The video Analepsis, 2003-04, is composed of a series of excerpts taken from satellite television news reports. The individual 1-4 second clips are used to introduce the viewer to a given location. Through his method of re-editing the material and omission of the sound from the original news programs, Snyder restructures the footage, revealing the potential of a place to mean more than one thing and pointing to the cinematographic quality inherent in television news.
The video Analepsis, 2003-04, is composed of a series of excerpts taken from satellite television news reports. The individual 1-4 second clips are used to introduce the viewer to a given location. Through his method of re-editing the material and omission of the sound from the original news programs, Snyder restructures the footage, revealing the potential of a place to mean more than one thing and pointing to the cinematographic quality inherent in television news.
2004-01-01
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A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.
A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.
A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.
Thundering across the sky on elegant white wings, the Concorde was an instant legend. But behind the glamour of jet setting at Mach 2 were stunning scientific innovations and political intrigue. Fifteen years after Concorde's final flight, this documentary takes you inside the historic international race to develop the first supersonic airliner. Hear stories from those inside the choreographed effort to design and build Concorde in two countries at once - and the crew members who flew her.
Werner Herzog's documentary film about the "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one man's attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.
A close examination of the Whakaari / White Island volcanic eruption of 2019 in which 22 lives were lost, the film viscerally recounts a day when ordinary people were called upon to do extraordinary things, placing this tragic event within the larger context of nature, resilience, and the power of our shared humanity.
Comprised of video shot during the Nazi regime, including propaganda, newsreels, broadcasts and even some of Eva Braun's colorized personal home movies, we explore the way in which the Third Reich infiltrated the lives of the German population, from 1933 to 1945.
In 1992, a suburban New York teenager named Amy Fisher captured the national media's attention when she shot her lover's wife in the face. This sordid tale of underage sex, aggravated assault, and Joey Buttafuoco managed to spawn not one, not two, but three separate made-for-TV movies. Drew Barrymore, Alyssa Milano and Noëlle Parker all took stabs at portraying the disturbed young lady, yet a true on-screen depiction of Amy Fisher has never emerged - until now. In this Rashomon of found footage film, director Dan Kapelovitz mind-melds the multiple melodramas into one ultimate metadrama mashup.
In space, no one can hear you scream! the catchy slogan that accompanies Alien sums up the unprecedented stakes of this film that will mark the history of cinema. In 1979, for the first time on screens, a mainstream feature film will mix two distinct worlds of genre cinema: science fiction and horror. Ridley Scott forever shakes up the cinematic landscape by plunging the audience into anguish with his oppressive universe and his iconic monster. The documentary looks back at the lasting impact of this masterpiece, exploring Scott’s audacity and the genesis of his unique aesthetic. In the claustrophobic corridors of the Nostromo spaceship, the heroine, played by Sigourney Weaver, becomes the first strong female figure to redefine the conventions of the genre, far from the clichés of the time. By revisiting the film's key sequences, the documentary shows how Alien explores profound themes such as survival and dehumanization, while reflecting a scathing critique of the capitalist system.
Newsreel footage from both sides of World War II make a case for convicting Nazi war criminals.
Using only archive film and a new musical score by the band Mogwai, Mark Cousins presents an impressionistic kaleidoscope of our nuclear times – protest marches, Cold War sabre-rattling, Chernobyl and Fukishima – but also the sublime beauty of the atomic world, and how x-rays and MRI scans have improved human lives. The nuclear age has been a nightmare, but dreamlike too.
A cinematic odyssey featuring never-before-seen footage exploring David Bowie's creative and musical journey.
Film by Aleksandr Medvekin to a metonymic Chinese friend, advocating against Mao and the Ussuri River Skirmish.
There’s only one person who so accurately personifies movie magic in the history of film, and that man is special effects maestro Ray Harryhausen. Focusing on the man behind the landmark effects on films like Clash Of The Titans, One Million Years B.C., Jason And The Argonauts and many more, this in-depth film features interviews with the great man himself, and with an array of animators and directors influenced by his work including Guillermo del Toro, Peter Jackson, Nick Park, Terry Gilliam, James Cameron and Steven Spielberg. The film also features unseen footage of tests and experiments recently uncovered.
Featurette about the demise, during the early 1940s, of the once-popular Mr. Moto B-films series that starred Peter Lorre.
Tesla coil tested at General Electric laboratory in New Jersey VS H. C. White holds a baton that's zapped by a Tesla Coil; he holds up an incandescent bulb that lights up; White and his assistants demonstrate various tricks with the 'lightning bolts'
The newsreel series Jornal Português (1938-1951) was produced for the Secretariat of National Propaganda (SPN/SNI) by the "Portuguese Newsreel Society" (SPAC), under the technical supervision of António Lopes Ribeiro. It was conceived and employed as part of the propaganda machinery of Salazar's regime. Screened in cinema theatres prior to the main feature film, each issue of Jornal had approximately ten minutes in length and covered a variety of official government acts, national political news, major sports events and other assorted social and cultural affairs. Jornal Português is not only an indispensable document for the history of Estado Novo's propaganda, but also an unparalleled audiovisual archive of 1940s Portugal.
Black-and-white film projections by Bill Morrison, using archival footage of frigid Arctic scenes.