Love Me Anyway is a sun soaked drama about a filmmaker falling for a dreamy surfer, a man trying to save his marriage and a young wife exploring the greener grass of an extramarital affair with another woman.
A middle-aged Orthodox Jew, Aaron, living and working in Jerusalem with his wife and children, meets a homeless 19-year-old student. Aaron offers to give Ezri work as his assistant at his family's butcher shop. The two men grow close and their attraction becomes sexual. Aaron must now confront his own sexuality, his feelings for Ezri, and his obligations to his family and faith.
When Syd, a young editor at an influential art magazine, becomes involved with her neighbor, a drug-addicted lesbian photographer, both seek to exploit each other for their respective careers while slowly falling in love with each other.
An offbeat love story about campus life around the An Zi Yan and Mai Ding who start military training as college acquaintances, Mai Ding was the one who made the first move to An Zi Yan, they have a good relationship and gradually felt sparks. After their relationship strengthens, their relationship is obstructed by their family and friends, like An Zi Yan’s sister Ansul who has a difficult attitude. An Zi Yan secretly asks help from his ex-girlfriend Bai Xiao Si. Based off the best-selling novel of the same name by Angelina.
A sweet and bitter story about Koichi, who tries to help troubled boys with homemade sweets, until he finds his first love in 8.2 seconds.
Golden boys, teen lust, self-conscious dolls, chance encounters, a vengeful creature, holiday romance, hidden sexuality — Boys On Film celebrates it's (not so) sweet sixteen with an astonishing selection of the latest international gay short films. Volume 16: Possession features ten complete films: Kai Stänicke's "Golden" with Christian Tesch and Maximilian Gehrlinger; Christopher Manning's "Jamie" starring Sebastian Christophers and Raphael Verrion; Kai Stänicke's "B." starring Susanne Bormann and Andreas Jähnert; Blake Mawson's "PYOTR495" starring Alex Ozerov; Charlie Francis's "When A Man Loves A Woman" starring Tommy Jay Brennan, Jemima Spence, and Diane Brooks Webster; Anthony Schatteman's "Follow Me" starring Ezra Fieremans and Maarten Ketels; Jake Graf's "Chance" starring 'ABS' and Clifford Hume; Andrew Keenan-Bolger's "Sign" starring John McGinty and Preston Sadleir; Oliver Mason's "Away With Me" starring Chris Polick and Lee Knight; and "We Could Be Parents" by Björn Elgerd.
A boozy barmaid (Frances Barber) and her newly found gay friend (Con O’Neill) quit London and hightail it to northeast England on the lookout for sex and excitement in this multi-award-winning film based on Tennessee Williams’ short story Two on a Party. This sensitive and finally very moving film both celebrates and challenges the unusual relationship between the two characters.
One day, high school freshman Minzy finds a photo of herself changing clothes in the school locker room. Class leader Hyejin, who is not close to minzy, points out that the new teacher is the suspect to her. Minzy and Hyejin collect evidences to prove that the teacher takes pictures of high school girls secretly. When Minzy and Hyejin report the teacher's behavior to another teacher, Minzy realizes something unexpected.
Myles and Brody are best friends with two very different ways of finding love. Displeased with their current love lives, they make a pact to be together if neither finds love in ten year’s time. Now two months shy of their deadline, both friends set off to do whatever it takes to avoid ending up as each other’s last resort.
Shabbat Dinner is boring as usual for William Shore. His mother has invited two crazy hippies and their son and is doing her best to show off, his father is drunk and berating their oddball guests, and he doesn't have much in common with their son Virgo. That is, until Virgo tells him that he has just come out as gay.
Set during a long, hot summer on the Thamesmead Estate in Southeast London, where three teenagers edge towards adulthood.
A Pakistani Briton renovates a rundown laundrette with his male lover while dealing with drama within his family, the local Pakistani community, and a persistent mob of skinheads.
Bhanwar, a simpleton young man in the rural Rajasthan wants a bride for him but gets duped. Instead of a woman, he is married off to a transgender person – Sanwri. Having no resort Bhanwar and his uncle decide to keep Sanwri for their household work but fearing the social ostracization they also try to keep her actual identity a secret. Bhanwar and Sanwri eventually fall in love and fight to survive as a couple in a conservative, oppressive society where marriages are meant to take place only between a man and a woman, and traditional norms are more important than humanity.
Lucas is a young man who lives with his religious aunt Lourdes in a quiet country town. He helps his aunt by holding religious meetings with the ladies of the area, in the living room, playing biblical songs on the keyboard. This quiet life will end as soon as the charitable aunt communicates the arrival of another nephew, Mario, just out of jail. The clash of reality between the cousins ends up causing unusual situations, and an unexpected attraction among the boys.
Thirty-year-old Hlynur still lives with his mother and spends his days drinking, watching porn and surfing the net while living off unemployment checks. A girl is interested in him, but he stands back from commitment. His mother's Spanish flamenco teacher, Lola, moves in with them for Christmas. On New Year's Eve, while his mother is away, Hlynur finds out Lola is a lesbian, but also ends up having sex with her. He soon finds out he and his mother are sharing more than a house. Eventually he must find out where he fits into the puzzle, and how to live life less selfishly.
Katherine Watson is a recent UCLA graduate hired to teach art history at the prestigious all-female Wellesley College, in 1953. Determined to confront the outdated mores of society and the institution that embraces them, Katherine inspires her traditional students, including Betty and Joan, to challenge the lives they are expected to lead.
Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles and an impish emcee sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force.
Set during a sultry summer in a French suburb, Marie is desperate to join the local pool's synchronized swimming team, but is her interest solely for the sake of sport or for a chance to get close to Floriane, the bad girl of the team? Sciamma, and the two leads, capture the uncertainty of teenage sexuality with a sympathetic eye in this delicate drama of the angst of coming-of-age.