A crew of friends joyously embark on making their first movie by attempting to capture the annual tradition of the “Hit to Pass” demolition race in Prince George, British Columbia. The nature of friendship, storytelling, and the long shadow of colonialism reshape and upend their ambitions.
Himself
Himself
Himself
Himself
Himself
Himself
A crew of friends joyously embark on making their first movie by attempting to capture the annual tradition of the “Hit to Pass” demolition race in Prince George, British Columbia. The nature of friendship, storytelling, and the long shadow of colonialism reshape and upend their ambitions.
2014-10-18
5.5
Angélique is in a North African Muslim kingdom where she is now part of the Sultan's harem. She refuses to be bedded as her captors try to beat sense into her. She finally decides to escape with the help of two Christian prisoners.
Angelique is saved by the king of the cutthroats when she is endangered in the streets of Paris. After her hero is killed, she has many amorous affairs and becomes a successful businesswoman.
Celestine has a new job as a chambermaid for the quirky M. Monteil, his wife and her father. When the father dies, Celestine decides to quit her job and leave, but when a young girl is raped and murdered, Celestine believes that the Monteils' groundskeeper, Joseph, is guilty, and stays on in order to prove it. She uses her sexuality and the promise of marriage to get Joseph to confess -- but things do not go as planned.
In an industrializing Italian town, a married woman, rendered mentally unstable after a traffic accident, drifts into an affair with a friend of her husband.
‘Finding Fanon’ is the first part in a series of works by artists Larry Achiampong and David Blandy; inspired by the lost plays of Frantz Fanon, (1925-1961) a politically radical humanist whose practice dealt with the psychopathology of colonisation and the social and cultural consequences of decolonisation. In the film, the two artists negotiate Fanon’s ideas, examining the politics of race, racism and the post-colonial, and how these societal issues affect their relationship. Their conflict is played out through a script that melds found texts and personal testimony, transposing their drama to a junkyard houseboat at an unspecified time in the future. Navigating the past, present and future, Achiampong and Blandy question the promise of globalisation, recognising its impact on their own heritage.
In the aftermath of the Fourth Impact, stranded without their Evangelions, Shinji, Asuka and Rei find refuge in one of the rare pockets of humanity that still exist on the ruined planet Earth. There, each lives a life far different from their days as an Evangelion pilot. However, the danger to the world is far from over. A new impact is looming on the horizon—one that will prove to be the true end of Evangelion.
Alma is a scientist coerced into participating in an extraordinary study in order to obtain research funds for her work. For three weeks, she has to live with a humanoid robot tailored to her character and needs, whose artificial intelligence is designed to be the perfect life partner for her. Enter Tom, a machine in human form in a class of its own, created solely to make her happy.
The story of Tony (Rudy Fernandez) is not only a reminder to actors or actresses, but to everyone. It teaches a lesson about humility and the so-called "debt of gratitude." It features the lives of some actors such as Vicky Villareal (Lorna Tolentino) and Vina Amor (Celia Rodriguez). Their lives roll around the wheel of fame, especially that of Tony's.
The first part of a YuruYuri spin-off duology featuring Sakurako and her sisters.
Box is a story of two people who meet at a crossroad. Two different destinies, two different lives, face to face in a game of sweat, blood and tears. Rafael (19) is a young boxer who dreams to conquer the world; Cristina (33) is a single mother who lost her balance. Two lives; one running very close to the earth, the other trying to fly high up, too high.
Star is a young graffiti writer, the best in his city, Paris. His reputation attracts him as much into art galleries than in the police precincts. Accused of vandalism, he faces jail. Despite the threat, he decides to go to Rome with his crew in search of the meaning of his art.
Years after his mysterious disappearance, Julio Arenas, a famous Spanish actor, is back in the news thanks to a television program.
Adriano wakes up in a hotel room next to the dead body of his lover, Laura. The door is locked from the inside and there is no evidence of anybody else in the room.
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
Fresh out of university, a Turkish young man with literary aspirations returns to his home village, and to his father, a debt-ridden man with a gambling problem.
A single woman who decides to take a chance on love again by catapulting her life from Paris to Los Angeles. From awkward dates to touching surprise encounters, she understands the journey to love is a journey towards herself.