Agente Junto(2025)

HERANÇA(pt)

Just My Luck(en)

Rob West is a down on his luck ex-con who is trying to change his ways for the better. But when he gambles away twenty grand, he must try to escape the wrath of his bookie and is forced to come out of retirement for one last job.

Margot(en)

Set in the near future, two aspiring astrophysicists control the fate of their human-like drone MARGOT while exploring the exoplanet Astor.

Madame Sans-Gêne(fr)

Le syndrome de l'écossais(fr)

Bruno and Florence invited Sophie and Alex for the evening, but nothing goes as planned between the successful author, the brilliant entrepreneur and their respective wives, two sisters. Contradictions, anxieties, bad faith and pettiness come around the table. A delightful cascade of incidents quickly transforms the family reunion into a crazy night where secrets, bottles and unsaid are shattered until the two couples, caught in an irresistible whirlwind, formulate the most unexpected.

Mr. Sprinkles(en)

Mr. Sprinkles deals with being obsolete.

The Metropolitan Opera: The Exterminating Angel(en)

After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.

The Metropolitan Opera: The Elixir of Love(it)

Donizetti’s bubbly romantic comedy about a spunky landowner, a hapless peasant, and the dubious love potion that may or may not bring them together never fails to delight audiences. In this performance from the Met’s Live in HD series, South African soprano Pretty Yende stars as Adina, imbuing her character with lovable warmth while tossing off effortless coloratura passages from beginning to end. Tenor Matthew Polenzani is Nemorino, Adina’s love-struck admirer, who pours out his heart in the moving aria “Una furtiva lagrima.” The cast also includes baritone Davide Luciano as the swaggering Sergeant Belcore and Ildebrando D’Arcangelo as the wily Dr. Dulcamara, and Domingo Hindoyan conducts Bartlett’s Sher’s charming and colorful production.

Time Trap(en)

A group of students become trapped inside a mysterious cave where they discover time passes differently underground than on the surface.

Bad Grandmas(en)

Four grandmothers accidentally kill a conman and, to cover it up, they get rid of the body. When the conman's partner shows up, things go south.

How Bugs Bunny Won the West(en)

How Bugs Bunny Won the West is a Looney Tunes special that was released in 1978. This special was narrated by Denver Pyle. The special is available as a bonus feature on The Essential Bugs Bunny DVD set. It had a running time of 30 min.

The Bugs Bunny Mother's Day Special (en)

Bugs has a "run-in" with a pixilated stork in the bridging sequence of this tribute to mothers.

Babasına Bak Oğluna Al(tr)

Make Me Believe(tr)

Two meddling grannies trick their adult grandkids into a meet-cute that reignites a childhood crush and old grudges.

All You Can Eat(en)

A young waitress at a fast food diner has a bad feeling about things going on behind the chrome and neon facade of the diner. She finally believes she has the proof she needs to bring this secret to light, but unseen evil forces are unleashed in a blood thirsty attempt to stop her.

Liquid Love(es)

A critique of liquid love through sarcasm and crude humor. With the desire that the viewer empathize with the protagonists and reflect on the ephemerality of sexual-affective relationships in modern society. At the end of the short film, the transformation of people into mere consumer goods will be clear, which, once they have been used, are discarded

Anhedonia(es)

In a dystopian near future, a class of people are vaccinated with Anhedonia, a vaccine that causes the loss of pleasure and feelings in order to keep a population focused on farm work.