The Super-Sex is a 1922 American silent comedy film directed by Lambert Hillyer and starring Robert Gordon, Charlotte Pierce and Tully Marshall.
Irene Hayes
Cousin Roy
Mr. Hayes
Mrs. Hayes
The Super-Sex is a 1922 American silent comedy film directed by Lambert Hillyer and starring Robert Gordon, Charlotte Pierce and Tully Marshall.
1922-11-19
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When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.
Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.
Cameo Kirby is a 1914 American drama silent film directed by Oscar Apfel and written by Clara Beranger and William C. deMille. The film stars Dustin Farnum, Fred Montague, James Neill, Jode Mullally, Winifred Kingston and Dick La Reno. It is based on the play Cameo Kirby by Booth Tarkington and Harry Leon Wilson. The film was released on December 24, 1914, by Paramount Pictures.
The heavily indebted baron Henrik von Hagen, who loves women and partying, learns that his former lover, Russian ballerina Madame Vera Vasiljevna, will be visiting Finland. They are reunited and sparks fly. But Vasiljevna's new hobby casts a shadow over their romance.
A wild weekend is in store for three high school seniors who visit a local college campus as prospective freshmen.
High school student Dan Bartlett misses the plane he was supposed to be on with his rich girlfriend and her family on the way to a Caribbean vacation during a school break. He flies there alone, and runs into a series of characters and misadventures as he tries to catch up.
When the owner of a struggling used car lot is killed, it's up to the lot's hot-shot salesman to save the property from falling into the hands of the owner's ruthless brother and used-car rival.
Everything is arranged by Dick and his college chums to have their sweethearts from the city, with their chaperone, visit them to spend the day. At the eleventh hour the boys receive a telephone message from the girls informing them that their chaperone has disappointed them, and they will not be able to come. The boys are disconsolate. While they are deploring the matter, their tailor, the ninth part of a man, enters. Struck with a sudden idea, they seize him and compel him to impersonate Dick's godmother.
The Bandit goes on another cross-country run, transporting an elephant from Florida to Texas. And, once again, Sheriff Buford T. Justice is on his tail.
A hapless talent manager named Danny Rose, by helping a client, gets dragged into a love triangle involving the mob. His story is told in flashback, an anecdote shared amongst a group of comedians over lunch at New York's Carnegie Deli. Rose's one-man talent agency represents countless incompetent entertainers, including a one-legged tap dancer, and one slightly talented one: washed-up lounge singer Lou Canova, whose career is on the rebound.
A commitment-averse man frantically hits the dating scene after his girlfriend starts pressuring him to pop the question.
Six burglars separately break into the Vickers mansion on Long Island to loot the safe but catch each other in the act. They all pretend to be members of the household when locked in by a well meaning police officer.
Two old tars, retired from service, live alone in a cottage by the sea. They sail along on an even keel, until a buxom and comely widow projects herself on the scene when one old tar breaks one of their unwritten laws and falls in love with her. The other old fellow objects strenuously.
Assuming he is marrying a wealthy girl, Peter Foley passes a fraudulent check. To save him from jail, Julia Barry poses as his wife. Peter is actually in love with Alice Blake. He encounters complications with motorcycle cop Bull, who is engaged to Julia. A friend of Alice adds to the mix-up. All wind up snowbound together in a mountain lodge.
Marcia Kane, daughter of an American capitalist, is persuaded by her father to marry the expatriated Russian Grand Duke Sergei, and believing Wally, her real love, to be dead, she consents. Discovering after the ceremony that her father has tricked her, Marcia vows to be the duke's wife in name only, though she refuses Wally's proposal that she go away with him.
Fannie joins Johnny to perform a music-hall act which becomes a success, until two Broadway producers catch the act and offer Fannie a job on their latest show; however, they have no place for Johnny, so Fannie turns down the offer. (Film considered lost.)
A fortuneteller informs Monte that he will marry the first girl he meets. After several false starts, he meets what he is sure is "the" girl. She takes him to jail, hits him with a book, and affects her brother's escape, leaving Monte inside. He finally gets out, a chase occurs and he swears off girls forever, only to be snared again.
Mary Davis, alone and destitute in New York City, pilfers a meal from a restaurant and eludes the police by ducking into the Cafe Royale, where she is shuffled along a line of aspiring chorines awaiting job interviews. In desperation, Mary agrees to impersonate Mademoiselle Fanchon, formerly of the Folies-Bergère, who has walked out on her contract. Reporter Kenneth Ward interviews Mary, believing her to be the notorious Frenchwoman, and due to a misunderstanding, she rushes wildly into his arms. When Robert Ryan, a bachelor friend of the real Fanchon, investigates Mary’s deception, she violently repels his advances and believes she has killed him. Later, the real Fanchon threatens to kill Robert. Following a series of amusing complications, Mary finds love with Kenneth.
A young student stands to inherent a fortune provided he can pass his first semester of college and find a steady girlfriend. His scheming stepfather has other plans for the money, however.