Self
2024-11-15
0
Featuring exclusive interviews with the leading titans of rock that include: Metallica, Guns N' Roses, Slipknot, Korn, Avenged Sevenfold, Rob Zombie, Five Finger Death Punch, Prophets Of Rage, Greta Van Fleet, Halestorm, and many, many more, "Long Live Rock" is a deep dive into the fandom of this often misunderstood but beloved genre of music.
twenty one pilots perform brand new reimagined, versions of catalog favorites Stressed Out, Tear In My Heart, House of Gold/Lane Boy, Shy Away, Ride/Nico and the Niners, Car Radio/Heathens in a special MTV Unplugged. This is MTV's most plugged Unplugged.
The Life & Times of Bobby Keys ... decades-long Sax player with The Rolling Stones, best friend to Keith Richards, and session player with John Lennon, Eric Clapton, Delaney & Bonnie, George Harrison, Dr. John, Joe Cocker, Harry Nilsson, Ian McLagan, Keith Moon, Etta James, Ronnie Wood, Sheryl Crow, Ringo Starr, Joe Ely, Warren Zevon, Billy Preston, Donovan, Marvin Gaye, Lynyrd Skynyrd, Carly Simon, Barbra Streisand, John Hiatt, Yoko Ono and B.B. King.
For the past ten years Zappa in composing has turned away from Rock and Roll music - for which he first became famous - and has been working on new, contemporary, orchestral electronic music; in solitude and beyond any commercial conventions or commitments. It is the first time that Zappa has allowed a film crew to study him during compositional work, actually filming the first moments of a new compositional process. By contrast, in a staged interview Zappa gives comments on music. This film seeks to reveal the sensetivities of Zappa's personality and character also beyond narrative content.
"The Jersey Sound" is a love letter to New Jersey's diverse music scene. It captures its rich history through untold stories and intimate interviews while paying homage to legendary icons who have called Jersey home. It's an attitude.
Creedence Clearwater Revival Royal Albert Hall London, England April 14 1970 50 Minutes NTSC Mono 1 Born On The Bayou 2 Green River 3 Tombstone Shadow 4 Travelin' Band 5 Fortunate Son 6 Commotion 7 Midnight Special 8 Bad Moon Rising 9 Proud Mary 10 The Night Time is the Right Time 11 Good Golly Miss Molly 12 Keep On Chooglin' John Fogerty: Guitar and Vocals Tom Fogerty: Guitar Stu Cook: Bass Doug Clifford: Drums
This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.
After a disastrous concert, Gloria, the guitarist, and Paula, the drummer, and Mikel, the singer, find themselves locked in the dressing room because of the angry fans waiting for them outside. Due to the anger and the fact that the situation has reached a breaking point, the discussion between the members of the group becomes increasingly serious and personal. Gloria, in an act of desperation, expresses her disagreement with the direction the group has taken.
Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.
Nickelback is one of the most successful acts in music history — they're also the number one band haters love to hate. This intimate portrait surveys the Canadian stadium rockers' rollercoaster career.
The filmed account of a large Canadian rock festival train tour boasting major acts. In the summer of 1970, a chartered train crossed Canada carrying some of the world's greatest rock bands. The Grateful Dead, Janis Joplin, The Band, Buddy Guy, and others lived (and partied) together for five days, stopping in major cities along the way to play live concerts. Their journey was filmed.
18 January 2003 at Madison Square Garden, New York City, NY, USA "Street Fighting Man" "If You Can't Rock Me" "Don't Stop" "Monkey Man" "Angie" "Let It Bleed" "Midnight Rambler" "Thru and Thru" "Happy" "You Got Me Rocking" "Can't You Hear Me Knocking" "Honky Tonk Women" (with Sheryl Crow) "(I Can't Get No) Satisfaction" "It's Only Rock 'n Roll" (B-stage) "When the Whip Comes Down" (B-stage) "Brown Sugar" (B-stage) "Jumpin' Jack Flash" Extras Band Commentaries: "Street Fighting Man" "Happy" "It's Only Rock 'n Roll" Sheryl Crow and the Stones Making the HBO Special Custom Setlist Select-a-Stone: "Honky Tonk Women" (Multi-angle) (Concert only)
A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
Fired from his band and hard up for cash, guitarist and vocalist Dewey Finn finagles his way into a job as a fifth-grade substitute teacher at a private school, where he secretly begins teaching his students the finer points of rock 'n' roll. The school's hard-nosed principal is rightly suspicious of Finn's activities. But Finn's roommate remains in the dark about what he's doing.
The Endless River is the fifteenth studio album by British progressive rock band Pink Floyd. The Endless River has as its starting point the music that came from the 1993 Division Bell sessions, when David Gilmour, Rick Wright and Nick Mason played freely together at Britannia Row and Astoria studios. This was the first time they had done so since the ‘Wish You Were Here’ sessions in the seventies. Those sessions resulted in The Division Bell, the band’s last studio album.
Elevation 2001: Live from Boston is a concert film by Irish rock band U2. It was filmed on 5–6 and 9 June 2001 at the FleetCenter in Boston, Massachusetts, during the first American leg of the group's Elevation Tour. The video was directed by Hamish Hamilton and produced by Ned O'Hanlon. It was released on home video as a two-disc DVD and a single VHS by Island Records and Interscope Records on 20 November 2001. Elevation 2001 was the first of two video releases from the tour, the second being U2 Go Home: Live from Slane Castle, Ireland in 2003. **TRACK LISTING:** 1. Elevation 2. Beautiful Day 3. Until The End Of The World 4. Stuck In A Moment You Can't Get Out Of 5. Kite 6. Gone 7. New York 8. I Will Follow 9. Sunday Bloody Sunday 10. In A Little While 11. Desire 12. Stay (Faraway, So Close!) 13. Bad 14. Where The Streets Have No Name 15. Bullet The Blue Sky 16. With Or Without You 17. The Fly 18. Wake Up Dead Man 19. Walk On
Setlist: 01 – People = Shit 02 – (sic) 03 – Get This 04 – Unsainted 05 – Disasterpiece 06 – Before I Forget 07 – The Heretic Anthem 08 – Psychosocial 09 – The Devil in I 10 – Prosthetics 11 – Vermilion 12 – Custer 13 – Sulfur 14 – All Out Life 15 – Duality 16 – Spit It Out 17 – Surfacing
A film about the first benefit rock concert when major musicians performed to raise relief funds for the poor of Bangladesh. The Concert for Bangladesh was a pair of benefit concerts organised by former Beatles guitarist George Harrison and Indian sitar player Ravi Shankar. The shows were held at 2:30 and 8:00 pm on Sunday, 1 August 1971, at Madison Square Garden in New York City, to raise international awareness of, and fund relief for refugees from East Pakistan, following the Bangladesh Liberation War-related genocide.
Hammersmith Odeon, London, July 3, 1973. British singer David Bowie performs his alter ego Ziggy Stardust for the very last time. A decadent show, a hallucinogenic collage of kitsch, pop irony and flamboyant excess: a musical symbiosis of feminine passion and masculine dominance that defines Bowie's art and the glam rock genre.