The fourth film in the Kanto Street Peddlers series. The protagonist, played by Bunta Sugawara sides with female boss Yumiko Nogawa to fight evil Hiroshi Nawa, who at one point employs rebellious young hood Tsunehiko Watase and Kagawa. Tatsuo Umemiya also shows up as a cool, leather jacket gunman who gains Sugawara’s respect despite playing for the opposing team. What eventually keeps this film from being as good as the first is the loose script that doesn’t really tie all the fun stuff into a coherent package. Much is forgiven however when the last 20 minutes arrives with several visually striking set pieces (including one death scene stylized to the point of ridiculousness) and a terrific final massacre. This was Suzuki’s last contribution to the series; the fifth and final picture would be helmed by Takashi Harada.
The fourth film in the Kanto Street Peddlers series. The protagonist, played by Bunta Sugawara sides with female boss Yumiko Nogawa to fight evil Hiroshi Nawa, who at one point employs rebellious young hood Tsunehiko Watase and Kagawa. Tatsuo Umemiya also shows up as a cool, leather jacket gunman who gains Sugawara’s respect despite playing for the opposing team. What eventually keeps this film from being as good as the first is the loose script that doesn’t really tie all the fun stuff into a coherent package. Much is forgiven however when the last 20 minutes arrives with several visually striking set pieces (including one death scene stylized to the point of ridiculousness) and a terrific final massacre. This was Suzuki’s last contribution to the series; the fifth and final picture would be helmed by Takashi Harada.
1971-02-13
0
A dangerous mobster threatens the life of a businessman's mother in this thriller. As Ryuji oversees the building of a bridge in Japan, a powerful gangster plans to stop the project. By any means necessary.
Osaka, 1907: Asajiro lives between a rock and a hard place: he has to keep his business clean and running, tame his late oyabun’s hot-blooded son and suffer the throes of his impossible love for beautiful geisha Hatsue.
It is the end of the Taisho era (1912-1926), and at the Hanazuki-tei theatre in Asakusa, the famous performance of storyteller Koiso Kikuji and performer Kataoka Koshin is reaching its climax when the Tawaraya family interferes... This is an entertaining action film bursting with righteousness and humanity, centred on men who try to live righteously against a corrupt boss who preys on the performers.
A cabdriver and a cop race to Paris to rescue a love interest and the Japanese minister of defense from kidnappers.
Ryotatsu, the wayward Priest blinded by Shinkai, the Wicked Priest, has his own story in this ultra-violent tale from the era of the Meiji Reconstruction. When a woman leaves her blind son at the Monastery, Ryotatsu is forced to teach the boy how to cope as a blind person in old Japan. When he takes the child with him on the road to find the boy's mother, they run afoul of not only yakuza gangsters, but some corrupt army officers have been trying to sway public opinion against the Satsuma rebels by posing as members of Saigo Takamori's group. It's a bloody mistake for them to underestimate the strength of the Blind Priest, and he'll make them pay with their lives!
It is the third film in the Gokudo series. In this episode, set in 1937, the main character of the series gang leader Shimamura is drafted into the military and fight in China.
Shiratori Tatsuhiko works as a scout for Burst, a talent agency in Kabukichō, Shinjuku's red light district. In a business where money means everything Tatsuhiko finds himself in a constant struggle between rival talent scouts and the yakuza.
Tension continues at the Kyowakai headquarters. Kawatani, Himuro, and Tamura are unable to hide their anger and confusion at the events that occur one after another, such as Shibuya's death and a series of absentees from meetings. Meanwhile, in Kobe, a new anti-chivalry group is starting to move. However, Baba, who plays the role of chairman and does not know about Shibuya's death, postpones the official raising of the company.
Financially troubled, a newbie hitman reluctantly takes the job of finding the plotted killer of a Japanese tycoon.
A man who became the third boss faces off against delinquent foreigners and villains vying to rule the underworld in order to develop the port city.
Sabu and his pals hold a pauper's funeral for Sabu's mother. His brother Jiro arrives home, fresh out of jail, and Sabu pointedly states that Jiro is not invited. Jiro meanwhile is planning a big job - steal 40 million in cash and drugs, and he invites Sabu and gang to act as decoys, for 50,000 each. The sting is a success, but the double-crossing starts almost immediately. Sabu discovers how little of the take they were promised and hides the stash. Jiro and his slimy partner pressure the kids to fess up. Meanwhile, their respectable elder brother Ichiro is being leaned on by the town's big boss, whose money it was.
Marc Schrader, a rookie cop caught red-handed with drugs in a police raid of an illegal rave, joins a homicide investigation conducted by Chief Inspector Minks. The victim is a naked young woman with the skin stripped off her back, killed as she staggered into traffic. As Schrader and Minks investigate the murder, the case is complicated by a finger found in the stomach of the victim. Forensic examination proves the finger belongs to Nobert Günzel, who was previously convicted of rape and assault. The police raid Günzel’s residence, and discover a blood-stained table with restraints and bits of human flesh in his basement. They also find video equipment and preserved, tattooed skin from the victim’s back. Soon, they found dead bodies buried in the garden. Günzel then goes missing.
Part 7 in a long running (8+1 films) action/comedy/melodrama series about a pair of short tempered, amoral, but not evil chinpira (Bunta Sugawara and Tamio Kawachi) thinking too big of themselves. Katsuji finds his long lost mother, who is a rich lady of a respectable family. Comedy and melodrama ensue. A thrilling spectacle with an overly violent ending, and a remarkable, Japan's only post-prison rape comedy, Masa is determined to have sex with the female guard, despite the fact that there is a bar between them. Michi Azuma (topless swordswoman from Lone Wolf and Cub: Baby Cart in Peril) plays a tomboy who wants to join her brothers.
In a small town on the Kasumigaura coast in the early Showa period, the Masukawa clan from Tokyo is trying to take away the interests of the local Isetoku family. Setsuko, the adopted daughter of the Isetoku family, falls in love with Seijiro, a travelling raven she meets on a whim. However, Koide, a businessman connected to the Masukawa clan, wants Setsuko to become his mistress... Setsuko puts aside her love and her regrets and bets on the greatest female challenge of her life!
A big American boss landed in Japan in search of funding sources. A lone wolf trying to stop it ends up fighting against his big brother's organization and emerging powers. A huge gangster story depicting a three-way turf war on a large scale.
Kunisada Chuji is a common folk hero who looks out for poor people in the country who are at the mercy of corrupt officials. Intent on fulfilling a dying wish from one of his henchmen, Asataro, to find a decent home for his young nephew, Chuji descends from his hide-out in the mountain, and heads to the city in spite of numerous dangers that await him there.
Murakawa, an aging Tokyo yakuza tiring of gangster life, is sent by his boss to Okinawa along with a few of his henchmen to help end a gang war, supposedly as mediators between two warring clans. He finds that the dispute between the clans is insignificant and whilst wondering why he was sent to Okinawa at all, his group is attacked in an ambush. The survivors flee and make a decision to lay low at the beach while they await further instructions.
Chiku is a devastated and dangerous town with 5 gangs fighting fiercely. Mugen and the Amamiya Brothers clashed, leading to Mugen disbanding.
A road movie about three persons traveling in a campervan on their way to Tokyo, Hamamatsu, and Kyoto. The film is based on the story of the heroine, a young girl named Momo, who was a member of the "21 Faces of Kaijin" gang involved in the Glico Morinaga Incident, and the film's ideas are remarkable, including the use of a tape recording of the actual incident.