Family Buster[1994]

Pushover(en)

A man's life is upended by increasingly threatening phone calls demanding he leave a review for a paperweight purchased online.

Hello! Project DVD Magazine Vol.3(ja)

Various introductions corners, card games, quizes, 'Making Of', and concert 'Backstage Footage'.

Hard Guy Sniper(zh)

POWER(en)

In a groundbreaking project developed by MISCELLANEOUS Productions, a group of multi-barriered youth collaborated with a team of professional artists on POWER, an evening of solo performance pieces, ensemble drumming and dance numbers, all of which take a raw, honest look at the things that matter to youth in the community: power, racism, immigration, poverty, violence, sexism, addiction and love, presented at Vancouver’s Rhizome Café. This documentary focuses on four young artists -- Roberto, Natasha, Dakota, and Michael -- showing their struggles and their transformation through performance.

Artois the Goat(en)

Lab technician Virgil Gurdies struggles to choose between his truelove Angie and his newfound quest to create the greatest goat cheese the world has ever known.

The Magician and the Imp(fr)

The magician appears upon the stage with an imp as his assistant. The imp holds a piece of cloth in his hand. At the command of the magician the cloth is suddenly transformed into a beautiful girl, clad in tights. A barrel is then introduced and the girl enters one end.

Benedict Arnold: Hero Betrayed(en)

Benedict Arnold is not the villain of American history most people were taught to believe. New facts and never before presented material illuminate his heroic contributions to the American Revolution and explains his later change of allegiance.

Lass knacken, HELGE, HELGE, der Film! HELGE Life!(de)

Sasquatch(en)

Two friends who fake bigfoot sightings in The Lake District cause panic in a small town in Cumbria.

Boned(en)

A struggling actress must play the role of a detective in order to save an adorable Maltese puppy from a murderous group of Goth Thugs, a Devilish Dominatrix, and a handsome, lying doctor.

Festival of the Sacrifice(tr)

A family celebrating Eid al-Adha is terrorized by an assailant who has a very different idea of sacrifice.

The Yellow Wallpaper(en)

A dark and disturbing adaptation of Charlotte Perkins Gilman’s controversial gothic feminist horror story about patriarchy and hysteria. Jane, a writer and young mother, is prescribed a rest treatment by her physician husband John, who takes her to a remote country estate for the summer. She becomes obsessed with the peculiar yellow wallpaper in the bedroom he has chosen for her. In her isolation, she secretly writes about a woman trapped in the wallpaper—that she must free.

Titanic Waltz(ro)

Based on a play by Tudor Mușatescu, Titanic Vals is the essence of Romanian genius in comedy, with amazing performances and the beautiful absurd of the quotidian.

A Distant Place(ko)

A sheep farmer whose remote and quiet life is disturbed by the arrival of both his lover and his twin sister.

Stairway to Heaven(et)

With his last breath Uu's friend entrusts him with the secret of how to go to the past. Uu is an engineer and doesn't believe in miracles, but the trick works. In the past there is a pleasant, eternal summer, long hair, girls and Jenkki chewing gum. In his real life, it is autumn, his friends are bitter, the girls are married and his father is seriously ill. At the end of the day, however, Uu has to decide in which time to live his life - in the summer of the past or in the autumn of the present.

Mummy Shark(en)

Deep within the hidden chambers of an ancient Egyptian pyramid, a shocking discovery is made: the mummified remains of an alien shark. Guarding this creature is a vengeful mystic who brings the beast back to life, unleashing it upon a group of unsuspecting researchers.

Play Dead!(fr)

If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.