Nicole Garcia, actrice-cinéaste(2023)

My Journey Through French Cinema(fr)

Famous French director Tavernier tells us about his fantastic voyage through the cinema of his country.

La La La(fr)

When the silent cinema learned to speak, the audience was surprised not only by the voices of the actors and the sound effects, but also by a new element, the music, which, combined with the dance and an unprejudiced imagination, gave rise to a new genre, as important to Hollywood cinema as the western was: the musical. A journey through the history of this genre, from its beginnings to the present day.

Elia Kazan: An Outsider(en)

Hour long documentary on the legendary director.

Alain Delon face au monde(fr)

John Ford Goes to War(en)

When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."

Michel Gondry: Do It Yourself(fr)

A portrait of French filmmaker Michel Gondry, creator, for three decades, of an imperfect, astonishing, fascinating, damaged and poetic work.

David Lean: A Self Portrait(en)

A television documentary on the life and career of British film director David Lean. Scenes of Lean directing are intercut with personal interviews in which the director explains his methods, the beginnings of his career, and his relationships with actors and actresses.

Mariupolis 2(ru)

In 2022, Mantas Kvedaravičius went back to Ukraine, Mariupol, at the heart of the war, to be with the people he had met and filmed in 2015. Following his death, his producers and collaborators have put all their strength into continuing transmitting his work, his vision and his films. Also a PhD in anthropology, Mantas Kvedaravičius wished to testify as a filmmaker as far as possible from the agitation of the media and the politicians. With huge force and sensitivity, Mariupolis 2 depicts life as it continues amidst the bombing and reveals images that convey both tragedy and hope.

My Best Fiend(de)

A film that describes the love-hate relationship between Werner Herzog and Klaus Kinski, the deep trust between the director and the actor, and their independently and simultaneously hatched plans to murder one another.

Gérard Philipe, le dernier hiver du Cid(fr)

An adaptation of Jérôme Garcin’s novel Le dernier hiver du cid, this documentary built exclusively on archive footage and a delicate story telling style will permit a Cannes style celebration of Gerard Philipe’s 100th birthday anniversary. He will also be coming back to the Croisette through the screening of Fanfan la tulipe.

Room 999(fr)

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

The Dinosaur(fi)

Acclaimed Finnish director Rauni Mollberg made several scandalous yet widely appreciated films. Former co-worker Veikko Aaltonen’s eye-opening documentary The Dinosaur looks at the relentless, often disturbing directing techniques behind Mollberg’s art and success.

Cannes : Palmes, scandales et tapis rouge(fr)

How could the Cannes Film Festival become the biggest cinema event in the world? For 75 years, Cannes has succeeded in this prodigy of placing cinema, its sometimes paltry splendors but also its requirements of great modern art, at the center of everything, as if, for ten days in May, nothing was more important than it. This film tells how Cannes has become the largest film festival in the world by opening up to cinematic modernity while never forgetting that cinema remains a performing art, a popular art.

Jean-Pierre Léaud: The Child of Cinema(fr)

A portrait of the legendary actor Jean-Pierre Léaud, icon of the French New Wave and closely linked to the work of François Truffaut and Jean-Luc Goddard.

Andrey Zvyagintsev. The Director(ru)

Portrait of director Andrey Zvyagintsev against the background of the filming of his film "Loveless".

Bernard Blier, façon puzzle(fr)

In a career spanning more than half a century, Bernard Blier has shot more than 180 films. He alone represents a history of French cinema without having spent his time cultivating its legend. He crossed his century as an actor with the modesty of a craftsman. He believed in learning, know-how and transmission. He considered himself, like the butcher or the cabinetmaker, as a man useful to his fellow men. Bernard Blier found in Louis Jouvet, who was his teacher at the Conservatory, a master at playing, a mentor and even a spiritual father. Jouvet taught Blier the love of acting, theater and Molière. And if he knew how to take hold of Michel Audiard's best tirades like no one else, notably those of the "Tontons Flingueurs", it is to this apprenticeship that he owes it.

The Dinosaur and the Baby(fr)

An hour-long discussion between Fritz Lang and Jean-Luc Godard in which they discuss a variety of art forms, the role of the cinema, their collaboration together, and much more. (Filmed in 1964 but released for TV in 1967.)

High Noon on the Waterfront(en)

An inventive remembrance of the impact of the Hollywood blacklist on two American classics, rendered as a visually mesmerizing dialogue between Carl Foreman and Elia Kazan.

Symbiopsychotaxiplasm: Take One(en)

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

Verstörung - und eine Art von Poesie. Die Filmlegende Bernhard Wicki(de)

Documentary about film director and actor Bernhard Wicki.