Stalags were pocket books whose plots revealed lusty female SS officers sexually abusing camp prisoners. During the 1960s, parallel to the trial held against Nazi war criminal Adolf Eichmann, sales of this pornographic literature broke all records in Israel and hundreds of thousands of copies were sold at kiosks. The popularity of the Stalags only declined after a much-reported trial, in which their authors were accused of distributing anti-Semitic pornography. This film examines the notorious phenomenon, exposing the creators of this genre for the first time. It posits that the combination of pornography and the Holocaust also appears in canonic Holocaust literature and continues to be a widespread part of the representation of the Holocaust in Israel today.
Stalags were pocket books whose plots revealed lusty female SS officers sexually abusing camp prisoners. During the 1960s, parallel to the trial held against Nazi war criminal Adolf Eichmann, sales of this pornographic literature broke all records in Israel and hundreds of thousands of copies were sold at kiosks. The popularity of the Stalags only declined after a much-reported trial, in which their authors were accused of distributing anti-Semitic pornography. This film examines the notorious phenomenon, exposing the creators of this genre for the first time. It posits that the combination of pornography and the Holocaust also appears in canonic Holocaust literature and continues to be a widespread part of the representation of the Holocaust in Israel today.
2008-04-09
6.3
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.
Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.
For the past 150 years, humanity’s two greatest nations have been deadlocked in a meaningless war. In what is hoped to be a miraculous victory, the Alliance embarks on a battle to break through the Empire’s frontline. Like many other “decisive” battles, this can only end in disaster; a sentiment shared by Imperial nobleman Reinhard von Lohengramm and Alliance Commodore Yang Wen Li, both of whom realize how to turn the fight in their favor. And while the tides of war may never change, these two men must rise to the occasion, solidifying their place in history as heroes.
Ava, an award-winning chef at a big-city restaurant, has lost her spark. Her boss sends her out to find herself to save her menu and her job. She returns home and finds little to inspire her, but when she reunites with her childhood friend Logan, Ava has to get her head out of the clouds and her foot out of her mouth to rediscover her passion for food.
This documentary about the life and work of filmmaker Jean Painlevé was originally presented in eight parts on French television. It was edited to remove duplicated material from its original length of 240 minutes.
The latest edition of Alex McPherson’s true crime podcast leads her and most of the Chronicle staff to nearby Macklin, where they investigate the death of a vintner that was ruled an accident by the local police.
BLACK METAL SATANICA is an in-depth documentary capturing the dark, mystical and evil history of the Black Metal genre. Based on Scandinavian Viking lore, Black Metal borrows from ancient Viking melodies, lyrics and mythology dating back to the 11th century.
Life flows in its everyday reality, but then suddenly something elusive changes its course. All that is left is the chance to plunge into memories where everything is preserved, as if in a museum.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
In the first part, the students complain that classic works of literature have no bearing on modern life - and find themselves in a situation strangely resembling something they've read... It's Gogol's "Inspector General" - but set in a summer camp... In the second part, after reading Don Quixote, the ever-adventurous Vasechkin convinces more cautious Petrov that he has found a game that they could play for life. No sooner they go off than Vasechkin, on a bike, brandishing an umbrella, attacks a giant... That is, a windmill...
Posing as hunters, a group of terrorists are in search of $100 million that was stolen and lost in a plane crash en route from Afghanistan.
A very human tech doc, uncovers the real costs of the platform economy through the lives of workers from around the world for companies including Uber, Amazon and Deliveroo. From delivering food and driving ride shares to tagging images for AI, millions of people around the world are finding work task by task online. The gig economy is worth over 5 trillion USD globally, and growing. And yet the stories of the workers behind this tech revolution have gone largely neglected. Who are the people in this shadow workforce? It brings their stories into the light. Lured by the promise of flexible work hours, independence, and control over time and money, workers from around the world have found a very different reality. Work conditions are often dangerous, pay often changes without notice, and workers can effectively be fired through deactivation or a bad rating. Through an engaging global cast of characters, it reveals how the magic of technology we are being sold might not be magic at all.
WELCOME TO THE ALAMO DRAFTHOUSE CINEMA, the most awesome post-modern hot spot for exploitation movie revival, deep in the heart of Texas! Home to world-famous events such as The Quentin Tarantino Film Fest, Fantastic Fest and Butt-Numb-A-Thon, the Alamo is one of the last places on earth where you can still see grindhouse classics such as THE DEVIL WITHIN HER and MAD MONKEY KUNG FU. Now, the Alamo has opened their vaults for a peek at some of the most outrageous cinematic gems from several golden ages of sleaze cinema. Digitally re-mastered in high-definition from the actual reels that show every week at the Alamo, this exciting edition of the 42ND STREET FOREVER series is the most bizarre, the most terrifying and the most hilarious one yet!
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
The question of "who hunts virgins" and more will be stripped down and explored in the sexiest trailers hosted by Playboy's Nikki Leigh.
A pseudo-documentary, “Samarang” tells the story of lowly Ahmang (Captain A.V. Cockle) and his socially superior love, Sai-Yu (Theresa Seth). Both live in the village of Samarang in the Indian Ocean. Because Sai-Yu is the daughter of a chief and Ahmang is but a poor fisherman, he needs to increase his wealth before asking for her hand. Thus he accepts the perilous offer of the wily Chang-Fu, who seeks pearl divers. Ahmang must brave the treacherous waters of the Forbidden Lagoon of Sakai, home to bloodthirsty cannibals, killer sharks, and a monstrous grasping octopus. Sai-Yu and Ahmang’s younger brother Ko-Hai come along for kicks, too. Ahmang finds his pearl, but he and Sai-Yu are stranded on the island, where they befriend a local orangutan. When they return to the boat, a shark kills Ko-Hai, and Ahmang must get revenge.
A Victorian surgeon rescues a heavily disfigured man being mistreated by his "owner" as a side-show freak. Behind his monstrous façade, there is revealed a person of great intelligence and sensitivity. Based on the true story of Joseph Merrick (called John Merrick in the film), a severely deformed man in 19th century London.
Twenty-third volume of Something Weird Videos on going series in their collection of American and European sexploitation trailers from the 1950s to the 1970s.
A dialogue-free documentary on former magazine model Pandora Peaks, with narration by Peaks and Meyer.
A young journalist interviews an elderly woman about being forced into prostitution in Borneo at a brothel called Sandakan No. 8.
Near the end of WW2, prisoners of war are used in experiments to perfect the Arian race.
Mondo Cane and the Schoolgirl Report series stand as obvious influences on this occasionally amusing but generally rather tedious exploitation film that alternates between documentary, fake documentary and docudrama. The theme is Satanism and the linking thread is a recreation of what is supposedly the real-life case of a murder and attempted murder of two Munich teenage men by a quartet of girls who had been dabbling in devil worship. During the ensuing trial, the lawyer resorts to dilatory tactics while the hearing is frequently interrupted by the girls breaking into incantation, temper tantrums or shivery fits ostensibly bearing on demonic possession. When the subject of the Manson killings is brought up, the most obnoxious of the defendants breaks in indignantly, claiming that Sharon Tate’s “execution” was justified as she posed dangers to the Satanic community.
Siberia 1953: Ilsa is now working in a Gulag prison camp. Her mission is to "retrain the minds" of those who don't agree with the communists.
Ilsa, a warden at a Nazi death camp that conducts experiments on prisoners, strives to prove that women can withstand more pain and suffering than men, and therefore should be allowed to fight on the frontlines.
Lise Cohen is taken to a special prisoner-of-war camp for female Jews, a camp run as a bordello to entertain the German officers and troops going in to battle. The camp is run with an iron fist by Commandant Starker and his minion Alma. Starker becomes frustrated when Lise demonstrates no fear, and devises cruel experiments to scare her, to no avail. Once she realizes her guilt is unfounded, Lise begins to play Starker's game, but even though she begins living a better life, she doesn't forget the atrocities she has seen and experienced.
Exposing the dark underbelly of modern animal agriculture through drones, hidden & handheld cameras, the feature-length film explores the morality and validity of our dominion over the animal kingdom.
Cousins Menahem Golan and Yoram Globus relive the creation, rise and fall of their independent film company, Cannon Films. This documentary recounts their many successes and discusses their eventual downfall.
A prisoner is forced to serve as a doctor's assistant, giving her a front row seat for the horrible goings-on. There's the experiment to revive Nazi soldiers who have frozen to death by having nude women rub their bodies all over the corpse (that one works), and the experiment tries to "cure" homosexual men by having nude women dance for them. This is only some of the horrors that are going on there.
The moral dimension of humanity's interaction with nonhuman animals and the industries that profit from their exploitation, as informed by world religions. A historical explanation of how the current global situation came to be.
Not My Life comprehensively depicts the cruel and dehumanizing practices of human trafficking and modern slavery on a global scale. Filmed on five continents, in a dozen countries, Not My Life takes viewers into a world where millions of children are exploited through an astonishing array of practices including forced labor, sex tourism, sexual exploitation, and child soldiering.
Documentary on various horror movies that Joe D'Amato directed and/or produced in the 1970's, 1980's, and early 1990's.