Comedian/filmmaker Camille Solari spends the last year interviewing the legendary musical icon James Brown before his untimely death on Christmas 2006. The documentary includes interviews with his band members and many celebrity musicians who have been influenced by James Brown, including Patti Labelle, Chuck D (Public Enemy), Doug E Fresh, Emcee Lyte, Bobby Brown, Fergie, Wil.I.Am.
Self
Ariana Grande takes the stage in London for her Sweetener World Tour and shares a behind-the-scenes look at her life in rehearsal and on the road.
Set 1: Good Times(Sam Cooke cover) Truckin'(Grateful Dead cover) (>) Smokestack Lightning(Howlin’ Wolf cover) (>) Deal(Jerry Garcia cover) Me and My Uncle(John Phillips cover) Dear Mr. Fantasy(Traffic cover) (>) Hey Jude(The Beatles cover) (coda only) (>) Terrapin Station(Grateful Dead cover) Don't Ease Me In(Henry Thomas cover) Set 2: Eyes of the World(Grateful Dead cover) Shakedown Street(Grateful Dead cover) (>) St. Stephen(Grateful Dead cover) (>) Cumberland Blues(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Milestones(Miles Davis cover) (>) Days Between(Grateful Dead cover) (>) Sugar Magnolia(Grateful Dead cover) (>) Scarlet Begonias(Grateful Dead cover) (>) Sunshine Daydream(Grateful Dead cover) Encore: Going Down the Road Feeling Bad([traditional] cover)
Set 1: Feel Like a Stranger(Grateful Dead cover) Brown-Eyed Women(Grateful Dead cover) Samson and Delilah([traditional] cover) Friend of the Devil(Grateful Dead cover) It Hurts Me Too(Tampa Red cover) Ramble On Rose(Grateful Dead cover) High Time(Grateful Dead cover) Let It Grow(Grateful Dead cover) Set 2: They Love Each Other(Jerry Garcia cover) (1973 version) (>) China Cat Sunflower(Grateful Dead cover) (>) I Know You Rider([traditional] cover) Fire on the Mountain(Grateful Dead cover) (Mickey Hart raps verse 3) (>) The Other One(Grateful Dead cover) (verse 1) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) The Eleven(Grateful Dead cover) (>) U.S. Blues(Grateful Dead cover) Morning Dew(Bonnie Dobson cover) Encore: Ripple(Grateful Dead cover)
Tony spends his Saturdays at a disco where his stylish moves raise his popularity among the patrons. But his life outside the disco is not easy and things change when he gets attracted to Stephanie.
Jimmy Rabbitte, just a thick-ya out of school, gets a brilliant idea: to put a soul band together in Barrytown, his slum home in north Dublin. First he needs musicians and singers: things slowly start to click when he finds three fine-voiced females virtually in his back yard, a lead singer (Deco) at a wedding, and, responding to his ad, an aging trumpet player, Joey "The Lips" Fagan.
Set 1: Playing in the Band(Bob Weir song) (>) Deal(Jerry Garcia cover) (>) Tennessee Jed(Grateful Dead cover) It Hurts Me Too(Tampa Red cover) Ramble On Rose(Grateful Dead cover) Brown-Eyed Women(Grateful Dead cover) Crazy Fingers(Grateful Dead cover) (Tour debut) (>) Dancing in the Street(Martha Reeves and the Vandellas cover) (Tour debut) Set 2: Sugaree(Jerry Garcia cover) Estimated Prophet(Grateful Dead cover) (>) The Other One(Grateful Dead cover) (verse 1) (>) Terrapin Station(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Stella Blue(Grateful Dead cover) (>) Sugar Magnolia(Grateful Dead cover) (>) Scarlet Begonias(Grateful Dead cover) (>) Sunshine Daydream(Grateful Dead cover) Encore: U.S. Blues(Grateful Dead cover)
Who are the chicks that make up the funk movement, and where are they? Funk has always been a form of protest, just as being a woman is. BEAT IS PROTEST: FUNK FROM A FEMALE PERSPECTIVE depicts the last decade underground scene of the funk women protesters in São Paulo. The testimonies come from transgender and cisgender women who navigate this universe in different roles, such as singers, DJs, beat-makers, producers, entrepreneurs, rappers, and dancers, and also from drag queens.
This film traces the road of the Blues and takes us on a journey to mythical places: From the banks of the Niger to New Orleans, going up the Mississippi through Memphis to the skyscrapers of Chicago. It tells the story of this culture which faced the worst barriers and shows that Humanity can overcome barbarity.
Set 1: Bertha(Grateful Dead cover) New Speedway Boogie(Grateful Dead cover) Cold Rain and Snow(Obray Ramsey cover) Jack Straw(Grateful Dead cover) Althea(Grateful Dead cover) Playing in the Band(Bob Weir song) (Followed by weather delay) Set 2: Uncle John's Band(Grateful Dead cover) (Preceded by 'Playing in the Band' continuation) Help on the Way(Grateful Dead cover) (>) Slipknot!(Grateful Dead cover) (>) Franklin's Tower(Grateful Dead cover) (>) He's Gone(Grateful Dead cover) (>) The Other One(Grateful Dead cover) (verse 2) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Standing on the Moon(Grateful Dead cover) (>) All Along the Watchtower(Bob Dylan cover) (with Dave Matthews) (Dave on acoustic) (>) Not Fade Away(The Crickets cover) (with Dave Matthews) (Dave on acoustic) E: Knockin' on Heaven's Door(Bob Dylan cover) (with Dave Matthews) (Dave on acoustic) The Weight(The Band cover) (with Dave Matthews) (Dave on acoustic)
Set 1: Mississippi Half-Step Uptown Toodeloo(Grateful Dead cover) Here Comes Sunshine(Grateful Dead cover) Next Time You See Me(Junior Parker cover) Loose Lucy(Grateful Dead cover) (with 'Take Me to the River' tease) Friend of the Devil(Grateful Dead cover) They Love Each Other(Jerry Garcia cover) Lost Sailor(Grateful Dead cover) (>) Saint of Circumstance(Grateful Dead cover) Set 2 Playing in the Band(Bob Weir song) (>) The Wheel(Jerry Garcia cover) (with 'Diamonds on the Soles… more ) St. Stephen(Grateful Dead cover) (> 'William Tell Bridge' >) The Eleven(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Dark Star(Grateful Dead cover) (verse 2) Althea(Grateful Dead cover) Stella Blue(Grateful Dead cover) (>) One More Saturday Night(Bob Weir song)
It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.
"The Jersey Sound" is a love letter to New Jersey's diverse music scene. It captures its rich history through untold stories and intimate interviews while paying homage to legendary icons who have called Jersey home. It's an attitude.
The evocative and exciting music of Pierre Bensusan is presented in its full glory in this 75 minute concert recorded at the Freight & Salvage in Berkeley, California in 1995. His diverse influences yield a sound and style that confounds classification and has thrilled and captivated audiences around the world. Pierre's name has become synonymous with contemporary acoustic guitar genius.
Matthew Bourne’s Swan Lake comes to cinemas with a fresh look for the 21st century and is ‘as bold and beautiful as ever’ (★★★★★ Telegraph). This thrilling, audacious and witty production is perhaps still best known for replacing the female corps-de-ballet with a menacing male ensemble, which shattered convention, turned tradition upside down and took the dance world by storm. Filmed Live at Sadler's Wells in January 2019.
Persona Livehouse Tour 2015 was a concert tour that were held on three different cities: Osaka, Nagoya and Tokyo. The Tokyo concert was chosen to be live broadcasted simultaneously at 28 movie theatres accross Japan. It featured songs from Shin Megami Tensei: Persona, Persona 3, Persona 3 The Movie, Persona 4, Persona 4 Golden, Persona 4 The Animation, Persona 4 The Golden Animation, Persona 4 Arena, Persona 4 Arena Ultimax, Persona Q: Shadow of the Labyrinth and Persona 4: Dancing All Night.
James Brown was the jewel in the crown, but the throne of Cincinnati’s King Records always belonged to its irascible founder, Syd Nathan. This is the 70th anniversary of the legendary record label and studio. It closed shop nearly 40 years ago, in a now long-neglected warehouse on the neighborhood border of Evanston and Walnut Hills, but its impact still reverberates across today’s music.
Set 1: Good Times(Sam Cooke cover) (Cover of Grateful Dead's… more ) Hell in a Bucket(Grateful Dead cover) It Hurts Me Too(Tampa Red cover) Jack Straw(Grateful Dead cover) (>) Big Railroad Blues(Cannon’s Jug Stompers cover) (>) Cassidy(Bob Weir song) They Love Each Other(Jerry Garcia cover) (1973 version) (>) Turn On Your Love Light(Bobby “Blue” Bland cover) Set 2: Deal(Jerry Garcia cover) (>) Playing in the Band(Bob Weir song) (>) The Other One(Grateful Dead cover) (verse 1) (>) Terrapin Station(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (> 'Unusual Occurrences in… more ) Uncle John's Band(Grateful Dead cover) (> 'Playing in the Band'… more ) Morning Dew(Bonnie Dobson cover) Encore: Ripple(Grateful Dead cover)
Set 1: Bertha(Grateful Dead cover) (>) Good Lovin'(The Rascals cover) (>) Loser(Jerry Garcia cover) High Time(Grateful Dead cover) (Oteil vocals) Samson and Delilah([traditional] cover) Althea(Grateful Dead cover) Dear Mr. Fantasy(Traffic cover) (>) Hey Jude(The Beatles cover) (coda only) (>) Bird Song(Jerry Garcia cover) Set 2: Help on the Way(Grateful Dead cover) (>) Slipknot!(Grateful Dead cover) (>) Franklin's Tower(Grateful Dead cover) Estimated Prophet(Grateful Dead cover) (>) Eyes of the World(Grateful Dead cover) (>) Drums(Grateful Dead cover) (with Oteil on banjo bass and… more ) Space(Grateful Dead cover) (>) Days Between(Grateful Dead cover) (>) Cumberland Blues(Grateful Dead cover) (>) Sugar Magnolia(Grateful Dead cover) Encore: Truckin'(Grateful Dead cover) (>) Brokedown Palace(Grateful Dead cover) (>) Not Fade Away(The Crickets cover) (Reprise from 7/14)
Adventurer, filmmaker, inventor, author, unlikely celebrity and conservationist: For over four decades, Jacques-Yves Cousteau and his explorations under the ocean became synonymous with a love of science and the natural world. As he learned to protect the environment, he brought the whole world with him, sounding alarms more than 50 years ago about the warming seas and our planet’s vulnerability. In BECOMING COUSTEAU, from National Geographic Documentary Films, two-time Academy Award®-nominated filmmaker Liz Garbus takes an inside look at Cousteau and his life, his iconic films and inventions, and the experiences that made him the 20th century’s most unique and renowned environmental voice — and the man who inspired generations to protect the Earth.