Raja, a taxi driver, falls in love with Aarti, a rich girl, and marries her against her parents' wishes. Later, her stepmother tries to create a rift betweenthe couple.
Raju
Gulab Singh
A depressed wealthy businessman and a spunky carefree young woman embark on an unexpected journey that changes their lives.
Horrified at the prospect of her beloved school being sold, a young French girl named Madeline uses her wit and craftiness to attempt to save it, making an unlikely new friend in the process.
Rohit and wealthy Kiran Dayal meet each other and fall in love. They intend to marry, but Kiran's parents will not permit her to marry beneath her class. Kiran is adamant, and the marriage goes through without the blessings of the Dayals. They live in harmony for months, even after Kiran gives birth to Sunil. Then they start to have differences, which are minor at present, and then snowball...
A wealthy businessman's traditional family celebrate their togetherness when his three sons get married, but slowly find themselves growing apart after a misunderstanding.
Sidharth (Aamir Khan), is a Mumbai 'Tapori' and a boxing champion. His elder brother, Jai (Rajat Kapoor) works with Raunak Singh (Sharad Saxena), who now rules their "Basti" through terrorising its people and collecting 'Hafta' from local merchants. Sidharth idolized his father, a freedom fighter, whom he saw falling to his death as a child. This effects Sidharth through his adult life. Sidharth meets a young girl, Alisha (Ranee Mukherjee), who rides with a motorcycle gang and Charlie (Deepak Tijori), the gang leader. Sidharth also meets Hari, whose idealism reminds him of his father. Hari's social work in the community possess a threat to Raunak Singh's evil empire. What happens to Hari changes Sidharth's life forever. How Sidharth breaks Raunak Singh's chains of 'Ghulami' around the community forms the crux of the story. Featuring the superhit song "Aati Kya Khandala" sung by Aamir Khan.
The anguish that negligent children can cause is depicted here from the parents' perspective. Raghavaraju (Prakash Raj) is a farming landlord in Atreyapuram village of Andhra Pradesh. He lives with his wife Janakamma (Jayasudha), along with his son Bangararaju (Naresh) his wife, and his son Raju (Sharwanand). Raghavaraju lives in this ancestral house built by his forefathers consisting of many generations living in the same household as a Joint family. However with changing times Ragahvarju's NRI sons and NRI daughter live in the United States, Canada, and Australia as nuclear families. After a gap of 10 years, all his children arrive in the village during the holiday season of Makar Sankranti, under mysterious circumstances after they receive an email from Raghavaraju who expresses his wish to divorce his wife Janakamma. What happens next and the events leading to this mysterious situation, and how Raghavaraju conveys his midlife crisis to his children forms the crux of the story.
All unemployed, Ki-taek's family takes peculiar interest in the wealthy and glamorous Parks for their livelihood until they get entangled in an unexpected incident.
A wheelchair-bound photographer spies on his neighbors from his apartment window and becomes convinced one of them has committed murder.
A stage director and an actress struggle through a grueling, coast-to-coast divorce that pushes them to their personal extremes.
A woman taking a cab ride from JFK airport engages in a conversation with the driver about the important relationships in their lives.
Margherita, a director in the middle of an existential crisis, has to deal with the inevitable and still unacceptable loss of her mother.
The story of J. Robert Oppenheimer's role in the development of the atomic bomb during World War II.
First-time father Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child.
Michelle is enjoying a peaceful retirement in a Burgundy village, close to her longtime friend Marie-Claude. When her Parisian daughter Valérie drops off her son Lucas to spend school vacation with his grandma, Michelle, stressed out by her daughter, serves her toxic mushrooms for lunch. Valérie quickly recovers, but forbids her mother from seeing her grandson anymore. Feeling lonely and guilty, Michelle falls into a depression... until Marie-Claude's son gets out of prison.
Chico, one of the remaining members of The Magnificent Seven, now lives in the town that they (The Seven) helped. One day someone comes and takes most of the men prisoner. His wife seeks out Chris, the leader of The Seven for help. Chris also meets Vin another member of The Seven. They find four other men and they go to help Chico.
A hapless talent manager named Danny Rose, by helping a client, gets dragged into a love triangle involving the mob. His story is told in flashback, an anecdote shared amongst a group of comedians over lunch at New York's Carnegie Deli. Rose's one-man talent agency represents countless incompetent entertainers, including a one-legged tap dancer, and one slightly talented one: washed-up lounge singer Lou Canova, whose career is on the rebound.
In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.
Based on real events, Honey Trehan’s second feature tells the story of human rights activist Jaswant Singh Khalra’s courageous campaign to uncover murderous corruption during the nadir of Punjab’s period of insurgency.
The idea behind Ya Rab is to show how Islam has been used as a tool to propagate terrorism. The film focuses on issues where so called self proclaimed Maulanas (Islamic Preachers) misinterpret The Quran and its real meaning to breed terrorists and terrorist activity. Ya Rab is a genuine effort to show the right face of Islam and to guide the misguided on the right path.
A classic crime narrative in the backdrop of Delhi merges a dysfunctional, mafia family at war with each other as an undercover officer fights his demons by assisting in their downfall.
A love triangle forms after a male finds his best friend has married his sweetheart.
A newly-wed man discovers that his wife is in love with another man and decides to unite them. Ignoring the ridicule he might have to face for this, he takes his wife to Italy in search of her love.
Bhanwar, a simpleton young man in the rural Rajasthan wants a bride for him but gets duped. Instead of a woman, he is married off to a transgender person – Sanwri. Having no resort Bhanwar and his uncle decide to keep Sanwri for their household work but fearing the social ostracization they also try to keep her actual identity a secret. Bhanwar and Sanwri eventually fall in love and fight to survive as a couple in a conservative, oppressive society where marriages are meant to take place only between a man and a woman, and traditional norms are more important than humanity.
Circumstances force a mill worker with a sick child to take the law into his own hands. It is only when he arms himself with a gun and storms into the hospital that people begin to notice his plight.
Rahul, the son-in-law of an old industrialist and one of the heirs to his fortune, clashes with Dinesh, the industrialist’s nephew who is openly unscrupulous. Rahul, on his part, conceals his personal ambition under a cloak of liberalism and encourages indigenous production.
Based on a popular historical legend, Prince Salim has a passionate love affair with a beautiful, sassy commoner.
A bookstore owner falls in love with a talented author who doesn't feel the same way about him. His desire to get what he wants turns into a strange and dangerous obsession which complicates their lives together.
Batra family has just four days left to vacate their house of 34 years. Amidst the mayhem and uncertainties of the future, insecurities and secrets surface.
We are thrust into the decaying crumbling marriage of Megha and Vinay. A relationship that is now running only on toxicity and vitriol for each other. Accusations fly, perceptions have been distorted and what is left is an unreliable narration of events. The only thing certain is that there is no redemption when they try to address this by inviting guests…
Shri Krishna Leela is a 1971 Hindi religious film directed by Homi Wadia. It was produced by his Basant Pictures banner. Written by B. M. Vyas, the story and dialogue were by S. N. Tripathi.
Three couples who get separated from each other due to an evil ploy, reincarnate after 600 years and meet each other as history repeats itself again and their respective partners get mixed up this time.
When a rowdy Shiva’s world collides with that of a demure Aastha’s, whose family has just moved into the chawl he resides in, sparks fly between them. But given their completely different backgrounds, is there any scope for their romance to bloom and survive?