and the writer Gou Zi. The film is based on a true crime of disappearance. It creates an atmosphere of what Ma Zhiyuan, a celebrated poet and playwright of Yuan Dynasty, portrays in his famous poem “Autumn Thoughts”: Over old trees wreathed with rotten vines fly evening crows/ Under a small bridge near a cottage a stream flows/ On ancient road in the west wind a lean horse goes/ Westward declines the sun/ Far, far from home is the heartbroken one.