Caminho Cênico: Da Universidade aos Palcos(2025)

Tangos e Tragédias Para Sempre(pt)

ROTA(pt)

Crenças no ensino(pt)

Oficina Perdiz(pt)

Medicina 70(pt)

Cyclone(pt)

Autumn(pt)

In a small Portuguese town, a family is turned upside down when their son leaves to study in London. Over a year, we see a daughter's coming of age, a father's mid-life crisis, a son's emancipation and a mother coping with an "empty nest"

Sol(it)

Ma... diamoci del tu!(it)

Storie del Signor G(it)

Trilha(pt)

Luíza goes to her classroom, but she is not alone this time.

Olympia: Part One – Festival of the Nations(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Dziga and His Brothers(ru)

The fascinating and tumultuous lives of Mikhail, Boris and Denis Kaufman (better known as Dziga Vertov) are the focus of this powerful documentary. Using rare archival footage from Russian state film archives and private collections, the brothers' lives and art are traced from Bialystok to Moscow, Paris, and Hollywood.

The Force(en)

The Force presents a cinema vérité look deep inside the long-troubled Oakland Police Department as it struggles to confront federal demands for reform, a popular uprising following events in Ferguson, MO, and an explosive scandal.

Icarus(en)

While investigating the furtive world of illegal doping in sports, director Bryan Fogel connects with renegade Russian scientist Dr. Grigory Rodchenkov—a pillar of his country’s “anti-doping” program. Over dozens of Skype calls, urine samples, and badly administered hormone injections, Fogel and Rodchenkov grow closer despite shocking allegations that place Rodchenkov at the center of Russia’s state-sponsored Olympic doping program.

The New Radical(en)

Uncompromising millennial radicals from the United States and the United Kingdom attack the system through dangerous technological means, which evolves into a high-stakes game with world authorities in the midst of a dramatically changing political landscape.

Cairo Jazzman(en)

A documentary about Cairo Jazz Festival's Amr Salah and his struggle every year to bring people and arts together in a country where 70% of people are under 30 and the Officials do not care about culture too much.

War of Words: Battle Rap in the UK(en)

WAR OF WORDS is an energizing, controversial and inspiring feature documentary that lifts the lid on the fast growing UK Battle Rap scene. The documentary is an examination of an exciting subculture of youth in the UK today; their creativity and work ethic, their passion for language and ability to control their own destiny. It investigates freedom of expression and respect for other cultures and lifestyles. While the language is often harsh and unflinching, the 'anything goes' philosophy of the battle arena results in one of the most harmonious and creative scenes in youth culture. The film is a truly entertaining expose on how the UK has embraced this American art form, creating one of the most exciting youth subcultures happening right now.