Robert Kuhn is looking forward to a nice evening in the brothel: First he enjoys the strip show, then he runs with his chosen ones back to a room. A short time later, he was arrested and the black lady, with whom he had spent the night, is with life-threatening injuries in hospital.
Bijou
Robert Kühn
At a mountain resort, a local resident is possessed by the evil spirit of an ancient mountain man, and terrorizes a ski lodge.
01 Alex Gaudino Feat. Crystal Waters – Destination Calabria 02 Scooter – Behind The Cow 03 Camille Jones vs. Fedde Le Grand – The Creeps 04 Double Nation – Move Your Love 05 Armand Van Helden – NYC Beat 06 Cascada – Everytime We Touch 07 Richard Grey Feat. Marc Almond – Tainted Love (Warped Bass) 08 Despina Vandi – Come Along Now 09 The Egg – Walking Away 10 The Young Punx – You've Got To 11 Nick Skitz – Just Like Paradise 12 Michael Mind Feat. Manfred Mann's Earth Band – Blinded By The Light 13 The Audio Thieves – Is This Love? 14 Michael Gray Feat. Shelly Poole – Borderline 15 Mason vs. Princess Superstar – Perfect (Exceeder) 16 Groove Coverage – 21st Century Digital Girl 17 Holly Dolly – Dolly Song (Ieva's Polka) 18 DCX – Knowing Me, Knowing You 19 Master Blaster – Walking In Memphis (Can Delight) 20 Paffendorf – Where Are You 2007
Recorded live at Gateshead in England, UK, 31 July, 1982.
Murder By Proxy: How America Went Postal is a documentary that examines the phenomenon of spree killing, particularly in a workplace, that became known in the United States as “going postal”. The film argues that the phenomenon originated in the United States Postal Service as a result of hostile work environment following the Postal Reorganization Act of 1971 and then spread to the rest of society.
The courtship of two swans is interrupted by a third swan, who demonstrates his prowess at catching fish. The pen falls for him and leaves her mate, but when the interloper begins treating her cruelly and chases her around the pond, her old flame intercedes and chases the evil swan away.
Years ago, three best friends were making a stir in Berlin’s arts scene and nightlife: Maria, a director; Laura, a young actress; and Jan, a DJ. Now they all meet up on a farm in the Black Forest where Laura and Jan had moved to fulfill their dream of a rural life. The illusions they’d all once had have given way to a life that is anything but glamorous.
A profile of the maverick pop icon of the 60s - hailed now more than ever as one of the greatest songwriters Britain has ever produced. In a unique and revealing interview, he talks about his career, breakdowns, songwriting and sexuality.
“Let’s see if you gained any weight. 26,3 kilogram. Ahmet, you need to eat more. Double meals.” Like other boys their age, Baran, Ahmet and their classmates wrestle with the desire for recognition, with homesickness and with their target weights. Most of all though, they wrestle with, and against, one another. They are comrades and competitors, united by one and the same dream: Olympic gold! In their wrestling academy in the Turkish province of Amasya, which is well known for this traditional form of combat sport, they undergo strength and endurance training, they learn lifts and throws, they urge each other on and they console one another. Always responding to the boys’ needs, the trainers give the boys tough love, sometimes fatherly, sometimes strict and disciplinary. The film’s intimate documental camera bears close witness to the fine line between friendship and competition, victory and the lesson of how to lose.
The film recreates the arrival of a group of Jewish immigrants fleeing persecution in Czarist Russia, establishing the first Hebrew colonies in the province of Entre Rios, Argentina.
The short is based on the theory of philosopher Alfred Korzibisky, creator of General Semantics and which is currently part of one of the main assumptions of Neurolinguistic Programming.
The legend of the 'Tierra De Sangre' vineyard... A tale that takes place a century ago, where love and death collide, and the mystery is darker than anyone could possibly imagine.
Amidst the complex Mexico City, a man drives a public transport bus during daytime and works the night shift impersonating Mexican songstresses in a drag cabaret.
Two teenagers, secretly in love with each other, spend their holidays with their families in the same seaside resort.
A mysterious international crime organization makes a demand of 900 million yen from the Japanese government for the release of hostages. The group then targets a victory parade of a world sports game to commit indiscriminate terror.
Franco Adami injures a condescending prostitute to photograph her, but escaped from guilt, causing her death by bleeding.
Rival gangs are fighting for control of Hamburg's notorious harbor district, spreading fear and terror in the process. In the streets, houses and clubs, the thriller shows the lives of a handful of people whose fates will be decided within 24 hours.
Written by Jose Javier Reyes. Produced by Regal Films. Starring Barbara Benitez, Lito Gruet, and Charito Solis. Opened on February 22, the first day of 1986 EDSA People Power Revolution.
A troubled actor, a television show runner, and an acclaimed videogame designer find their lives intertwining in mysterious and unsettling ways.
On a Tuesday night, five couples have separate sexual adventures. Matt and Kris, friends for years, want to have an only-once, no-strings good time. Abby and Andrew, married, celebrate his birthday, but it's marred by angst and miscommunication. Mia and Eric are exes, making sure they are over each other. Jaime and Ken work together and this is a first date. Inez and Gord invite his roommate, Dave, to join them. By the time each couple has gone through a prelude, foreplay, sex, an interlude, orgasm, and afterglow, they've answered basic questions: can sex be anonymous, are we bored, is our marriage really finished, does anyone tell the truth, and how do we make someone happy?
Hold your breath! Two women have begun their bloody fight to survive. Seon-yeong, who works as a copywriter, go on a camping trip with her friend Eun-mi and Yeong-sik, a prosecutor, who is in love with her. The group meets a mysterious looking man, Tae-ho, while they hike up to their camping ground on the mountain. Tae-ho, a freakish murderer who grow poppies, destroy their innocent hope to have a great time camping. And to make things worse, a group of unknown people who chase down Tae-ho is after them as well. The two women, Seon-yeong and Eun-mi are left in the midst of mayhem where they have to fight against the bloody rampage of murder and sex. Will the two women be able to go back to their normal daily life?
With friends like these, who needs enemies? That's the question bad guy Porter is left asking after his wife and partner steal his heist money and leave him for dead -- or so they think. Five months and an endless reservoir of bitterness later, Porter's partners and the crooked cops on his tail learn how bad payback can be.
Ricky is a young man who takes care of his sick mother. His father hovers at the edge of the picture, so Ricky provides for himself and his mom through prostitution, running errands, and acting as a caregiver for a blind man. Through the course of the film, Ricky befriends Janey, a young woman he finds beaten by her ex-boyfriend, and Trenn, a mysterious young man in trouble with the law. The three of them navigate a dark and confusing world. It uses many of the actors who have come to constitute the Dar A Luz company, including Tony Torn, Tom Fitzpatrick, Juliana Francis, and Tom Pearl. It will disappoint those who approach it looking for a film analogue of the “faster and louder” aesthetic that critics have used to characterize much of Abdoh’s stage work. The Blind Owl does use a variety of techniques reminiscent of his stage direction, giving it an unusual theatricality.
In the 26th century the inhabitants of Utopia have so lost their individuality, which varies in number. They live in glass houses (this was written before the invention of television), which allows the political police, called “Keepers” can easily supervise them. They all wear the same uniform and usually turn to each other or as a ”cipher-so” or "UNIFEM" (uniform). They feed on artificial food and rest hour marching in fours in a row the anthem of the One State, pouring out of the loudspeakers. As they are allowed to put a break on the hour (known as the ”sexy time“), draw the curtains of their glass houses. At the head of the One State is one called The Benefactor, which are replaced every year the whole population, usually unanimously. The guiding principle of the State is that happiness and freedom are incompatible.
A beautiful temptress re-kindles an old romance while trying to escape her past during a tension-packed train journey.
Die Polizistin is a drama by Andreas Dresen about the life of a young police woman who is faced with the difficulties between her responsibilities at work and her personal responsibilities.
Holden and Banky are comic book artists. Everything is going good for them until they meet Alyssa, also a comic book artist. Holden falls for her, but his hopes are crushed when he finds out she's a lesbian.
A beautiful young ballet dancer is accepted into a prestigious and exclusive dance academy. Overjoyed at the opportunity to further her career and repair her relationship with her boyfriend, she soon discovers that the academy has a dark side to it--and she may not be able to escape it.
Halil goes to a bar with his friends and meets Sabiha, a prostitute, and they fall in love. Two lovers want to escape their past and live together. However, Sabiha knows little about Halil's life, and she has to face some facts.
Martín is a tormented and solitary man who hides a shameful and unspeakable secret: he lives with a life-size doll which he treats as if it were his wife. This idyliic, loving existence will be gravely threatened when a prostitute, her daughter, and a pimp enter his life.
Sultana, a small town prostitute and her pimp Khudabaksh migrate to the metropolis, bringing with them their dreams and meagre belongings. Sultana goes about her bright and artful seductions but somehow misses her targets. Her business collapses. Desperately, Khudabaksh too tries his hand at many jobs but is unsuccessful. Sultana's loneliness and despair get objectified in her desire for a 'salwaar' that she needs to complete her black ensemble for the observance of mourning for Moharram.
Captain Giakoumis makes the big decision to forsake the sea and live peacefully close to his wife and his adopted son, Andreas, who is about to sit for examinations in order to become a lieutenant. However, a terrible secret burdens his soul. He has a daughter, Agni, whom he had years ago when he had an affair with Maria, a prostitute from Troumpa. Maria, before she died, expressed the wish that Giakoumis recognize their daughter as his child. He, however, refused, since Agni ended up becoming a prostitute. The girl, to take revenge on her father, starts an affair with her half-brother with the intention of dragging him down into the mud. In the end, however, she falls in love with him, and this love blesses everyone and everything.
The eponymous garçonne or flapper is Monique Lerbier, an emancipated French woman who leaves home to escape a marriage of convenience to a man she does not love which her parents have forced on her. She then falls into all sorts of carnal temptations and artificial pleasures previously unknown to her. These include her being seduced into a lesbian love affair by a chanteuse.
Paris, 1960s. Momo, a resolute and independent Jewish teenager who lives with his father, a sullen and depressed man, in a working-class neighborhood, develops a close friendship with Monsieur Ibrahim, an elderly Muslim who owns a small grocery store.