Castiglione d'Otranto, in the South of Italy. A group of thirty-year-olds no longer accept that the solution to the economic, ecological and political problems of the territory is always "to leave". They propose to the villagers who own pieces of uncultivated land, often felt as a burden, to put them in common. They decide to stay, to link their lives to the land and to invest in a value: being together. Castiglione becomes the village of restance. They cultivate ancient seeds and local biodiversity, they make decisions together, they develop a local economy. Accepting the shadows of the past, another potential of the place is rediscovered.
Viva El Vedado presents the history of the Havana neighborhood of El Vedado from the last quarter of the 19th century through the Cuban Revolution and highlights its varied and outstanding architecture. Known as a cultural center of Havana, Vedado is particularly notable for its unique collection of Cuban architecture of the 20th century. The film’s goal is to introduce its audiences to the neighborhood’s remarkable architecture, its vibrant life, and the need for preserving Vedado as part of Havana’s heritage. It is a glimpse beyond tourist fantasies and stereotypes, a rare view of one of Havana’s most important neighborhoods.
At the beginning of the 1980s, a group of Germans ventured into a social experiment: in the remote hills of Umbria, they founded a self-sufficient community beyond consumerism and bland gainful employment. After 40 years, the rural commune still exists. Not all the plans have come to fruition over the years. How are the dropouts doing today?
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
How can structures, which take up defined, rigid portions of space, make us feel transcendence? How can chapels turn into places of introspection? How can walls grant boundless freedom? Driven by intense childhood impressions, director Christoph Schaub visits extraordinary churches, both ancient and futuristic, and discovers works of art that take him up to the skies and all the way down to the bottom of the ocean. With the help of architects Peter Zumthor, Peter Märkli, and Álvaro Siza Vieira, artists James Turrell and Cristina Iglesias, and drummer Sergé “Jojo” Mayer, he tries to make sense of the world and decipher our spiritual experiences using the seemingly abstract concepts of light, time, rhythm, sound, and shape. The superb cinematography turns this contemplative search into a multi-sensory experience.
In Bettina Büttner’s exquisitely lucid documentary Kinder (Kids), childhood dysfunction, loneliness, and pent-up emotion run wild at an all-boys group home in southern Germany. The children interned here include ten-year-olds Marvin and Tommy. Marvin, fiddling with a mini plastic Lego sword, explains matter-of-factly to the camera, “This is a knife. You use it to cut stomachs open.” Dennis, who is even younger, is seen in a hysteric fit, mimicking some pornographic scene. Boys will be boys, but innocence is disproportionately spare here. Choosing not to dwell on the harsh specifics, Büttner reveals the disconcerting manner in which traumatic episodes can manifest themselves in the mundane — a game of Lego, Hide and Seek, or Truth or Dare. Filmed in lapidary black-and-white, Büttner’s fascinating film sheds light on childhood from the boys’ characteristically disadvantaged perspective — one not yet fully cognizant — leaving much ethically to ponder over.
In Barcelona, the Casa Batlló alone sums up the genius of Antoni Gaudí. During the exhibition devoted to it by the Musée d'Orsay, we take a guided tour of this eccentric, colorful residence, completed in 1906.
Based on a series of interviews documentary film maker Anders Wahlgren made with architect Sven Markelius in 1969. Sven Markelius was one of the most radical architects in Sweden for many years. Since these interviews were the only recorded interviews made with Markelius we can get some insight into his philosophy 50 years later.
Documentary feature about 11-time Jeopardy! champion and Internet iconoclast, Arthur Chu.
In 2024, the iconic Rietveld Schröder House in Utrecht will celebrate its 100th anniversary. Gerrit Rietveld designed and built the house in close collaboration with his secret lover and creative partner Truus Schröder. Rietveld himself did not build his houses for eternity; he thought a life cycle of 50 years was sufficient. But the current owners of houses designed by Rietveld think differently about this. They pull out all the stops to renovate and preserve their Rietveld houses.
The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.
An exploration of Cologne Cathedral, an emblematic monument and world heritage site. The towering place of worship took over 600 years to complete. Once the tallest building in the world, its ornate facade remains a masterpiece of Gothic architecture - and a reflection of the evolution of Franco-German relations.
The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
Nebraska's Capitol is a national historic landmark ... a masterpiece of art and architecture, and the spirit of everything Nebraskan. Explore the enduring nature of Nebraska's statehouse and how its visionary design portrays Nebraska's people, its history, and democracy.