In 1990s New York City, teen runaway Froggy is caught in the throes of heroin addiction as she falls in love with a fellow junky, war veteran Baylis. The couple finds comfort in each other, yet they are already far too deep in a wild downward spiral.
The music video Timro Chanchale Chulbule Yoban weaves a story of longing, fleeting connections, and unfulfilled desires. Aanchal and Udip, a married couple from Nepal, are struggling with an unhappy relationship. Seeking a break, Aanchal travels to the UK for a holiday. Meanwhile, Paul, a handsome and strong man living in London, dreams of finding the perfect woman to marry. Their paths cross at Tower Bridge, where Paul is instantly captivated by Aanchal's beauty. Mesmerized, he begins to follow her through the city-Tower Bridge to Waterloo Station, and finally to London Bridge-imagining a future together filled with love and happiness. But when Paul turns to approach her, Aanchal suddenly disappears. Reality strikes, and Paul learns she is already married, her sadness hidden behind her beauty. This realization brings Paul back to reality, leaving him to reflect on the bittersweet nature of love and missed chances.
Yonosuke Hikura appears to be an ordinary high school student. Yet he has inherited the important role of protecting the harmony between Heaven and Earth. With the help of the magical sword Chitentai, and Tsukinojo Inbe, he courageously battles the demons, sending them back to the Earth World, from which they have escaped.
A chronicle of Nelson Mandela's life journey from his childhood in a rural village through to his inauguration as the first democratically elected president of South Africa.
Construction company owner John Matthews learns that his estranged son, Jason, has been arrested for drug trafficking. Facing an unjust prison sentence for a first time offender courtesy of mandatory minimum sentence laws, Jason has nothing to offer for leniency in good conscience. Desperately, John convinces the DEA and the opportunistic DA Joanne Keeghan to let him go undercover to help make arrests big enough to free his son in return. With the unwitting help of an ex-con employee, John enters the narcotics underworld where every move could be his last in an operation that will demand all his resources, wits and courage to survive.
SummerSlam (2004) was the seventeenth annual SummerSlam PPV. It was presented by Stacker 2's YJ Stinger and took place on August 15, 2004 at the Air Canada Centre in Toronto, Ontario and featured talent from the Raw and SmackDown! brands. The main match on the Raw brand was Chris Benoit versus Randy Orton for the World Heavyweight Championship. The predominant match on the SmackDown! brand was John "Bradshaw" Layfield (JBL) versus The Undertaker for the WWE Championship. The featured matches on the undercard included Kurt Angle versus Eddie Guerrero and Triple H versus Eugene.
Satan lets Jezebel return to earth to deliver the soul of a blonde virgin named Rachel by taking over her body. However, Jezebel gets more than she bargained for.
A look at the story behind Marvel Studios and the Marvel Cinematic Universe, featuring interviews and behind-the-scenes footage from all of the Marvel films, the Marvel One-Shots and "Marvel's Agents of S.H.I.E.L.D."!
An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.
009 Re:Cyborg follows a group of nine cyborgs, each of them created by a shadowy organization for use as weapons against humanity. The group turns on their creators to protect the population instead, using the powers given them to fight their creators.
Rosalie loves to shop too much to let a little thing like no money stop her. When the local shopkeepers no longer take her bad checks or bad credit cards, she's finds herself out of ways to please her consumerist tendencies… until she discovers The Internet! Master shopper becomes master hacker, and Rosalie is back on top.
When a driven HR exec loses her high-powered job, she travels to Puerto Rico in an attempt to save her career at a business conference. But as the trip quickly becomes a disaster and a hurricane shuts down the whole island, she meets a handsome world traveler who gives her a new perspective on finding passion in life and love.
Hitch a ride into the dark heart of Australia with Soda_Jerk's TERROR NULLIUS, a blistering, badly behaved sample-based film that confronts the horror of our contemporary moment. Equal parts political satire, eco-horror and road movie, TERROR NULLIUS is a rogue remapping of national mythology, where a misogynistic remark is met with the sharp beak of a bird, feminist bike gangs rampage and bicentenary celebrations are ravaged by flesh-eating sheep. By intricately remixing fragments of Australia's pop culture and film legacy, TERROR NULLIUS interrogates the unstable entanglement of fiction that underpins this country's vexed sense of self.
Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.
Lovebirds Radu and Mădălina are taking a trip together to her parents'. On the way, they pick up a hitchhiker, who becomes their friend.
Through eloquent portrayals of four different life experiences — birth, aging, marriage and the death of a parent — Home addresses how the dissolution of the nuclear family and the increasing control of daily life by institutions have affected the individual. The subjects of this verité documentary include a ninety-four year-old woman in a nursing home and a young man caring for his terminally ill mother at home.
Brazilian politician João Ernesto surrenders to justice and is arrested for corruption, before attempting to overturn with sincerity and real proposals.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.