Audiovisual material gathered by filmmaker Fox Maxy over a decade, including documentary footage, television clips, and animation—sometimes layered on top of one another—are presented as one collage. Amid this sensory barrage, themes of sexual violence, community, confidence and joy are explored.
Someone is murdering the cast and crew of a new Hollywood movie, and the leading lady may be next. As a police detective locks down the lot and refuses to let anyone leave, the studio’s publicity head and his secretary attempt to solve the murders themselves.
"Maintenance by any Means" is about two maintenance men vying for the position of maintenance supervisor in an apartment complex. The maintenance men must compete with each other in order to get the job left open by the former Maintenance Supervisor. They need evaluations by the people who live at the apartments for every work order they finish. The problem is the renters themselves. Each one they run into has their own set of interesting problems. The maintenance men soon discover that a positive review may be hard to come by. Fixing broken down items in the apartments is the least of their worries. Finally one of the maintenance men must win the contest, by any means.
Shorter & More Violent Versions Instead of the lame clay sculptures previously seen. The animals are not in Vivid color B/C I don't have a large amount colorful clay. This video Has 4 out of 8 Episodes i'll be doing & soon i'll be making colorful Versions of The Creatures In Runcycles.
Transparente Ao Vivo is the first live album of Brazilian pop singer Wanessa Camargo, released in 2004 by BMG. There were only four unreleased songs, two of which became singles. The first 13 tracks on the CD were taken from the inaugural show of the eponymous tour. The DVD was directed by Marlene Mattos and was recorded on September 20th and 21st at the ATL Hall in Rio de Janeiro in 2003.
High-strung Jeff and obstinate Matt, two college freshman, hit an olympic rugby alternate with their car, and must show him a good time on their spring break or risk being sued for everything they have.
Simone develops an unhealthy obsession with the extreme sexual practice of bloodplay.
Set in a parallel universe entering a black hole, a woman reading the book of Revelation has visions of regeneration during Anthropocene.
Your favorite food competes in the greatest auto race the kitchen has ever seen — until there’s a murder. ‘Mario Kart’ meets ‘True Crime’ mockumentary in this animated short dripping with ‘70s Formula 1 nostalgia.
Ancestors is a film about spiritual forefathers and mothers in a purely fanciful sense. These are classical figures, anatomical figures, fairy tale figures and romantic figures all thrown in together - all my creative root-sources, in a kind of playful tribute. Like part 2 of Duo Concertantes, it's a moving single picture, now doubled.
Experimental documentary that dives inside the creative process of three great Panamanian fashion designers: Andrea Sousa Pitti, Verónica Ángel and Tony Vergara.
The corner of a street is matched and mixed with the chant of a bird recorded on that same street. A symbiotic relationship is triggered: the rapid and successively repetitive montage cuts between the image of the street and the corners of the video frame itself produce new textures and shapes in our brain, whilst the sound follows the same rhythmic movements by emphasizing different “corners” (frequencies) from the bird’s singing. The energetic potency stemming from the junction of these elements creates a new image that is almost tactitle, maleable and rippling. The result is a somewhat humorous operation of the portuguese word "corner" throughout the different stages of making the piece, finally unveiling a piercing physical and kinetic experience for all the corners of our eyes and ears.
Mike is a young student of cinema, who receive the task to make a Videodiary for his fiction production class in the fifth semester of his career; with only a cellphone in hand begins to document his life day after day, without imagining that he will capture important and emotional moments that will remember forever.
Why wouldn't you? Is there any reason not to? We've got so much at our disposal, so, why don't you? Won't you tell me? Won't you please tell me? To have you down is simply unacceptable. Just look at this; or this; at all these hallmarks to guide you and convey to you the prime ways to feel lovely. Just follow them and you'll be set. So, I ask you again... Don't you feel lovely today?
He's hungry, and chances are you're also hungry, so tag along. Who knows, you might learn a thing or two.
A misty afternoon returns a Mapuche couple to their wedding video. In their civil ceremony, they are noted as one of only two couples married in the indigenous language of Mapudungun.
The word kewaaj (কেওয়াজ) is colloquially used to explain chaos, noisiness or annoyance. "Kewaaj" is an audiovisual attempt to give you a glimpse into how the people of Dhaka function in one of the most unliveable cities, according to the Global Liveability Index. Dhaka is fast, dense, intense. Yet the people try to find their peace in it.
"Light from the Mesa" from Barn Owl's album Ancestral Star.
An homage to the difficult paths we must walk on to get to our dreams.
For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).
'star born brutal' is a diaristic exploration of masculinity after experiencing a schizophrenic breakdown. Static memories recur and dissolve in a search for understanding and quiet liberation.
A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?
Man is constantly confronted by the one eyed beast. When peeking through the hole in his box, he discovers a truth that transforms his life. Every time the beast observes him and the darkness approaches his box, he becomes an embarrassed being.