1865(NaN)

No Bruises(en)

“No Bruises” is a narrative short film that explores the cyclical nature of emotional abuse, played out in vignette-style glimpses into one man’s relationships with three different women over time.

How Am I Driving(en)

An expressionless man drives along a sterile freeway. Unaware of his concrete and steel surroundings he is consumed by the surface of his world. But is he so consumed that he is unable to see what’s underneath?

The Messenger(pt)

Vera, imprisoned at a military fortress during the dictatorship, 1969, get to know a soldier, Armando, who, in the face of torture, decides to take messages from Vera to his family and establishes an affective relationship with D. Maria, Vera’s mother. Despite the horrors of the time, the film works on this possibility of a dialogue between two lonely and lost human beings: a high-middle-class lady and a young southerner of rural origin. Today, Vera, aged 70, is a professor at the university, and debates with her students about politics, forgiveness and Hannah Arendt.

Küçük Balıklar Üzerine Bir Masal(tr)

Revolver(es)

Revolver, a trans sex worker, tells us the reason behind her nickname while facing violence and discrimination in the world of prostitution every night

Clouds Weep on the Greenness(fa)

A young girl is trying to relate to her grandmother's death which quickly becomes more than a personal loss.

More Than Friends(en)

A love story based around two characters - Angela and Tennille. Growing up through out the years Angela, a heterosexual female, never realizes that Tennille, a dominant female, is deeply in love with her. After several years of Angela being in the dark about Tennille's true feelings, she soon discovers the love that Tennille has for her and realizes those feelings are mutual.

Balak Ambedkar(en)

A story about the childhood of Dr. B.R. Ambedkar.

Drop(en)

Aging out of his art form, a contemporary dancer is forced to deal with an unknown future while desperately trying to save a young friend from a life of crime echoing his own shady past.

Above the Hospital(en)

A couple in their mid-20’s are forced to confront each other’s life goals when their friends unexpectedly surprise them at their place one rainy evening with "big news".

Pepijn(nl)

Escape(en)

A couple is stuck in an escape room, and a failing relationship, with no way out.

At My Mother's Age(es)

Papel(es)

With Difficulty Comes Ease(en)

Zainab, a recently widowed Muslim woman, endures the suffocating confines of her mother-in-law's home, where she must remain until the end of her mandatory mourning period. Burdened with financial woes and a secret pregnancy, an unlikely friendship becomes her lifeline as she confronts her grief and redefines her aspirations in a struggle to move on.

The Script(en)

Marcus Kendrick finds himself at a crossroads when presented with the opportunity of a lifetime. He approaches a studio that find his screenplay promising, giving his idea the chance to be developed at the potential cost of his creative integrity. His decision is the basis of his future career. Will he allow his dreams to be sold?

All the Things I Should Have Said(el)

In the countryside, a man lives isolated from the world. More than 200 years ago, a couple puts their naïve love for each other above anything else, with tragic results. Two people form a peculiar intertemporal conversation on the meaning of loss, grief and rediscovering one’s self after a life-altering event.

Not Yet(en)

Yourself(en)

A young painter attempts to create his magnum opus, struggling through weeks of mental torment and obliterating his sense of self. Day after day, he is faced with an uninvited guest.

Under the Lantern(de)

Else Riedel (Lissy Arna), locked out by her authoritarian father, seeks refuge with her boyfriend Hans. Complications threaten when Hans's roommate Max falls in love with her, but the situation is resolved: the three remain friends, and decide to form a music hall act. They want to ascend, but how? A way out beckons when a theatrical agent named Nevin enters Else’s life. He is played by Hubert von Meyerinck as a slick and oily villain, who oozes refinement; his experience behind bars is waved away with a silk scarf. He is cunning to the point of perfidiousness, but is not completely unsympathetic. He also embodies a new type - the scrounger.