1983-01-01
4
When the gang goes on safari, they encounter a variety of freaky, glowing demon animals.
Coming from outer space, an intergalactic cow invites BoOzy’ OS to join the biggest animation film festival of the universe. BoOzy’ imagines himself winning the competition and decides to seek the famous "Cristal" of Annecy, with the help of OSmic the Hedgeh' OS and other cool dudes. But the dark paunchy Mari' OS is determined to recover the loot before him.
2112; the summer before Akane Tsunemori was assigned to Division One of the Public Safety Bureau's Criminal Investigation Department. Teppei Sugo, an accomplished pilot of the Defense Army's 15th Integrated Task Force, joins the military operation in Okinawa. Three months later, an unmanned combat drone opens fire on the Ministry of Defense in Tokyo. Enforcer Tomomi Masaoka of CID Division One is dispatched to Sugo's military base to investigate the truth behind this case.
A terrorist group invades a laboratory containing a deadly bacteria and destroys the lab with an explosion. They later announce via the internet they have gained possession of the bacteria and declare themselves to be the Red Siamese Cats, a terrorist group that was eradicated a decade ago.
It's the final chapter in the cult classic Class of Nuke'Em High Trilogy, and this time the fate of Tromaville hangs in the balance! Following the destruction of the Nukamama Power Plant by the lovable and horribly mutated toxic squirrel Tromie. Roger Smith (Brick Bronsky) and his half-subhumanoid son Adlai (also played by Brick Bronsky) are working to rebuild Tromaville into a place where human and subhumanoid can live together in peace. Unbeknownst to them, Adlai's twin brother Dick (again played by Brick Bronsky!), kidnapped at birth and raised by the evil Power Clite, has plans to regain contol of the Subhumanoids and turn Tromaville into a nuclear waste dump. In a showdown for the ages, "The Good, the Bad and the Subhumanoid" face off in an explosive sci-fi battle of epic proportions!
John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.
During the Napoleonic wars, a Spanish officer and an opposing officer find a book written by the former's grandfather.
The Fixies are little creatures that, unseen by humans, help them maintain their appliances – and generally make sure things don’t fall apart… Until an unexpected occurrence of gargantuan proportions threatens to reveal the Fixies’ existence!
February 1999. Both ceremonies disappeared before Mikiya Kuroiri. And a continuous hunting murder case that recurs to match it. Three years ago, he called himself a murderer. Mikiya vowed to continue believing. Mikiya begins investigating the murder case to prove the innocence of the ceremony. Meanwhile, Mikiya reunited with a senior high school senior, Sakuji Shirazumi, triggered by a drug case.
“2048: Nowhere to Run” takes place one year before the events of Blade Runner 2049. The short film focuses on Sapper, a man who is trying to make it through life day-by-day without turning back to his old ways. We’re introduced to both the gentle nature of Sapper and the violence he’s capable of when set off.
Shrek, Fiona, and Donkey set off to Far, Far Away to meet Fiona's mother and father, the Queen and King. But not everyone is happily ever after. Shrek and the King find it difficult to get along, and there's tension in the marriage. The Fairy Godmother discovers that Fiona has married Shrek instead of her son Prince Charming and plots to destroy their marriage.
Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.
On their last night of spring break, four old friends, now all college freshmen, realize their small town has more meaning than they ever imagined.
This highly acclaimed feature film on Pope John Paul II was filmed on location in Italy and Poland. Focusing on the papacy of John Paul and the tremendous impact he had on the Church and the world, Karol: The Pope, The Man stars actor Piotr Adamczyk in a deeply moving portrayal of the beloved pontiff. It is the powerful true story of a charismatic spiritual leader who helped bring down Communism, renewed the life of the Church, greatly impacted youth worldwide with love for Christ, and a Pope who reached out to other religions and world leaders with a message of peace and love. Also stars Raoul Bova (Saint Francis), Michele Placido (Padre Pio: Between Heaven and Earth) and Adriana Asti as Mother Teresa. The beautiful film score is by legendary film composer Ennio Morricone.
Set a day after the Syrian war began, Dayan paints a portrait of the thousands of refugees unable to return to their families once borders were established by terrorist groups. Seiban, an aging Syrian father living in exile with his family, has to make a choice: part with his special-needs children in order to escape, or keep them close and put the family's lives at the mercy of the military. As he struggles to decide, the world around his family crumbles under the weight of war, leaving little hope for their survival.
The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times