After World War II, scores of refugees leave in search of a new home. They now stand in the hall of a large mansion, waiting to receive their deeds of ownership for sections of land that the lord of the manor had left behind after he fled. Among them is young Jeruscheit who, during her travels, had to bury one of her own children. Her husband has been declared missing, and up until now she has had little purpose in life. But then she discovers it: to work, to build, and to help others. And maybe someday Jeruscheit will find her family.
Frau Jeruscheit
Altbauer Strunk
Altbauer Melzig
Neubauer Kubinski
Landarbeiter Schramm
Landrat
After World War II, scores of refugees leave in search of a new home. They now stand in the hall of a large mansion, waiting to receive their deeds of ownership for sections of land that the lord of the manor had left behind after he fled. Among them is young Jeruscheit who, during her travels, had to bury one of her own children. Her husband has been declared missing, and up until now she has had little purpose in life. But then she discovers it: to work, to build, and to help others. And maybe someday Jeruscheit will find her family.
1946-10-18
6
‘Finding Fanon’ is the first part in a series of works by artists Larry Achiampong and David Blandy; inspired by the lost plays of Frantz Fanon, (1925-1961) a politically radical humanist whose practice dealt with the psychopathology of colonisation and the social and cultural consequences of decolonisation. In the film, the two artists negotiate Fanon’s ideas, examining the politics of race, racism and the post-colonial, and how these societal issues affect their relationship. Their conflict is played out through a script that melds found texts and personal testimony, transposing their drama to a junkyard houseboat at an unspecified time in the future. Navigating the past, present and future, Achiampong and Blandy question the promise of globalisation, recognising its impact on their own heritage.
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