4Ever[2014]

Return(en)

Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

The Phantom Stockman(en)

Kim Marsden inherits a cattle station near Alice Springs after the death of her father. Kim becomes convinced her father was murdered. She sends for a legendary local bushman called the Sundowner, who was one of her father's best friends.

Return(es)

RETURN(en)

‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.

Return(hy)

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

Art Machine(en)

A teenaged prodigy painter preparing for his widely anticipated coming‐of‐age exhibition falters under pressure and slips off his medication. In his mania, he recruits a band of Bushwick rebel artists to take part in his progressively subversive show—one that will leave mouths agape.

Mimosa(fi)

Mimosa is about a girl growing up in an orphanage who tries to make life fun for all the residents. It's a great Easter story, an animated fairy tale about a witch kid and what she's up to in the orphanage while the mother witch whips around with her broom. An excellent animated fairy tale about diversity and tolerance, made in Camilla Mickwitz's typical funny way.

1-2-3(es)

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

Return(en)

RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.

Stranger on the Run(en)

A drifter finds himself wrongly accused of murder by a power-crazed sheriff. The sheriff gives him a horse, some supplies, and a one-hour head start into the desert before sending his murderous posse after him.

Metamorfosia(en)

In the life of an average woman it's her husband and the children, who give her love and secureness. They form a family. Often her husband has to travel for business, only for a few days. In these days she feels loneliness and counts the days till he comes back from his far journeys. Everytime the day of his arrival is a please. But this time he hasn't come back. He has been missing for 3 days.

The Night Before(fr)

“La nuit d'avant is the work of a true cultivator of tradition. A seventeen-minute masterpiece that has precisely to do with the act of transmission. I have found a very powerful similarity between the film that is at the origin of this short - The Clock, by Vincente Minnelli- and Rossellini's Viaggio in Italia. We could continue elaborating and extract a thread from this. I find it very exciting to be able to start pulling this thread with a film that has been made this year (2019), instead of starting with its birth." - Paulino Viota

Cold Hard Cash(en)

Watch what happens when two beautiful bad girls with no option are put in a desperate situation.

La pulquería 2(es)

In this second part, the devil (Alfonso Zayas) returns to earth in search of a cure for his loss of masculinity; while Gerardo (Jorge Rivero), the rich and handsome character, continues to seduce his beloved.

Spider-Man(en)

When an extortionist threatens to force a multi-suicide unless a huge ransom is paid, only Peter Parker can stop him with his new powers as Spider-Man.

Pido - Bienvenue chez les Corses... Et bonne chance !(fr)

Il revient enfin sur scène avec un one man show intitulé : « Bienvenue chez les Corses et bonne chance ! »… Vous l’aurez compris, l’île de beauté est le thème principal de ce spectacle. Un voyage au cœur de la Corse que Pido nous propose avec son style inimitable. Que ce soit à travers des personnages que l’on connait déjà, ou à travers des « nouveaux venus », plus fous les uns que les autres, voici un spectacle qui raconte la Corse et les Corses et qui s’adresse à tout le monde.

Grandpa's Great Escape(en)

Many years ago, Grandpa was a World War II flying ace, but sadly he is now suffering from Alzheimer's disease. When his family can no longer look after him, he is moved to Twilight Towers, an old people's home. It soon becomes clear that Miss Dandy is running Twilight Towers for her own ulterior motives, and it is up to Grandpa and grandson Jack to make a daring escape. Failure could have the direst of consequences, but success will give Grandpa a final chance to relive his past and take to the sky once again in his beloved Spitfire.

1-2-3(en)

“1-2-3” explores the harrowing tale of human trafficking in the country.