This documentary from Avon Productions takes a look at the live-sex shows performers in New York's Times Square back in the early 1980s, focusing mainly on the S&M/B&D genre. Included are interviews with the performers, scenes of some of the shows and clips from some "roughie" porn films (also made by Avon) featuring some of the performers shown here.
A strippers' convention and a major contest. The movie focuses on a few strippers, each with her own strong motive to win.
Graphic Sexual Horror takes a peek behind the terrifying facade behind the most notorious of bondage websites, exploring the dark mind of its artistic creator and asking hard questions about personal responsibility. Interviews reveal deep fascinations with bondage and sadomasochism that run parallel, and in fact become irreversibly entwined with the lure of money.
The story of Robert Flanagan, a man who was born with cystic fibrosis and told he wouldn't live past 20, who through a unique odyssey of masochism, art and love found a way to live decades past his expiration date.
Published in Paris in 1954, Story of O was an immediate bestseller and literary scandal: an elegantly written S&M fantasy that had all the hallmarks of being an autobiographical account by the pseudonymous Pauline Réage. In 1994 Dominique Aury, a mild-mannered, dowdy editor for France’s prestigious Gallimard press, revealed her authorship. Pola Rapaport explores Aury's inspiration, recreating the world of '50s literary Paris and setting it against dramatic sequences that bring the infamous book to life. The author as well as various French intellectuals expound on the thorny relationship between sexuality and power, submission and freedom, liberation and non-being.
The film documents modern slave trade through a number of African countries, under dictatorship rule. The filming was conducted both in public places, and sometimes with the use of hidden cameras, for high impact scenes of nudity, sex, and violence - and a few surprises, as slaves made out of peregrins to Asia, and slave traders paid in traveller checks.
Nick Broomfield and a documentary crew visit Pandora's Box, an up-scale house of bondage on Manhattan's Fifth Avenue, where clients pay $175 an hour to be subservient to mistresses. Mistresses talk about their craft; a few clients, usually masked, are interviewed as well. Then, the camera watches sessions organized around fetishes: rubber, wrestling, corporal punishment, masochism, and infantilism. Mistress Raven, the owner of Pandora's Box, explains that pain need not be part of the subservient experience: it is, at its root, a transfer of power. After their session has ended, clients talk about how drained, relaxed, relieved, and at peace they are.
Caroline Darian, Gisèle Pelicot's daughter, looks back on the tragedy that shook her family: for ten years, her father drugged her mother to subject her to rapes committed by strangers recruited on the Internet. This case exposes the scandal of chemical submission, a practice where attackers, generally close to the victims, use prescription or over-the-counter medications to commit their crimes. This phenomenon, far from being marginal, affects victims with varied profiles...
SamHel follows several groups of bondage enthusiasts as they illustrate their hobby.
For the past year or so, brothers Jim and Steve Peters, both ordained ministers, have been traveling around the nation on a mission from God. Convinced that rock and roll is "one of the largest satanic forces in the country," they have been exhorting American kids to build bonfires of albums in public places.
Director Christina Voros and producer James Franco pull back the curtain on the fetish empire of Kink.com, the Internet's largest producer of BDSM content. In a particularly obscure corner of an industry that operates largely out of public view, Kink.com's directors and models strive for authenticity. In an enterprise often known for exploitative practices, Kink.com upholds an ironclad set of values to foster an environment that is safe, sane, and consensual.
An exploration of underground Japanese counter-culture including the Yakuza, the nationalists, the gay and lesbian community, the bikers and the homeless.
If you thought computers were a turn-off, then just see how they can be a turn-on! With sound and vision now available on the internet, the world of home computers is heating up. "The Best of Sex Bytes" shows you what people share in cyberspace from the pleasures of food and sex, and artists who bodycast human sculptures, to the pleasures of public nudity, foot fetishes, on-line erotic dancing, sex magic and more. Plus meet a rock band who really turn up the heat on stage: The Impotent Sea Snakes.
Whether Satan exists is a matter of belief. But we are certain Satanism exists. To some it's a religion. To others it's the practice of evil in the devil's name. It exists and it's flourishing.
Documentary about the subculture of people interested in consensual sadomasochistic erotic play. The scene wants to be accepted like homosexual people are. Professional Dominatrix "Lady Isis", bondage-artist and publisher of magazine "Schlagzeilen" Matthias Grimme, a stand up comedian focusing on the topic Axel Tueting, a composer of session-music Carlos Peron, writer and artist Woschofius are interviewed.
Yoriko Jun turned Miyuki Fukashi’s sensual novel with the same name into a movie. An ordinary office lady and a boy meet on the Internet, they get into a master-slave relationship and are drowned in a world of pleasure.
Captain Jack Sparrow races to recover the heart of Davy Jones to avoid enslaving his soul to Jones' service, as other friends and foes seek the heart for their own agenda as well.
As the president of a trashy TV channel, Max Renn is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.