Families(2002)

Song 5(en)

SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

Oat Boy(en)

Folk portraiture, images of children in suburbia.

Rey(es)

In the nineteenth century, a French adventurer sets off to establish a kingdom in the inhospitable South of Chile, uniting the feared Mapuche under him. The response of the Chilean army is devastating.

The Death of Abraham Lincoln (In Three Parts)(en)

An ahistorical re-enactment of the strange and curious events that led up to the untimely demise of our nation’s sixteenth president.

Dropout(en)

Italian immigrant kidnaps a wealthy British woman, and they fall in love.

Une certaine histoire du cinéma expérimental français(fr)

Dreams That Money Can Buy(en)

An attempt to bring the work of surrealist artists to a wider public. The plot is that of an average Joe who can conjure up dreams that will improve his customer's lives. This frame story serves as a link between several avant-garde sequences created by leading visual artists of their day, most of whom were emigres to the US during WWII.

Carta a Boris(es)

Writing late becomes usual, we are always too late. Boris was my alter ego and I was his alter ego. Now that he is no longer here, I can be honest.

Migrating Forms(en)

A man and woman embark on a sexual journey to detach mind from body. The relationship slowly grows into one of emotional domination, physical disease, abandonment and the creation of personal pornography.

Without a Word(sh)

The main protagonist is a young fellow who tries to live his life within 30 frames. He's a person suitable for any atmosphere, which makes him different from the rest. He's like a plant that differs from others, an informer who wants to escape out from his skin. This man loves, hates, eats, drinks, lies ill, laughs, cries, kisses, plays... These are agonies of a contemporary man.

Triptych on Matter and Death(sh)

A young woman, injured and alone, desperately seeks refuge in an empty house before finding an abandoned train car. Haunted by surreal visions, she repeatedly collapses. At dawn, her motionless form draws the curiosity of local children, leaving her fate uncertain.

What Was It Supposed to Be Like?(en)

Rather pointless, rather stilted, fetid; not what we want us going after.

Lulu(en)

This highly stylized, critically acclaimed film from the 70's mixes silent film cards, a soundscape, color, opera music and atmosphere to explore the Freudian truths about men's fear of women that Wedekind powerfully exposed. A kinetic melodrama of the rise of a femme-fatale and her fate at the hands of Jack-the-Ripper. Rethinking Pabst's silent film and Alban Berg's opera.

Contágio(pt)

Several Portuguese creators occupy the director's chair in this collective short film shot during the COVID-19 pandemic shutdown in an unfolding of personal perspectives.

Clouds(en)

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

The Way to My Father’s Village(en)

In the fall of 1986, Richard Fung made his first visit to his father's birthplace, a village in southern Guangdong, China. This experimental documentary examines the way children of immigrants relate to the land of their parents, and focuses on the ongoing subjective construction of history and memory. The Way to My Father's Village juxtaposes the son's search for his own historical roots, and his father's avoidance of his cultural heritage.

Sermons and Sacred Pictures(en)

"An experimental documentary on Reverend L.O. Taylor, a black Baptist minister from Memphis, Tennessee who was also an inspired filmmaker with an overwhelming interest in preserving the social and cultural fabric of his own community in the 1930′s and 40s. I combine his films and music recordings with my own images of Memphis neighborhoods and religious gatherings" -Sachs

The Sacred Disease(en)

A bereaved epileptic ditches her pills and follows a mysterious woman to the outskirts of her town, where she slips back into the fearsome yet ecstatic throes of the seizure.

Brise-glace : Bateau givre(sv)

First part of the collaborative project "Brise-Glace" showing the diverse travels on the icebreaker "Frej". Directed by Jean Rouch.

The Illiac Passion(en)

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.