Tells the story of an up-and-coming Yakuza, who makes a name for himself alongside his two friends just before 1992, when the enforcement of the new gang law came in place.
When Yakuza decides to take avenge his brother, the war shall begin.
Kunisada Chuji is a common folk hero who looks out for poor people in the country who are at the mercy of corrupt officials. Intent on fulfilling a dying wish from one of his henchmen, Asataro, to find a decent home for his young nephew, Chuji descends from his hide-out in the mountain, and heads to the city in spite of numerous dangers that await him there.
The Hyodo-gumi boss—part of Tendokai, Japan’s largest yakuza syndicate—has been brutally murdered. Kazuma Washio (Hitoshi Ozawa), the head of the Washio-gumi and Tendokai’s wakagashira (underboss), is convinced that Yoshinari Myojin (Sho Aikawa), a former Tendokai wakagashira-hosa now running Tokyo’s underworld of thugs and mafia, is behind the killing. Around the same time, Tendokai's 5th-generation chairman Katsushige (Hakuryu) orders Washio to secure a woman named Nagi Toyama (Akane Hotta). Washio sets out with his men, Okita (Yasukaze Motomiya) and Date (Hideo Nakano), but they’re ambushed by a group of heavily armed youths. Barely escaping, they manage to bring Nagi to their hideout—only to discover she’s a key player in a power struggle over the Tokyo Casino Project. And so begins the greatest conflict yet, entangling yakuza, mafia, street gangs, the police, and even the state itself—
Beleaguered police detective Nishi takes desperate measures to try and set things right in a world gone wrong. With his wife suffering from leukemia and his business partner paralyzed from a brutal gangster attack, Nishi borrows from a yakuza loan shark and then robs a bank to clear his debt.
It is the third film in the Gokudo series. In this episode, set in 1937, the main character of the series gang leader Shimamura is drafted into the military and fight in China.
Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. However, in Japan he manages to escape, and as they try to track him down, they get deeper and deeper into the Japanese Mafia scene and they have to learn that they can only win by playing the game—the Japanese way.
Shabs and weapons leaked from a US military base in Bando-gumi's Shima. It was due to a plot of the Kenyukai aiming at the Bando group's Shima. The Kenyukai sends a young head, Takenouchi, to Masaki, the second generation of the Wuxia Association, who tries to stop the plot.
The death of Todo-gumi Wakato and Hattori Retsu broke out in the Todo-gumi over the next young head. A fierce bargain between the Wuxia Association Chairman Reijiro Masaki and the Arase faction, which is in opposition to the Masaki faction, takes place.
A warring Yakuza awakens to Christianity and becomes an evangelist. The film is modelled on the real-life "Mission Barabbas," a Christian evangelistic group of ex-Yakuza.
Kokubu Masaru (Bunta Sugawara) is a hard-headed, hot-tempered member of a street vendor clan run by an elderly boss (Kanjuro Arashi). They come into conflict with an unholy alliance of evil Yakuza bosses (Watanabe, Amatsu and Kawazu).
The fourth film in the Kanto Street Peddlers series. The protagonist, played by Bunta Sugawara sides with female boss Yumiko Nogawa to fight evil Hiroshi Nawa, who at one point employs rebellious young hood Tsunehiko Watase and Kagawa. Tatsuo Umemiya also shows up as a cool, leather jacket gunman who gains Sugawara’s respect despite playing for the opposing team. What eventually keeps this film from being as good as the first is the loose script that doesn’t really tie all the fun stuff into a coherent package. Much is forgiven however when the last 20 minutes arrives with several visually striking set pieces (including one death scene stylized to the point of ridiculousness) and a terrific final massacre. This was Suzuki’s last contribution to the series; the fifth and final picture would be helmed by Takashi Harada.
The fifth and final chapter of the Kanto Street Peddlers series! Will the battle in Asakusa be enough for a complete victory?
Forced on the road by yakuza obligations, a man sets out on a reckless journey to Tsumagoi. Movie posters for local cinemas were often displayed at sento (public baths) too. The handwritten text on the bottom here announces the film will play at Hassen for 3 days.
Hubert is a French policeman with very sharp methods. After being forced to take 2 months off by his boss, who doesn't share his view on working methods, he goes back to Japan, where he used to work 19 years ago, to settle the probate of his girlfriend who left him shortly after marriage without a trace.
A Yakuza hitman travels to North America for his 27th job, only to find lingering memories of lost love through a chance encounter with a beautiful prostitute.
Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.
After a major conflict, Kazuma Washio (Hitoshi Ozawa) becomes the 6th boss of Tendokai, Kanto’s largest yakuza group. Wakagashira Date (Hideo Nakano) and Kurata (Yoshiyuki Yamaguchi) secure casino rights from the government, but top officials are soon murdered, and Date is framed. The trail leads to Sanko-kai, a Kansai syndicate forming ties with a Korean underworld led by Myojin Akinari (Noboru Kaneko), brother of Washio’s old rival. Sanko-kai’s boss Onizuka (Hiroshi Fuse), who holds a grudge against Washio, launches a political and violent offensive. As Tendokai fights back to reclaim the casino rights, tragedy strikes—Okita (Yasukaze Motomiya) is targeted. Japan’s largest underworld war erupts again—what awaits at the end?
A young man named Tatsumi Karasawa suddenly rises in the criminal world of Shinjuku, Tokyo, and becomes the leader of a group of amateurs who show no reluctance to face police and gangs alike. His successes in the Tokyo underground make a chief and a yakuza boss plot a conspiracy to eliminate him.
A year later, Mouri was demoted, and Saiga was expelled from the gang. Engetsu suddenly fell ill, and in Yokohama, where Engetsu's influence waned, drugs began to spread. Amid the unrest, Mouri and Saiga begin to confront each other.
A Japanese Yakuza gangster's deadly existence in his homeland gets him exiled to Los Angeles, where he is taken in by his little brother and his brother's gang.