Masový Kašpárek(1991)

Michael Hatzius: Echstasy - Live!(de)

The Pee-wee Herman Show(en)

An adult-oriented version of what would eventually become an award-winning children's classic. This version of the show features Pee-wee's playhouse and many of the characters of the later series, but with adult and sexual overtones and jokes including "mirror shoes" and others.

Láska ke třem pomerančům(cs)

Noah's Ark(ru)

A funny puppet show about the family of the righteous Noah and disagreements while traveling on the ark.

New Faces(en)

New Faces was a musical revue with songs and comedy skits tied together by a quirky plot. It ran on Broadway for nearly a year in 1952 and was then made into a motion picture in 1954. It helped jump start the careers of several young performers including Paul Lynde, Alice Ghostley, Eartha Kitt, Carol Lawrence, performer/writer Mel Brooks (as Melvin Brooks), and lyricist Sheldon Harnick. The film was basically a reproduction of the stage revue with a thin plot added. The plot involved a producer and performer (Ronny Graham) in financial trouble and is trying to stave off an angry creditor long enough to open his show. A wealthy Texan offers to help out, on the condition that his daughter be in the show.

Le manteau de Janis(fr)

31 Minutos y Fundación de Orquesta Juveniles e Infantiles presentan: Calurosa Navidad (El Concierto)(es)

Tulio is forced by Sr. Manguera to put on a Christmas show, so he and the rest of the team put one together in record time. While Tulio discovers the true wrerwriwro of Christmas, Bodoque is in charge of going to look for the gifts, avoiding being tempted by Tío Pelado to bet on horse races.

Puppet Monsters(es)

Erick is a carefree puppet, who lives his day to day life peacefully, but at one point this changes when he notices creatures that control those around him, Erick escapes scared, but goes to discover that what he knows, wasn't always what he thought.

An Unusual Concert(ru)

An unusual concert is a puppet show that makes fun of pop genres, performers who spoil these genres due to poor performance and poor taste.

Muppet Man(en)

The story of how Jim Henson tried to convince broadcasters that The Muppets was a great idea and how he worked to get the characters on air where they became a comedy staple.

Grand Central Murder(en)

Conniving Broadway starlet Mida King has plenty of enemies, so when she's found murdered at Grand Central Station, Inspector Gunther calls together a slew of suspects for questioning. Mida's shady ex-flame, Turk, seems the most likely culprit, but when smart-mouthed private eye Rocky Custer -- also a suspect himself -- begins to piece together the crime, a few clues that Gunther has overlooked come to light.

Encore un instant(fr)

L'heureux élu(fr)

Černý mstitel(cs)

Barkley Dubis' Danse Macabre(en)

A boy is thrown into the middle of an increasingly bizarre local disturbance.

A Rat's Tale(de)

Monty is a young cute rat in a rat world living beneath the streeets of Manhattan. When exterminator Dollart gets a new lethal spray to kill all the rodents, Monty, his friend Isabella and Jean-Paul Canalligator have to travel to magic land to make things right.

Nina Conti: Talk to the Hand(en)

Bravely going where no ventriloquist has gone before, Nina Conti concocts a virtual zoo of puckish characters for this world premiere show. Talk to the Hand is an hour of nimble, profanity-strewn stand-up from the vibrant Nina Conti and her touring companions: the scruffy monkey, a posh-sounding owl-poet with a taste for generic verse, a Scottish granny, and the vodka-loving Lydia, recently purchased from another ventriloquist and yet to find a voice she likes. Her alter-egos come face to face with apparitions, special guests and real live humans which means you can rely on consistent lashings of warmth, technical brilliance, and vibrant wit.

Micha Wertheim: Someone Else(nl)

This comedy/theatre show is the sequel to 'Micha Wertheim: Somewhere Else'. This second show starts exactly where the first show ended: in the same theatrical scenery, with the same robot. But this time Wertheim surprises his audience by showing up. He tells about how the first experimental comedy show was received and contemplates about the magic of theatre and art in a society about the right to exist of art in a society that allows less and less doubt and confusion. When Robot falls into a depression, the boundaries between theater and reality begin to blur.

Micha Wertheim: Somewhere Else(nl)

The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.

Everybody's Talking About Jamie(en)

Jamie is 16 and lives on a council estate in Sheffield. Jamie doesn't quite fit in. Jamie is terrified about the future. Jamie is going to be a sensation. Supported by his brilliant loving mum and surrounded by his friends, Jamie overcomes prejudice, beats the bullies and steps out of the darkness, into the spotlight. Sixteen: the edge of possibility. Time to make your dreams come true.