El hombre cine mexicano: Pedro Infante, el mito(1994)

They Made Us the Night(es)

Supernatural visions and indigenous folk myths intrude in an unpredictable and dreamlike Mexican film about a family living in the shadow of the apocalypse. A living, organic work.

The Zapotec Chef(es)

After emigrating from his hometown in search of a better life, Chef Gaudencio Ruiz Mateo, defying all possibilities, found success at the highest level of his craft while longing to return home.

Saved From The Waters(es)

A biographical documentary about Moisés Avendaño, artist, athlete, sportsman, adventurer, and doctor from Veracruz, Mexico. Seen from his golden years, until his imminent encounter with Parkinson's disease, in the present.

A Breakfast Chronicle(es)

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

Perenne(es)

Rutina(es)

A closeted gay teen has to break through a daily routine that keeps him tied into a life full of fear and homophobia, even though the struggle eventually will take him to confront society itself.

Viva Mi Desgracia(es)

After drinking a special concoction made of various types of alcohol, the once-timid Ramon (Pedro Infante) suddenly turns into a brawler and extroverted ladies' man. With his newfound confidence, Ramon attempts to win the heart of the woman (María Antonieta Pons) he loves. Full of enjoyable songs and funny scenes, this entertaining Mexican musical centers on a wealthy man who finally realizes that money can't buy him love.

Desafane(es)

Situated on 1960’s student protests in Mexico City, uncomprehended and rebel, Lucía, must decide wether to stay home or leave her conservative family and old friends behind.

Failed Attempts To Hug Each Other(es)

Two brothers, estranged for years due to superficial disputes, face the impossibility of sharing their first Christmas after their grandmother's passing. A hybrid portrait of the impact of time on family relationships and the limits of reconciliation.

School for Buglars(es)

The police plan to capture a killer by using a double that looks exactly as one of his victims.

Capture Moment(es)

No desearás la mujer de tu hijo(es)

An elderly man falls in love with a beautiful young woman, without knowing that she is in love with his son.

Langostas a Domicilio(es)

Cheque and Lucas are two friends who, after winning the biggest lottery in the country, are ready to take the leap into their new life, the new rich millionaire life.

Una y otra y otra vez(es)

Mirreyes contra Godínez 2: El retiro(es)

They also sing of pain(es)

The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As Braulio stumbles around looking for his glasses, he causes a famous film star, Alfonso de Madrazo (Rafael Alcaide) to crash his car. Braulio offers him to eat at his house as an apology. Braulio's sister and mother, big film fans, immediately recognise Alfonso and attempt to get him to bring the girl, Luisa Peláez (Irma Dolores) to Mexico City to become a film star. Alfonso agrees and tells them to come to the capital.

Cuidado con el amor(es)

Salvador accompanied by two friends of his father whom he calls uncles, they arrive at a fair in the village, there he meets Ana. When he wins a bet he is paid with a mortgaged house, to his surprise upon entering the hom he realizes that Ana and her mother live in it, provoking a funny entanglement with an explosive final.

El mil amores(es)

Carmen has a daughter, Patricia, who attends a school for young ladies where they think Carmen is married to a sailor. Viviano is a friend of Carmen and when she needs it, he poses as the father of Patricia and she believes is her father. Actually, Viviano is engaged with Marilu

The Third Word(es)

The English-language title of this Mexican musical was The Third Word. Singer Pedro Infante stars as a pampered young man who is sheltered by his doting aunts. Deciding that their darling boy needs an education, the ladies hire pretty schoolteacher Marga Lopez. Upon discovering that her pupil is 28 years old, Marga is momentarily nonplused, but then settles into her duties. Inevitably, romance blossoms between Pedro and Marga, much to the aunts' dismay.

Gitana tenías que ser(es)

Pastora de los Reyes is a beautiful Spanish that goes to Mexico with a contract to film a movie. The main actors will receive her at the airport, among them is Paul, a little-known mariachi that has been chosen to become a new idol. Automatically, both had bad relations and during filming many discussions happens. This arguments gives way to a deep love.